Jonathan

As early as the eighteenth century, New England's ministers were decrying public morality. Evangelical leaders such as Jonathan Edwards called for rulers to become spiritual as well as political leaders who would renew the people's covenant with God. The prosperous merchant Jonathan Belcher (1682-1757) self-consciously strove to become such a leader, an American Nehemiah. As governor of three royal colonies and early patron of the College of New Jersey (later Princeton University), Belcher became an important but controversial figure in colonial America. In this first biography of the colonial governor, Michael C. Batinski depicts a man unusually riddled with contradictions. While governor of Massachusetts, Belcher deftly maneuvered longstanding rivals toward a political settlement; yet as chief executive of New Hampshire, he plunged into bitter factional disputes that destroyed his administration. The quintessential Puritan, Belcher learned to thrive in London's cosmopolitan world and in the whiggish realm of the marketplace. He was at once the courtier and the country patriot. An insightful blend of social and political history, this biography demands that Belcher be recognized as the embodiment of the Nehemiah, perhaps as important in his own realm as Cotton Mather was in religious circles. Grappling with the contradictions of Belcher's actions, the author explains much about the complexities of the world in which Belcher lived and wielded influence.

Presents a fresh account of the life history and creative imagination of Jonathan Swift Classic satires such as Gulliver’s Travels, A Modest Proposal, and A Tale of a Tub express radical positions, yet were written by the most conservative of men. Jonathan Swift was born in Dublin and spent most of his life in Ireland, never traveling outside the British Isles. An Anglo-Irish Protestant clergyman, he was a major political and religious figure whose career was primarily clerical, not literary. Although much is known about Swift, in many ways he remains an enigma. He was admired as an Irish patriot yet was contemptuous of the Irish. He was both secretive and self-dramatizing. His talent for friendship was matched by his skill for making enemies. He hated the English but yearned to live in England. The Life of Jonathan Swift explores the writing life and personal history of the foremost satirist in the English language. Accessible and engaging, this critical biography brings Swift’s writing and creative sensibility into the narrative of his life. Author Thomas Lockwood provides the historical and modern critical context of Swift’s prose satires and poetry, as well as his political journalism, essays, manuscripts, and personal correspondence. Throughout the book, biographically contextualized descriptions of Swift’s most famous works help readers better understand both the writing and the writer. Provides critical profiles of Gulliver’s Travels, An Argument Against Abolishing Christianity, Drapier’s Letters, and Swift’s other famous works Offers insights into Swift’s relationships with Esther Johnson, “Stella,” and Esther Vanhomrigh, “Vanessa” Highlights Swift’s poetry and how verse writing was a vital part of his creative being Summarizes and contextualizes lesser-known works such as The Conduct of the Allies Addresses the historic critical bias against comedy or satire as inferior forms of art, both in Swift’s lifetime and the present The Life of Jonathan Swift is an essential resource for general readers of literature and literary biography, university instructors and researchers, and undergraduate students taking courses in English literature.

The first adult novel from acclaimed, bestselling author Meg Rosoff, a perfect summer read about a young New Yorker whose career and love life are turned upside down when he starts taking care of his brother's two dogs. Jonathan is a copywriter at Comrade advertising agency, working on the most lucrative and most numbingly tedious account, Broadway Depot. His best friend Max works at the next desk, keeping him sane. Jonathan's girlfriend, Julie, works for Bridal 360, an online wedding magazine. When Julie suggests they get married for a live online wedding feature, Jonathan finds himself on a conveyor belt, hurtling towards the rest of his life. When his brother asks him to look after his dogs, Jonathan begins to see the world around him differently. Could a border collie and a cocker spaniel hold the key to his true happiness? Their sly maneuvering on daily walks and visits to Dr. Clare, the lady vet, suggest that dog sense is several notches higher than human emotional intelligence. A contemporary romantic comedy set in Manhattan, Jonathan Unleashed is as much a love letter to the city as it is a story about tangled relationships, and dogs. Hilarious, wise and heart-warming, Meg Rosoff's novel will touch a nerve with anyone thinking about what they really want to do with their lives, and which eddy they might allow themselves to be caught in.

Jonathan Majors is an American actor who has made a name for himself in recent years for his versatile performances on both stage and screen. Born and raised in Texas, Majors began his career in the theater before transitioning to film and television. Some of his most notable roles include his portrayal of Atticus Freeman in the HBO series "Lovecraft Country," which earned him critical acclaim and a nomination for a Critics' Choice Television Award, and his supporting role in the Spike Lee film "Da 5 Bloods," which premiered on Netflix in 2020. Majors is also set to have a major role in the Marvel Cinematic Universe, appearing as Kang the Conqueror in the upcoming film "Ant-Man and the Wasp: Quantumania." Aside from his acting work, Majors is also an accomplished musician and writer. He studied music and composition at the University of North Carolina School of the Arts before pursuing acting full-time. He has also written and performed in several of his own plays, including "The Last Black Man in San Francisco," which was adapted into a feature film in 2019. Majors has cited his upbringing in rural Texas and his experiences as a Black man in America as major influences on his work and his artistic vision, and he has expressed a desire to use his platform as an actor to tell stories that highlight the experiences and struggles of marginalized communities.

Philip J. Fisk offers a critical reappraisal of Jonathan Edwards's Freedom of Will, interpreting Edwards from within his own tradition, Reformed Orthodoxy (±1550-1750), avoiding the outdated paradigms of the conventional interpretation of Edwards and his tradition, a so-called deterministic, reconciliationist Calvinism, and demonstrating from primary sources, such as Harvard and Yale commencement theses and quaestiones, that Edwards departed ways with Reformed Orthodoxy's robust and highly nuanced view of freedom of will, contingency, and necessity.

Jonathan Coe is one of the most popular and critically acclaimed contemporary British writers. This comprehensive introduction places his work in clear historical and theoretical context, offering extensive readings of the author's ten novels from The Accidental Woman to Expo 58, including the remarkable What a Carve Up! The book explores Coe's biography and his experimentations with narrative, genre and comedy, as well as his thematic preoccupations with history, memory, loss and nostalgia. The first volume devoted entirely to Coe, this book includes: - A supporting timeline of key dates in literature and current events - An examination of the critical reception to Coe's works - An exclusive interview with Jonathan Coe himself

This book is an exposition of Jonathan Edwards' argumentation in his dissertation Concerning the End for Which God Created the World. In addition to stating Edwards' theses regarding God's end and motivation in creation, this book identifies and discusses the assumptions of his argumentation, analyses and explains its crucial components, and explores its philosophical implications. These implications include a version of exemplarism (i.e., the nature of God's ideas for creation), dispositionalism (i.e., the characteristics of God which explain God's motivation), and emanationism (i.e., what God shares of himself with persons who have a living faith in Christ). These entail a view of idealism (i.e., a view of the ultimate ontological ground of the universe), God's temporal nature, continuous creationism (i.e., how God sustains creation), a version of panentheism (i.e., how God, who is infinite, is related to creation, from which God is absolutely distinct), and occasionalism (i.e., the nature of causation of physical events or states of creation). These concepts and what they entail constitute a complete metaphysical system, providing a thoroughgoing divine action understanding of the foundation of reality. For Jonathan Edwards, God's acting according to his plans for his purposes in Christ is fundamental to all things. Were we to have an understanding of how the fundamental concepts of science, mathematics, and ordinary experience are related in reality to the God who acts for his original ultimate end in creation, sustaining the universe, while providentially guiding its affairs, and working redemption, we would have the opportunity to develop these as he had hoped, he pointed the way for others to follow.