Jung S Studies In Astrology And The Astrological World Of Jung S Liber Novus 2 Volume Set

Jung's Studies in Astrology is an historical survey of his astrological work from the time he began to study the subject. The Astrological World of Jung's Liber Novus explores the planetary journey Jung portrayed in this remarkable work and investigates the ways in which he used astrological images and themes as an interpretive lens to help him understand the nature of his visions and the deeper psychological meaning behind them.

C. G. Jung’s The Red Book: Liber Novus, published posthumously in 2009, explores Jung’s own journey from an inner state of alienation and depression to the restoration of his soul, as well as offering a prophetic narrative of the collective human psyche as it journeys from unconsciousness to a greater awareness of its own inner dichotomy of good and evil. Jung utilised astrological symbols throughout to help him comprehend the personal as well as universal meanings of his visions. In The Astrological World of Jung’s Liber Novus, Liz Greene explores the planetary journey Jung portrayed in this remarkable work and investigates the ways in which he used astrological images and themes as an interpretive lens to help him understand the nature of his visions and the deeper psychological meaning behind them. Greene’s analysis includes a number of mythic and archetypal elements, including the stories of Salome, Siegfried and Elijah, and demonstrates that astrology, as Jung understood and worked with it, is unquestionably one of the most important foundation stones of analytical psychology, and an essential part of understanding his legacy. This unique study will appeal to analytical psychologists and Jungian psychotherapists, students and academics of Jungian and post-Jungian theory, the history of psychology, archetypal thought, mythology and folklore, the history of New Age movements, esotericism and psychological astrology.

Winner of the IAJS award for best authored book of 2018! C. G. Jung had a profound interest in and involvement with astrology, which he made clear in virtually every volume of the Collected Works, as well as in many of his letters. This ancient symbolic system was of primary importance in his understanding of the nature of time, the archetypes, synchronicity, and human fate. Jung’s Studies in Astrology is an historical survey of his astrological work from the time he began to study the subject. It is based not only on his published writings, but also on the correspondence and documents found in his private archives, many of which have never previously seen the light of day. Liz Greene addresses with thoroughness and detailed scholarship the nature of Jung’s involvement with astrology: the ancient, medieval, and modern sources he drew on, the individuals from whom he learned, his ideas about how and why it worked, its religious and philosophical implications, and its applications in the treatment of his patients as well as in his own self-understanding. Greene clearly demonstrates that any serious effort to understand the development of Jung’s psychological theories, as well as the nature of his world-view, needs to involve a thorough exploration of his astrological work. This thorough investigation of a central theme in Jung’s work will appeal to analytical psychologists and Jungian psychotherapists, students and academics of Jungian and post-Jungian theory, the history of psychology, archetypal thought, mythology and folklore, the history of New Age movements, esotericism, and psychological astrology.

Jung on Astrology brings together C. G. Jung’s thoughts on astrology in a single volume for the first time, significantly adding to our understanding of Jung’s work. Jung’s Collected Works, seminars, and letters contain numerous discussions of this ancient divinatory system, and Jung himself used astrological horoscopes as a diagnostic tool in his analytic practice. Understood in terms of his own psychology as a symbolic representation of the archetypes of the collective unconscious, Jung found in astrology a wealth of spiritual and psychological meaning and suggested it represents the "sum of all the psychological knowledge of antiquity." The selections and editorial introductions by Safron Rossi and Keiron Le Grice address topics that were of critical importance to Jung—such as the archetypal symbolism in astrology, the precession of the equinoxes and astrological ages, astrology as a form of synchronicity and acausal correspondence, the qualitative nature of time, and the experience of astrological fate—allowing readers to assess astrology’s place within the larger corpus of Jung’s work and its value as a source of symbolic meaning for our time. The book will be of great interest to analytical psychologists, Jungian psychotherapists and academics and students of depth psychology, Jungian and post-Jungian studies, as well as to astrologers and therapists of other orientations, especially transpersonal.

