John Locke And The Rhetoric Of Modernity

Philip Vogt reassesses specific aspects of Lockean rhetoric: the theory and use of analogy, the characteristic tropes, the topoi that connected Locke with his original and later audiences.

During the British Enlightenment, the correlation between effective communication and moral excellence was undisputed—so much so that rhetoric was taught as a means of instilling desirable values in students. In Rhetorical Style and Bourgeois Virtue, Mark Garrett Longaker explores the connections between rhetoric and ethics in the context of the history of capitalism. Longaker’s study lingers on four British intellectuals from the late seventeenth to the mid-nineteenth century: philosopher John Locke, political economist Adam Smith, rhetorical theorist Hugh Blair, and sociologist Herbert Spencer. Across one hundred and fifty years, these influential men sought to mold British students into good bourgeois citizens by teaching them the discursive habits of clarity, sincerity, moderation, and economy, all with one incontrovertible truth in mind: the free market requires virtuous participants in order to thrive. Through these four case studies—written as biographically focused yet socially attentive intellectual histories—Longaker portrays the British rhetorical tradition as beholden to the dual masters of ethics and economics, and he sheds new light on the deliberate intellectual engineering implicit in Enlightenment pedagogy.

John Locke described the mind as a cabinet; Robert Hooke called it a repository; Joseph Addison imagined a drawer of medals. Each of these philosophers was an avid collector and curator of books, coins, and cultural artifacts. It is therefore no coincidence that when they wrote about the mental work of reason and imagination, they modeled their powers of intellect in terms of collecting, cataloging, and classification. The Mind Is a Collection approaches seventeenth- and eighteenth-century metaphors of the mind from a material point of view. Each of the book's six chapters is organized as a series of linked exhibits that speak to a single aspect of Enlightenment philosophies of mind. From his first chapter, on metaphor, to the last one, on dispossession, Sean Silver looks at ways that abstract theories referred to cognitive ecologies—systems crafted to enable certain kinds of thinking, such as libraries, workshops, notebooks, collections, and gardens. In doing so, he demonstrates the crossings-over of material into ideal, ideal into material, and the ways in which an idea might repeatedly turn up in an object, or a range of objects might repeatedly stand for an idea. A brief conclusion examines the afterlife of the metaphor of mind as collection, as it turns up in present-day cognitive studies. Modern cognitive theory has been applied to the microcomputer, and while the object is new, the habit is as old as the Enlightenment. By examining lived environments and embodied habits from 1660 to 1800, Silver demonstrates that the philosophical dualism that separated mind from body and idea from thing was inextricably established through active engagement with crafted ecologies.

In den vergangenen Jahrzehnten hat die Metapher in der Philosophie zunehmend Beachtung gefunden und wurde zu einem zentralen Thema, mit dem Kant sich in seiner kritischen Philosophie in Begriffen von Analogie und Symbolisierung beschäftigt. Sein Beitrag zur Entwicklung unseres Verständnisses der Rolle, die Bilder, Metaphern und Symbole in theoretischer und praktischer Hinsicht leisten, ist bedeutend; zudem ist Kant selber auch als Schöpfer von Metaphern weithin bekannt. Symbole, Analogien und ästhetische Ideen sind unleugbar metaphorische Verfahren, die eine ebenso grundlegende wie systematische Funktion in Kants philosophischer Sprache einnehmen. – Dieser Sammelband ist das Ergebnis einer neueren Initiative seitens einer internationalen Gruppe von mit Kant befassten Philosophen und Kant-Spezialisten, um die Erforschung von Themen zu befördern, die noch nicht umfassend bearbeitet sind. Das trifft mit Sicherheit auf die „Metapher“-Thematik in Kants Philosophie zu, der der vorliegende Band gewidmet ist. In recent decades, metaphor has become a respectable and central theme in philosophy. In his critical philosophy, Kant treats this theme in terms of the notions of analogy and symbolization. In addition to contributing significantly to the development of our understanding of the role played by images, metaphors and symbols in both theoretical and practical issues, Kant is also widely recognized as a great creator of metaphors in his own right. Symbols, analogies and aesthetic ideas are undeniably metaphorical processes, which fulfill a function in Kant’s philosophical language that is as fundamental as it is systematic. This collected volume is the result of a recent initiative on the part of an international group of Kantian philosophers and scholars to promote research on topics that have yet to be thoroughly explored in academic research. This is certainly true of the topic of metaphor in Kant’s philosophy, to which the present volume is devoted.

In Authority Figures, Torrey Shanks uncovers the essential but largely unappreciated place of rhetoric in John Locke’s political and philosophical thought. Locke’s well-known hostility to rhetoric has obscured an important debt to figural and inventive language. Here, Shanks traces the close ties between rhetoric and experience as they form the basis for a theory and practice of judgment at the center of Locke’s work. Rhetoric and experience come together, for Locke, to reorient readers’ relation to the past in order to open up alternative political futures. Recognizing this debt sets the stage for a new understanding of the Two Treatises of Government, in which the material and creative force of language is necessary for political critique. Authority Figures draws together political theory and philosophy, the history of science and of rhetoric, and philosophy of language and literary theory to offer an interpretation of Locke’s political thought that shows the ongoing importance of rhetoric for new modes of critique in the seventeenth century. Locke’s thought offers up insights for rethinking the relationship of rhetoric and experience to political critique, as well as the intersections of language and materialism.

Language and tradition have long been relegated to the sidelines as scholars have considered the role of politics, science, technology and economics in the making of the modern world. This novel reading of over two centuries of philosophy, political theory, anthropology, folklore and history argues that new ways of imagining language and representing supposedly premodern people - the poor, labourers, country folk, non-europeans and women - made political and scientific revolutions possible. The connections between language ideologies, privileged linguistic codes, and political concepts and practices shape the diverse ways we perceive ourselves and others. Bauman and Briggs demonstrate that contemporary efforts to make schemes of social inequality based on race, gender, class and nationality seem compelling and legitimate, rely on deeply-rooted ideas about language and tradition. Showing how critics of modernity unwittingly reproduce these foundational fictions, they suggest new strategies for challenging the undemocratic influence of these voices of modernity.

This treatise offers an original interpretation of Locke's doctrine of property, a full account of his writings and activities in relation to the Earl of Shaftesbury, and a new interpretation of Locke's lasting influence on American political thought.