Journals Of The Century

A compilation of nearly 100 years of Ladies' Home Journal.

This book, first published in 2002, gathers some of America's top subject expert librarians to determine the most influential journals in their respective fields. 32 contributing authors reviewed journals from over twenty countries that have successfully shaped the evolution of their individual specialties worldwide. Their choices reflect the history of each discipline or profession, taking into account rivalries between universities, professional societies, for-profit and not-for-profit publishers, and even nation-states and international ideologies, in each journal's quest for reputational dominance. Each journal was judged using criteria such as longevity of publication, foresight in carving out its niche, ability to attract & sustain professional or academic affiliations, opinion leadership or agenda-setting power, and ongoing criticality to the study or practice of their field. The book presents wholly independent reviewers; none are in the employ of any publisher, but each is fully credentialed and well published, and many are award-winners. The authors guide college and professional school librarians on limited budgets via an exposition of their analytical and critical winnowing process in determining the classic resources for their faculty, students, and working professional clientele.

Not since the printing press has a media object been as celebrated for its role in the advancement of knowledge as the scientific journal. From open communication to peer review, the scientific journal has long been central both to the identity of academic scientists and to the public legitimacy of scientific knowledge. But that was not always the case. At the dawn of the nineteenth century, academies and societies dominated elite study of the natural world. Journals were a relatively marginal feature of this world, and sometimes even an object of outright suspicion. The Scientific Journal tells the story of how that changed. Alex Csiszar takes readers deep into nineteenth-century London and Paris, where savants struggled to reshape scientific life in the light of rapidly changing political mores and the growing importance of the press in public life. The scientific journal did not arise as a natural solution to the problem of communicating scientific discoveries. Rather, as Csiszar shows, its dominance was a hard-won compromise born of political exigencies, shifting epistemic values, intellectual property debates, and the demands of commerce. Many of the tensions and problems that plague scholarly publishing today are rooted in these tangled beginnings. As we seek to make sense of our own moment of intense experimentation in publishing platforms, peer review, and information curation, Csiszar argues powerfully that a better understanding of the journal’s past will be crucial to imagining future forms for the expression and organization of knowledge.

Aims to locate music within the framework of intellectual activity pertaining to the long nineteenth century (c 1789-1914). This title focuses on the interdisciplinary scholarship that explores music within the context of other artistic and scientific discourses.

The landmark collaboration of two pre-eminent Canadian artists in an attractive, affordable format. As fledgling artists in their respective fields, Margaret Atwood and Charles Pachter were enthusiastic collaborators in a unique art form, the livre d'artiste – the marriage of original graphic work with literary text. Beginning in the mid-sixties, while both were still students, they worked together on five limited-edition handmade books, volumes of Atwood’s poetry with Pachter’s interpretive artwork. The culmination of their collaboration, the work that is considered their masterpiece, is The Journals of Susanna Moodie. In her reading of Susanna Moodie’s chronicles of pioneer life in nineteenth-century Canada, Atwood found the haunting and timeless themes that still obsess us. The poems of The Journals of Susanna Moodie were first published in 1970 in a standard format. This sequence of poems is regarded as a classic, in addition to being connected with her later novel, Alias Grace. In 1980, Pachter was able to add his own vibrant, evocative images and create the version they had dreamt of: a hand-set, hand-printed illustrated limited edition of 120 numbered copies. This popular edition is a faithful re-creation of the original, accompanied by an introductory memoir by Pachter, describing his friendship with Atwood and the creative process behind this breathtaking work, and a foreword by David Staines, who pays homage to Atwood, Pachter, and Moodie and their central places in our art and literature.

Contains primary source material.

Literature After Euclid tells the story of the creative adaptation of geometry in Scotland during and after the long eighteenth century. Analyzing the work of Scottish literati, Matthew Wickman challenges how we perceive the Scottish Enlightenment and the modernist ethos that relegated "classical" Enlightenment to the dustbin of history.