Probing the relationship between modernist literary experimentation and several key strands of occult practice which emerged in Europe from roughly 1894 to 1944, this book sets the work of leading modernist writers alongside lesser known female writers and writers in languages other than English to more fully portray the aesthetic and philosophical connections between modernism and the occult. Although the early decades of the twentieth century-the era of cocktails, motorcars, bobbed hair, and war-are often described as a period of newness and innovation, many writers of the time found inspiration and visionary brilliance by turning to the mysterious occult past. This book's principle intervention is to reimagine the contours and boundaries of literary modernism by welcoming into the conversation a number of significant female writers and writers in languages other than English who are often still relegated to the fringes of modernist studies. Well-remembered poets and novelists such as Ezra Pound, W.B. Yeats, and Aleister Crowley were tied to occult beliefs, and this book sets these leading figures alongside less well-remembered but equally splendid modernists including Paul Brunton, Mary Butts, Alexandra David-Neel, Florence Farr, Dion Fortune, Hermann Hesse, and Rudolf Steiner. From the little magazines where occultism and Fabianism were comfortable companions, to consulting rooms of psychoanalysts where archetypes were revealed to be both mystical and mundane, to the forbidden mountain trails that led to formidable spiritual teachers, the conditions of modernism were invariably those conditions which inspired a return to the occult traditions that many thinkers believed had long evaporated. Indeed, in many ways these traditions were the making of the modern world. By uncovering hidden hopes and anxieties that faced a newly modern Western Europe, this book demonstrates how literary modernists understood occultism as a universal form of cultural expression which has inspired creative exuberance since the dawn of civilisation.

The soul, which dominated many intellectual debates at the beginning of the twentieth century, has virtually disappeared from the sciences and the humanities. Yet it is everywhere in popular culture—from holistic therapies and new spiritual practices to literature and film to ecological and political ideologies. Ignored by scholars, it is hiding in plain sight in a plethora of religious, psychological, environmental, and scientific movements. This book uncovers the history of the concept of the soul in twentieth-century Europe and North America. Beginning in fin de siècle Germany, Kocku von Stuckrad examines a fascination spanning philosophy, the sciences, the arts, and the study of religion, as well as occultism and spiritualism, against the backdrop of the emergence of experimental psychology. He then explores how and why the United States witnessed a flowering of ideas about the soul in popular culture and spirituality in the latter half of the century. Von Stuckrad examines an astonishingly wide range of figures and movements—ranging from Ernest Renan, Martin Buber, and Carl Gustav Jung to the Esalen Institute, deep ecology, and revivals of shamanism, animism, and paganism to Rachel Carson, Ursula K. Le Guin, and the Harry Potter franchise. Revealing how the soul remains central to a culture that is only seemingly secular, this book casts new light on the place of spirituality, religion, and metaphysics in Europe and North America today.

Over the centuries astrology has been a source of help to many people. Today, Jungian depth psychology has proven to be of great value in the therapy process. In this book, Alice O. Howell has successfully merged the wisdom of both disciplines, forming a warm and symbiotic relationship between them. Presented as a series of semi-autobiographical letters to an analyst friend, the author presents her ideas with a rare combination of humor and wisdom. It is an exciting, landmark work that brings into play the insights of Carl Jung alongside those of respected astrologers such as Marc Edmund Jones and Dane Rudhyar. Why and how astrology connects to the spiritual dimension is the underlying thrust of this book in which each chapter presents insightful, thought-provoking ideas and concepts that will help the reader better understand the chart from an esoteric perspective. Specific chapters focus on each of the planets, chart symbolism, karma, causality and synchronicity, ego and self, and the meaning of the chart. About this book, reviewers wrote: "...Jungian Symbolism in Astrology has an intimate and personal flavor that makes it an extraordinary pleasure to read." Richard Nolle, Dell Horoscope "...it can be enjoyed and understood by anyone with an interest in either Jung, astrology, or both." Kenneth Irving, American Astrology