Jimmy Buffett And Philosophy

Jimmy Buffett and his music have touched the lives of millions of people around the world, spanning generations and genres. But is Buffett's music just a good time, or is there a deeper level to it? Jimmy Buffett and Philosophy shows the philosophical side of this self-proclaimed non-philosopher's work. The articles in this book provide an accessible approach to thinking about Buffett's music philosophically and to thinking about philosophy from the perspective of Jimmy Buffett's music. Along the way, questions are raised about figures in the philosophical tradition from ancient to contemporary — Epicurus, Diogenes, Heidegger, Josiah Royce, William James, John Dewey, and Judith Butler. In addition, questions about a wide range of traditional philosophical issues, including aesthetic theory, identity, knowledge, culture, and being, are explored.

Wander to "where the song of the ocean / Meets the salty piece of land" with Tully Mars, washed up from Margaritaville and in the mood for monkeyshines, in a shimmering Caribbean epic by the late king of tropical rock, Jimmy Buffett. It's not on any chart, but the tropical island of Cayo Loco is the perfect place to run away from all your problems. Waking from a ganja buzz on the beach in Tulum, Tully can't believe his eyes when a 142-foot schooner emerges out of the ocean mist. At its helm is Cleopatra Highbourne, the eccentric 101-year-old sea captain who will take him to a lighthouse on a salty piece of land that will change his life forever. From a lovely sunset sail in Punta Margarita to a wild spring-break foam party in San Pedro, Tully encounters an assortment of treasure hunters, rock stars, sailors, seaplane pilots, pirates, and even a ghost or two.

#1 NEW YORK TIMES BESTSELLER • This is the ultimate Jimmy Buffett philosophy on life and how to live it, “like sitting with Buffett at a beachside bar, listening to him spin tales” (Time). “Buffett took his family on a three-week trek around the Caribbean. . . . His colorful travelogue is interspersed with memoirs of his youth and music career—both of which revolve around his continuing search for the perfect fishing spot.”—USA Today For Parrotheads, armchair adventurers, and anyone who appreciates a good yarn and a hearty laugh, here is the ultimate backstage pass. You’ll read the kind of stories Jimmy usually reserves for his closest friends and you'll see a wonderful, wacky life through the eyes of the man who's lived it. Jimmy takes us from the legendary pirate coves of the Florida Keys to the ruins of ancient Cartegena. Along the way, we hear a tale or two of how he got his start in New Orleans, how he discovered his passion for flying planes, and how he almost died in a watery crash in Nantucket harbor. We follow Jimmy to jungle outposts in Costa Rica and on a meandering trip down the Amazon, through hair-raising negotiations with gun-toting customs officials and a three-year-old aspiring co-pilot. And he is the inimitable Jimmy Buffett through it all.

The singer/songwriter displays his gift for creating witty, laid-back Southern stories in a collection of bizarre tales and thoughtful essays.

A candid, compelling, and rollicking portrait of the pirate captain of Margaritaville—Jimmy Buffett. In Jimmy Buffett: A Good Life All the Way, acclaimed music critic Ryan White has crafted the first definitive account of Buffett’s rise from singing songs for beer to his emergence as a tropical icon and CEO behind the Margaritaville industrial complex, a vast network of merchandise, chain restaurants, resorts, and lifestyle products all inspired by his sunny but disillusioned hit “Margaritaville.” Filled with interviews from friends, musicians, Coral Reefer Band members past and present, and business partners who were there, this book is a top-down joyride with plenty of side trips and meanderings from Mobile and Pascagoula to New Orleans, Key West, down into the islands aboard the Euphoria and the Euphoria II, and into the studios and onto the stages where the foundation of Buffett’s reputation was laid. Buffett wasn’t always the pied piper of beaches, bars, and laid-back living. Born on the Gulf Coast, the son of a son of a sailing ship captain, Buffett scuffed around New Orleans in the late sixties, flunked out of Nashville (and a marriage) in 1971, and found refuge among the artists, dopers, shrimpers, and genuine characters who’d collected at the end of the road in Key West. And it was there, in those waning outlaw days at the last American exit, where Buffett, like Hemingway before him, found his voice and eventually brought to life the song that would launch Parrot Head nation. And just where is Margaritaville? It’s wherever it’s five o’clock; it’s wherever there’s a breeze and salt in the air; and it’s wherever Buffett sets his bare feet, smiles, and sings his songs.

Sister Moonbeam-Goom-jigi, a hallucinatory, burned out, hippy flower child of the 1960's, wrongfully thinks her late-in-life son is the by-product of an imagined one-night stand with Jimmy Buffett. Her final words inadvertently send her 14-year-old son on a quest to find his namesake famous father. "Searching for Jimmy Buffett" is a hilarious, politically incorrect book full of non-stop humor.

True stories of writers and pirates, painters and potheads, guitar pickers and drug merchants in Key West in the 1970s. For Hemingway and Fitzgerald, there was Paris in the twenties. For others, later, there was Greenwich Village, Big Sur, and Woodstock. But for an even later generation—one defined by the likes of Jimmy Buffett, Tom McGuane, and Hunter S. Thompson—there was another moveable feast: Key West, Florida. The small town on the two-by-four-mile island has long been an artistic haven, a wild refuge for people of all persuasions, and the inspirational home for a league of great American writers. Some of the artists went there to be literary he-men. Some went to re-create themselves. Others just went to disappear—and succeeded. No matter what inspired the trip, Key West in the seventies was the right place at the right time, where and when an astonishing collection of artists wove a web of creative inspiration. Mile Marker Zero tells the story of how these writers and artists found their identities in Key West and maintained their friendships over the decades, despite oceans of booze and boatloads of pot, through serial marriages and sexual escapades, in that dangerous paradise. Unlike the “Lost Generation” of Paris in the twenties, we have a generation that invented, reinvented, and found itself at the unending cocktail party at the end—and the beginning—of America’s highway.

Metaphysical Graffiti explores the philosophical themes prevalent in the music of the classic rock era. Each chapter is a detailed study of a classic rock performer or ensemble, applying insights from philosophers ancient and modern. It will appeal to an audience that was inspired by the music of the 1960s, 1970s, and 1980s. In the words of the author, “Philosophy is in this music and it is of this music and for this music.” The author is an accomplished professor of philosophy and also an accomplished musician, who plays in the folk rock group, Bone Dry River Band. Among the chapters included in this book “Frenzy” applies Plato and mystery religion to the Rolling Stones, “An Everlasting Kiss: The Seduction of Wendy” applies Vico to Bruce Springsteen, “Warm Impermanence” applies Danto and Andy Warhol to David Bowie, “Magic Pages and Mythic Plants” applies Cassirer to Led Zeppelin, “A Touch of Grey: Gratefully Dead?” applies Kant and Whitehead to the Grateful Dead, “Yesterday’s Tom Sawyers” applies Suzanne Langer to Rush, and “Dead Reckoning and Tacking the Winds of Fortune and Fate” applies Machiavelli to Jimmy Buffett.