John Thelwall And The Materialist Imagination

John Thelwall and the Materialist Imagination reassesses Thelwall's eclectic body of work from the perspective of his heterodox materialist arguments about the imagination, political reform, and the principle of life itself, and his contributions to Romantic-era science.

John Thelwall and the Materialist Imagination reassesses Thelwall's eclectic body of work from the perspective of his heterodox materialist arguments about the imagination, political reform, and the principle of life itself, and his contributions to Romantic-era science.

Significant study of colonial Caribbean literatures in the context of the high rates of disease and death in the region.

Drawing on newly-discovered manuscripts, this collection is the first modern edition of poetry by John Thelwall, the famed radical Romantic and champion of the working class. Eight key essays and 125 fully-annotated poems introduce his work in correspondence with historical traditions and current critical paradigms.

In Romantic Marks and Measures, Julia S. Carlson examines Wordsworth's poetry of "speech" and "nature" as a poetry of print, written and read in the midst of topographic and typographic experimentation and change.

This study is a much-needed reappraisal of Wordsworth's and Coleridge's radical careers before their emergence as major poets. Dr Roe presents a detailed examination of both writers' debts to radical dissent in the years before 1789. Wordsworth's first-hand experience of Revolution in France is treated in depth, and both Wordsworth's and Coleridge's relations with William Godwin and John Thelwall are clarified. In each case the poets are shown to have been vividly alive to radical issues in Britain and France, and much more closely involved with the popular reform movement represented by the London Corresponding Society than has hitherto been suspected. The author argues against any generalized pattern of withdrawal from politics into retirement after 1795. He offers instead a reading of Lyrical Ballads, The Prelude, and The Recluse that emphasizes the integration of imaginative life and radical experience. For Coleridge the loss of revolutionary idealism prefigured the collapse of his creative and personal life after 1798. For Wordsworth, on the other hand, revolutionary failure was the key to his emergence as poet of Tintern Abbey and The Prelude.

Reveals the development of the idea of 'the people' through print and publicity in 1790s London. This title is also available as Open Access.

This groundbreaking new volume unites eighteenth-century studies and the environmental humanities, showcasing how these fields can vibrantly benefit one another. In eleven chapters that engage a variety of eighteenth-century texts, contributors explore timely themes and topics such as climate change, new materialisms, the blue humanities, indigeneity and decoloniality, and green utopianism. Additionally, each chapter reflects on pedagogical concerns, asking: How do we teach eighteenth-century environmental humanities? With particular attention to the voices of early-career scholars who bring cutting-edge perspectives, these essays highlight vital and innovative trends that can enrich both disciplines, making them essential for classroom use.