Joyce Jung

«Hiromi Yoshida's innovative approach to 'A Portrait of the Artist as a Young Man' demonstrates how Joyce's Stephen Dedalus reaches a heightened state of creativity through his gradual integration of feminine elements into his psyche. This illuminating and stunning analysis presents a valuable contribution to psychoanalytic feminist theory as well as to Joyce studies.» (Nancy Bombaci, Assistant Professor of Writing and Literature, Mitchell College, New London, Connecticut).

Joyce and Jung offers a provocatively original chapter-by-chapter analysis of Stephen Dedalus' psychosexual growth in A Portrait of the Artist as a Young Man. The author frames this within the Jungian soul-portrait gallery known as the «four stages of eroticism» in which Eve, Helen, Mary, and Sophia are the soul-portraits of Western civilization, drawing the collective eros into the psychic field to be witnessed as universal spectacle. In James Joyce's twentieth-century classic, Stephen's soul-portraits are the mother, the prostitute, the Virgin Mary, and the Bird-Girl.

This book offers a comprehensive account of James Joyce and Zurich, one of the four cities (including Dublin, Trieste and Paris) in which he spent significant parts of his life. As a refugee during World War I, Joyce wrote a substantial part of Ulysses in Zurich and subsequently visited the city regularly during the 1930s. Finally, a refugee for the second time, he died there on 13 January 1941 and is buried in Fluntern Cemetery. This guide is conceived both as a book that may be read in its entirety or consulted selectively for specific information. An introduction and three chapters, Joyce in Zurich, Zurich in Joyce and Zurich after Joyce, are followed by sixty alphabetically ordered articles on people, places, institutions and events relevant to Joyce during his time in Zurich. Linked by cross-references and an index, they provide a rich, kaleidoscopic view of Joyce’s Zurich.

For the first time, The Collected Works of C. G. Jung is now available in a complete digital edition that is full-text searchable. The Complete Digital Edition includes Vols. 1–18 and Vol. 19, the General Bibliography of C. G. Jung's Writings. (Vol. 20, the General Index to the Collected Works, is not included.) Volumes 1–18 of The Collected Works are available for individual purchase and are also full-text searchable at http://press.princeton.edu/catalogs/series/bscwj.html [The Collected Works of C.G. Jung]. The Collected Works of C. G. Jung forms one of the basic texts of twentieth-century thought: at once foundational for depth psychology and pivotal for intellectual, cultural, and religious history. The writings presented here, spanning five decades, embody Jung's attempt to establish an interdisciplinary science of analytical psychology, and apply its insights to the fields of psychiatry, criminology, psychotherapy, psychoanalysis, personality psychology, anthropology, physics, biology, education, the arts and literature, the history of the mind and its symbols, comparative religion, alchemy, and contemporary culture and politics, among others: each in turn has been decisively marked by his thought. Of timely and ongoing relevance to the understanding of these fields, Jung's writings are at the same time essential reading for any understanding of the making of the modern mind.

Examines the life and writings of James Joyce, including a biographical sketch, detailed synopses of his works, social and historical influences, and more.

(series copy)These encyclopedic companions are browsable, invaluable individual guides to authors and their works. Useful for students, but written with the general reader in mind, they are clear, concise, accessible, and supply the basic cultural, historical, biographical and critical information so crucial toan appreciation and enjoyment of the primary works. Each is arranged in an A-Z fashion and presents and explains the terms, people, places, and concepts encountered in the literary worlds of James Joyce, Mark Twain, and Virginia Woolf.As a keen explorer of the mundane material of everyday life, James Joyce ranks high in the canon of modernist writers. He is arguably the most influential writer of the twentieth-century, and may be the most read, studied, and taught of all modern writers. The James Joyce A-Z is the ideal companionto Joyce's life and work. Over 800 concise entries relating to all aspects of Joyce are gathered here in one easy-to-use volume of impressive scope.

This book explores the nature of Jung’s understanding of modern art, in particular his reception to the work of Picasso and his striking prejudice shown in his controversial essay of 1932. Offering an important contribution towards understanding Jung’s attitudes towards Picasso and modern art, the book addresses the impact that Jung’s unwillingness to engage in a deeper exploration of modern artforms had on the development of his psychological ideas. It explores and uncovers the reasons for Jung’s derogatory view of Picasso and abstract art more generally, revealing how Jung was unable to remain objective due to his own complex and equally fascinating relationship with art and the psychology of image making. The book argues that modern art parallels Jung’s interests by embracing the spirit of experimentation and using new imagery to challenge creative conceptions, which makes Jung’s attitudes towards modern art all the more surprising. Jung’s Reception of Picasso and Abstract Art will be of great interest to researchers, academics and those interested in analytical psychology, Jungian studies, art history and modernism, aesthetics and psychoanalysis.

The 17th Triannual Congress of the International Association for Analytical Psychology took place in Cape Town, South Africa, in August 2007. The plenary presentations are printed in this volume. A CD with all the congress presentations and a selection of images is also included. Listed here are just a few of the many presentations: Journeys- Encounters Clinical, Communal, Cultural, by Joe Cambray; How Does One Speak of Social Psychology in a Nation in Transition?, by Mamphela Ramphele; Trauma, Forgiveness and the Witnessing Dance: Making Public Spaces Intimate, by Pumla Gobodo-Madikizela; Shifting Shadows: Shaping Dynamics in the Cultural Unconscious, by Catherine Kaplinsky; Journey to the Center: Images of Wilderness and the Origins of the Southern African Association of Jungian Analysts, by Graham S. Saayman; Panel: Prehistoric Rock Art: The Biped Surprised, by Christian Gaillard; and Harnessing the Brain: Vision and Shamanism in Upper Paleolithic Western Europe, by J.D. Lewis-Williams.