Joy Write

"A writer needs wide latitude so she can bring all her intelligence to the task," Ralph observes. "Assigning a particular format -- a hamburger essay, for instance -- would curtail this play, if not eliminate it entirely." That's why, instead of teacher-driven assignments, Joy Write shares the whys and the how of giving students time and autonomy for the playful, low-stakes writing that leads to surprising, high-level growth. First Ralph makes the case for carving out classroom time for low-stakes writing, despite pressure to focus on persuasive essays and test prep. Then he shares five big ideas for choice-driven, authentic, informal writing -- deeply engaging work that kids want to do. He also provides numerous suggestions for helping students build and flex their writing muscles, increase their stamina, and develop passion for expressing themselves with the written word. -- Provided by publisher.

Drawing on his fifty years as an award-winning journalist and author of some of the finest books on Canadian history, Pierre Berton has written a witty and practical guide for writers. With almost every book a bestseller, clearly this writer knows what it takes to succeed in the publishing world. From the all-important rule of “knowing your audience” and other essential writing tips to down-to-earth advice on dealing with agents, publishers, and editors, The Joy of Writing covers every aspect of non-fiction writing and includes interviews with twenty-seven of Canada’s leading writers. Illustrated with more than thirty manuscript pages from Pierre Berton’s own works. Includes Interviews With: Alex Barris • Ted Barris • Jack Batten • Fred Bodsworth • June Callwood • Stevie Cameron • Robert Collins • Elaine Dewar • Will Ferguson • Trent Frayne • Bob Fulford • Charlotte Gray • Richard Gwyn • Stephen Kimber • Ken McGoogan • Roy McGregor • Linda McQuaig • Farley Mowat • Knowlton Nash • Peter Newman • Stephanie Nolen • John Sawatsky • Russell Smith • Edna Staebler • Walter Stewart • Betty Jane Wylie • Jan Wong

A seasonal journey to creative and joyful writing In Earth Joy Writing, Cassie Premo Steele draws upon her life’s work as a teacher of writing, literature, and mindfulness to help writers foster a greater connection between the natural world and their own creativity. Earth Joy Writing is a writer’s guide to reconnecting to the earth. In chapters divided by seasons and months of the year, this book will guide you through reflections, exercises, meditations, and journaling prompts—all designed to help you connect more deeply with yourself, others, and your natural surroundings. Weaving together poetry, stories, and cultural wisdom, Earth Joy Writing invites us to consider our connection to the earth and offers hands-on exercises that will help us meaningfully reconnect with our creative selves and with the planet we all share.

Embrace the process of writing and the rich potential of conscious creativity and mindfulness with this enlightening insight into mindful writing. Exploring how writing mindfully can create deeper connections with your words, your characters, and yourself, this carefully crafted manual invites you to embrace the writing process as much as the completed work—plotting out sparkling stories with Zen-like awareness. Through meditative exercises, engaging anecdotes, and astute notes on perception, imagination, and focus, Joy Kenward helps you to flow, flourish and lose yourself in writing. Containing 20 mindful writing exercises, this unique guide explores how conscious writing creates mindful awareness, offering a fresh angle on shifting writer's block.

Create Your Writer's Life offers a coaching approach to develop a writing practice that actually works. Finally, a resource that allows you to do it your way, and that works.

"Start with Joy is a guidebook describing ways teachers can make joy and purpose the center of their teaching and students' literacy learning. Organized by seven pillars, based on the science of happiness, this book offers reasons why students' happiness matters now more than ever, providing lessons, strategies, resources, and children's literature suggestions for how to make sure joy and purpose are at the heart of all instruction"--

George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times

A shooting lays bare the secrets harboured by five families in a sleepy suburban cul-de-sac in this riveting psychological thriller from the New York Times bestselling author of All the Wrong Places. Someone in a quiet, unassuming cul-de-sac was shot dead in the middle of the night. Was it Maggie, the perfectionist wife, or Craig, the husband who can't quite live up to her expectations? When Maggie witnessed a shooting and later testified against a killer set free, the couple relocated, putting new pressure on their already strained union. Maggie is constantly looking over her shoulder. She owns a gun, just in case. Was it Nick, a doctor whose family, especially his wife, Dani, must bear the brunt of his ill temper? Nick is an avid hunter, too, and keeps a collection of handguns. Or was it Julia, a recently widowed grandmother? Her grandson is a troublemaker, someone not above stealing from her purse. His friends are equally unsavory. Her son buys her a gun for her protection. And then there's Olivia and her husband, Vic, who has been laid off, forcing Olivia to become the breadwinner. Vic is resentful. And depressed. He's started drinking heavily, and has threatened to shoot himself on several occasions. Or it could be one of the newlyweds, Aiden and Heidi, who are already on the rocks. Aiden refuses to stand up to his intrusive mother. When Heidi befriends Julia's grandson, it sets the stage for a major blow-up. Every house owns a gun. And anyone can be the victim, or the killer.