Jungle Jitters

In this high-interest novel for middle readers, Ethan, aka "The Potato," goes on a school trip to the Amazon, where he must confront his worst fears.

Even though he's secretly terrified of deep water and all the scary things that swim below, Tate wants to shake his boring reputation, so he agrees to travel with his class up the Amazon River to help build a village school. But there are even scarier things than anacondas lurking in the jungles of South America, and Tate soon learns of the legend of El Tunchi, a vengeful spirit that terrorizes those who harm the rainforest. When creepy things start happening and Tate keeps hearing El Tunchi's haunting whistle, he's sure the group must have angered someone. Or something. He and his friends need to figure out a way to make amends and get out of the jungle alive.

When the Action Girls, a trio of wannabe starlets from Hollywood, land a jungle adventure show, they think it’s their dream come true. But instead, they’re trafficked to the Congo for a sinister purpose. In the heart of Africa, a cult of mad scientists harbors a mad ambition: to create a new species of human-ape hybrid, mating human women with chimpanzees. But their experiments are failures, so they need to bring a steady supply of women to their jungle compound to keep their twisted fantasy alive. Will the Action Girls escape their bizarre and terrifying ordeal? Or will they fulfill the cult’s warped vision of humanity’s future to become broodmares birthing inhuman monsters? Find out in Jungle Jitters, a story not for the faint-hearted, the easily offended, or anyone who thinks human-ape hybrids are a good idea.

Film Composers in America is a landmark in the history of film. Here, renowned film scholar Clifford McCarty has attempted to identify every known composer who wrote background musical scores for films in the United States between 1911 and 1970. With information on roughly 20,000 films, the book is an essential tool for serious students of film and a treasure trove for film fans. It spans all types of American films, from features, shorts, cartoons, and documentaries to nontheatrical works, avant-garde films, and even trailers. Meticulously researched over 45 years, the book documents the work of more than 1,500 composers, from Robert Abramson to Josiah Zuro, including the first to score an American film, Walter C. Simon. It includes not only Hollywood professionals but also many composers of concert music--as well as popular music and other genres--whose cinematic work has never before been fully catalogued. The book also features an index that lets readers quickly find the composer for any American film through 1970. To recover this history, much of which was lost or never recorded, McCarty corresponded with or interviewed hundreds of composers, arrangers, orchestrators, musical directors, and music librarians. He also conducted extensive research in the archives of the seven largest film studios--Columbia, MGM, Paramount, RKO, 20th Century-Fox, Universal, and Warner Bros.--and wherever possible, he based his findings on the most reliable evidence, that of the manuscript scores and cue sheets (as opposed to less accurate screen credits). The result is the definitive guide to the composers and musical scores for the first 60 years of American film.

A collection of letters from a cross-section of Japanese citizens to a leading Japanese newspaper, relating their experiences and thoughts of the Pacific War.

The Palgrave Encyclopedia of American Horror Film Shorts chronicles for the first time over 1,500 horror and horror-related short subjects theatrically released between 1915, at the dawn of the feature film era when shorts became a differentiated category of cinema, and 1976, when the last of the horror-related shorts were distributed to movie theaters. Individual entries feature plot synopses, cast and crew information, and – where possible – production histories and original critical reviews. A small number of the short subjects catalogued herein are famous; such as those featuring the likes of Buster Keaton, Laurel and Hardy, The Three Stooges, Bugs Bunny, and Daffy Duck; but the bulk are forgotten. The diverse content of these shorts includes ghosts, devils, witches, vampires, skeletons, mad scientists, monsters, hypnotists, gorillas, dinosaurs, and so much more, including relevant nonfiction newsreels. Their rediscovery notably rewrites many chapters of the history of horror cinema, from increasing our understanding of the sheer number horror films that were produced and viewed by audiences to shedding light on particular subgenres and specific narrative and historical trends.

After the overwhelmingly successful premiere of Jungle Jitters, Jennifer, the leader of the Action Girls, is eager to make another jungle adventure movie, and she asks her regular scribe, J. Manfred Weichsel, to write it. His pitch? A three-hundred-mile-long giantess named Patty McGloop lies eternally on her back in the Mojave Desert, with a pubic hair region spanning seven miles from below her navel to between her thighs. Just as the Gargantua ray made Patty McGloop very big, it also enlarged the microscopic animals that live on her skin and hair. Wouldn’t it be fun to go exploring inside her pubic hair jungle in order to document all the interesting flora and fauna? The Action girls excitedly make all the preparations needed to shoot such a bizarre motion picture and take a helicopter to Patty McGloop’s navel, the gateway to her colossal realm. But when the girls become captive to a tribe of zealous lice, it’s up to Manfred to go on a daring mission into the bush to rescue them. About the author: Before he became America’s premier writer of subversive fiction, J. Manfred Weichsel cut his teeth in Hollywood, crafting screenplays for the notorious Action Girls, a trio of indie starlets whose on and off-screen antics captivated audiences throughout the 2010s. But while the glitz and glamor of Tinseltown may have seemed like a dream come true, insiders know that life with the Action Girls was anything but ordinary. Weichsel's days were a whirlwind of adrenaline and excess. Rumors of secret romances, bitter rivalries, and drunken nights on set only added fuel to the fiery saga of his Hollywood tenure. In this tell-all memoir, J. Manfred Weichsel dishes out the most salacious details on the making of their most notorious film, Into the Bush. Don't miss out on these behind-the-scenes revelations that will leave you laughing, gasping, and begging for more.