John Donne The Flea And Andrew Marvell To His Coy Mistress

Seminar paper from the year 2007 in the subject English Language and Literature Studies - Literature, grade: 1,7, Bielefeld University (Universität), course: A Survey of British Literature, 13 entries in the bibliography, language: English, abstract: - definition of metaphysical poetry and conceits. - analysis of conceits in the poems "To His Coy Mistress" and "The Flea" with regard to virginity, sexuality and seduction in poetry of the 17th century. - comparison of Donne\'s and Marvell\'s Poetry. - conclusion.

An enigmatic men, whose poems balance opposing principles-Royalism and Republicanism, spirituality and sexuality.

Essay from the year 2011 in the subject English - Grammar, Style, Working Technique, grade: A, Lindenwood University (-), language: English, abstract: Back in the seventeenth century, a woman’s responsibility was to preserve her virginity until marriage. A woman who had sexual intercourse before her wedding was considered undesirable and a slut. At the same time, men had sexual needs and desires that they wanted to fulfill, may they be married to the woman of their choice or not. Dealing with this issue of virginity and the concept of using time to its fullest (carpe diem—Latin for “seize the day”) are two of the most famous poems of this time. Robert Herrick’s “To the Virgins, to Make Much of Time” as well as Andrew Marvell’s “To His Coy Mistress” have a similar opinion about how a woman should use her youth and virginity, but have different ideas about whether to get married first or not.

In The Art of Poetry, Shira Wolosky provides a dazzling introduction to an art whose emphasis on verbal music, wordplay, and dodging the merely literal makes it at once the most beguiling and most challenging of literary forms. A uniquely comprehensive, step-by-step introduction to poetic form, The Art of Poetry moves progressively from smaller units such as the word, line, and image, to larger features such as verse forms and voice. In fourteen engaging, beautifully written chapters, Wolosky explores in depth how poetry does what it does while offering brilliant readings of some of the finest lyric poetry in the English and American traditions. Both readers new to poetry and poetry veterans will be moved and enlightened as Wolosky interprets work by William Shakespeare, John Donne, William Blake, William Wordsworth, Emily Dickinson, Robert Frost, Sylvia Plath, and others. The book includes a superb two-chapter discussion of the sonnet's form and history, and represents the first poetry guide to introduce gender as a basic element of analysis. In contrast to many existing guides, which focus on selected formal aspects like metrics or present definitions and examples in a handbook format, The Art of Poetry covers the full landscape of poetry's subtle art while showing readers how to comprehend a poetic text in all its dimensions. Other special features include Wolosky's consideration of historical background for the developments she discusses, and the way her book is designed to acquaint or reacquaint readers with the core of the lyric tradition in English. Lively, accessible, and original, The Art of Poetry will be a rich source of inspiration for students, general readers, and those who teach poetry.

Created specifically for the AQA A/AS level English literature A specification for first teaching from 2015, this print student book is suitable for all abilities, providing stretch opportunities for the more able and additional scaffolding for those who need it. Helping bridge the gap between GCSE and A level, the unique three-part structure focuses on texts within a particular time period and supports students in interpreting texts and reflecting on how writers make meaning.

America’s most provocative intellectual brings her blazing powers of analysis to the most famous poems of the Western tradition—and unearths some previously obscure verses worthy of a place in our canon. Combining close reading with a panoramic breadth of learning, Camille Paglia sharpens our understanding of poems we thought we knew, from Shakespeare to Dickinson to Plath, and makes a case for including in the canon works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut—and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn is a modern classic that excites even seasoned poetry lovers—and continues to create generations of new ones.