Jonathan Edwards On God And Creation

In Jonathan Edwards on God and Creation, Oliver Crisp considers two central themes in Edwards's thought, namely, his doctrine of God and his understanding of the created order, and how God and creation interrelate. Crisp argues that Edwards offers some truly original insights on these twin loci that have important implications for current theological discussion. What emerges is a picture of Edwards's understanding of God's relationship to the created order that differs in important respects from those offered by several influential recent interpreters. Crisp does not flinch from showing where Edwards made mistakes as well as where he offers fresh insights. Edwards is shown to be at once relevant to current discussion of issues like perfect being theology, panentheism, divine freedom or union with Christ, while remaining something of an idiosyncratic figure whose idealism and commitment to an uncompromising theological determinism can seem out of step with certain modern sensibilities. But, argues Crisp, even if we disagree with the conclusions Edwards reaches, which sometimes jar with our own intuitions about the divine nature or the created order, the clarity, rigor and sheer originality of his thinking offer an important set of themes and ideas with which contemporary theologians can fruitfully engage as they set about the task of constructive theology.

It is entirely possible that God could have existed without the universe, and without humans, for all eternity. But for some reason, He decided to create anyway. What inspired Him to start the human story in the first place, and how should the answer to that question affect the way we view our lives? Few Christians ever stop to seriously consider these deepest-of-all deep questions. Jonathan Edwards explains, in his original dissertation: God’s inherent predisposition to spread out His truth, goodness, and beauty motivates everything He does. So, His decision to create our universe was motivated not by a desire or need for us, but by a desire to glorify Himself. Ben Stevens’ remarkable new adaptation brings Edwards’ powerful arguments to life in fresh, contemporary language. In addition, thought-provoking questions for discussion or reflection invite readers to engage with the concepts and begin to apply them.

This classic is organized as follows: Introduction Containing Explanations of Terms and General Positions Chapter I. Wherein Is Considered, What Reason Teaches Concerning This Affair. Section I. Some things observed in general, which reason dictates Section II. Some further observations concerning those things which reason leads us to suppose God aimed at in the creation of the world Section III. Wherein it is considered how, on the supposition of God’s making the aforementioned things his last end, he manifests a supreme and ultimate regard to himself in all his works Section IV. Some objections considered, which may be made against the reasonableness of what has been said of God making himself his last end. Chapter II. Wherein If It Is Inquired, What Is To Be Learned From Holy Scriptures, Concerning God’s Last End In The Creation Of The World Section I. The Scriptures represent God as making himself his own last end in the creation of the world Section II. Wherein some positions are advanced concerning a just method of arguing in this affair, from what we find in the Holy Scriptures Section III. Particular texts of Scripture, that show that God’s glory is an ultimate end of the creation Section IV. Places of Scripture that lead us to suppose, that God created the world for his name, to make his perfections known; and that he made it for his praise. Section V. Places of Scripture from whence it may be argued, that communication of good to the creature, was one thing which God had in view, as an ultimate end of the creation of the world. Section VI. Wherein is considered what is meant by the glory of God and the name of God in Scripture, when spoken of as God’s end in his works Section VII. Showing that the ultimate End of the Creation of the World is but one, and what that one end is.

This book is an exposition of Jonathan Edwards' argumentation in his dissertation Concerning the End for Which God Created the World. In addition to stating Edwards' theses regarding God's end and motivation in creation, this book identifies and discusses the assumptions of his argumentation, analyses and explains its crucial components, and explores its philosophical implications. These implications include a version of exemplarism (i.e., the nature of God's ideas for creation), dispositionalism (i.e., the characteristics of God which explain God's motivation), and emanationism (i.e., what God shares of himself with persons who have a living faith in Christ). These entail a view of idealism (i.e., a view of the ultimate ontological ground of the universe), God's temporal nature, continuous creationism (i.e., how God sustains creation), a version of panentheism (i.e., how God, who is infinite, is related to creation, from which God is absolutely distinct), and occasionalism (i.e., the nature of causation of physical events or states of creation). These concepts and what they entail constitute a complete metaphysical system, providing a thoroughgoing divine action understanding of the foundation of reality. For Jonathan Edwards, God's acting according to his plans for his purposes in Christ is fundamental to all things. Were we to have an understanding of how the fundamental concepts of science, mathematics, and ordinary experience are related in reality to the God who acts for his original ultimate end in creation, sustaining the universe, while providentially guiding its affairs, and working redemption, we would have the opportunity to develop these as he had hoped, he pointed the way for others to follow.

