John O Hara

Collected for the first time, the New York stories of John O'Hara, "among the greatest short story writers in English, or in any other language" (Brendan Gill, Here at The New Yorker) Collected for the first time, here are the New York stories of one of the twentieth century’s definitive chroniclers of the city—the speakeasies and highballs, social climbers and cinema stars, mistresses and powerbrokers, unsparingly observed by a popular American master of realism. Spanning his four-decade career, these more than thirty refreshingly frank, sparely written stories are among John O’Hara’s finest work, exploring the materialist aspirations and sexual exploits of flawed, prodigally human characters and showcasing the snappy dialogue, telling details and ironic narrative twists that made him the most-published short story writer in the history of the New Yorker. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Writing with equal insight about New York City, Hollywood, and the small-town Pennsylvania world where he grew up, John O’Hara cultivated an unsentimental and often unsparing realism, aiming, he said, “to record the way people talked and thought and felt . . . with complete honesty.” Praised by contemporaries including Ernest Hemingway and Dorothy Parker, he wrote about sex, drinking, and social class with a frankness ahead of its time. The fiction he published in The New Yorker (more than any other writer to this day) came to epitomize the kind of short story featured in that magazine, and his impeccable ear and skillful dialogue have influenced later writers such as Raymond Carver. Bringing together sixty stories written over four decades—the largest, most comprehensive collection of O’Hara’s stories ever published—former New York Times Book Review editor Charles McGrath presents a fresh and arresting new perspective on one of American literature’s master storytellers. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.

These are the stories, unavailable for some years and still amazingly fresh and arresting, that influenced a whole generation of short-story writers, not one of whom capped O'Hara's mastery of the genre. The selection includes: the "Pennsylvania stories" which describe the men and women in the countryside where O'Hara grew up; the "Hollywood stories" that show that fabled land in the years of its greatest glory when O'Hara was working there as a screenwriter; and the "New York stories" which come from the days when O'Hara was a familiar figure in cafe society. ISBN 0-394-54083-2 : $19.95.

'O'Hara is the only American writer to whom America presents itself as a social scene in the way it once presented itself to Henry James, or France to Proust' The New York Times When the beautiful, imperious and moneyed Grace Caldwell Tate wants something she goes after it, men included. Her affair scandalises Pennsylvania's elite and she must face the costs to her marriage and the man she really loves. A bestseller on publication in 1949, A Rage to Live is a candid tale of idealists and libertines, tradesmen and crusaders, men of violence and goodwill, and women of fierce strength and tenderness.

Hope of Heaven, first published in 1938, is a fast-paced novel by John O’Hara in the “doomed romance” genre. The novel centers on a world-weary Hollywood screenwriter of only limited success in his mid-thirties who is in love with an idealistic young woman in her twenties who is only mildly interested in him. When her father, a private detective, comes to Los Angeles on a case in which the screenwriter has a part, tragedy ensues. John O’Hara (1905-1970) was the author of many novels and short stories and is best known for his first two novels – Appointment in Samarra and Butterfield 8.