Jonathan Edwards is one of the outstanding figures in the history of the Christian church—he was, quite simply, a man of towering intellect and towering spirituality. But it has been noted, even by his friends and admirers, that his thought is also marked at times by certain idiosyncrasies which inevitably introduce certain complexities into his philosophical-theological system. This study contends that the theme of divine immediacy is the controlling theme and the correlating principle within Edwards’s thought. It analyzes the theme of divine immediacy in the thought of Jonathan Edwards under four major heads: creation, the will, ecclesiology, and spiritual experience. Indeed, Dr. Carrick claims that the theme of the immediacy of God is the Ariadne’s thread, which runs with consistency through the multiple aspects of Edwards’s philosophical, theological, ecclesiological, experiential, and homiletical interests. But sometimes a man’s strength is also his weakness, and it would appear that Edwards’s profound commitment to the concept and the reality of the immediacy of God entails significant problems for his entire philosophical-theological system. Edwards’s concept of divine immediacy finds its supreme expression, surely, in his doctrine of continuous creation; but is it not the case that this doctrine of continuous creation is in conflict with his determinism, that its tendency is to destroy the moral responsibility of man, and that it makes God both the author and the actor of sin? In short, is it not the case that Edwards’s Ariadne’s thread is, in fact, also his Achilles’ heel?

Jonathan Edwards (1703-1758) is widely regarded as a philosopher and theologian of the first rank, sometimes even as 'America's Theologian'. This study offers a major revisionist account of his views on the relationship between God and creation, and a fresh analysis of other central issues in Edwardsian philosophical theology, such as the divine nature and attributes, the doctrine of the Trinity, and eschatology.

Beauty is hard to describe, but easy to identify. It resides in expected and unexpected places in our world. Beauty is present in our world in a variety of forms. Yet while the average person might think about the reality of beauty from time to time, few people would think about the source of beauty. Where does beauty come from? Why is it here? Several hundred years ago Jonathan Edwards did some thinking of his own on this difficult subject. This volume explores his meditation on the subject and lays out a Christian framework for understanding and experiencing the beauty God has planted in His world. Edwards found in the study of beauty the person of God. Where Edwards saw beautiful images and acts, he saw a representation, a small picture, of a reality too great to comprehend, a God too majestic to adequately adore. He sets in motion a path of glory that begins with the Lord, moves to creation, continues to the incarnation of Christ, moves to the church, and ascends to the glory of heaven, where the Holy Trinity dwells. Easily accessible and readable, you do not need to be a scholar to enjoy these insights about Jonathan Edwards and his writings.

Edwards proposed that natural types in all of creation served as a communication or language of God, pointing to the antitypes of divine truths. These types are shown to exist all the way down to the cellular and molecular levels of nature. We explore how natural types are not mere poetical assignments of Christian themes onto nature. Rather, these types are ontologically real, in that they eternally existed in the mind of God with intent to communicate divine things to the creature. Thus, we call these natural types onto-types to reflect their ontological significance theologically and spiritually. In Edwards' scheme, this was an important part of God's end in creating. Emerging out of Edwards' comprehensive metaphysics of creation is a portrayal of God's commitment to emanate knowledge of the divine Self into the creation. God's Being is not emanated, resulting in a creation, rather the knowledge and glory of God are emanated into the creation serving to communicate messages of the divine to the creature out of infinite love and faithfulness. Edwards expounded a two-fold method where revelation of this language of nature can be experienced by direct engagement with the beauty in nature and in the study of science and its mechanisms. God's action in revealing takes the form of willing the creation into being, communicating analogically through onto-types in the physical world, and revealing such knowledge to the creature. In this way, all of nature is the triune God acting: the Father willing into being, Christ communicating, and the Spirit revealing. God's Trinitarian beauty and magnificent glory are not merely displayed by what has been made, but is intimately shared and delighted in. This, in Edwards' view, is God's ultimate end in creating.