Kamba Ramayana

A masterly translation of the Tamil version of Ramayana The epic story of Rama, which is part of the Indian collective consciousness, has been retold in many regional languages. Pre-eminent among the many vernacular retellings of the Ramayana is the twelfth-century Tamil version by Kamban. The son of a temple drummer, Kamban is reputed to have had an impressive mastery of Tamil and Sanskrit classics. Fascinated by the lore of Ramayana, he immersed himself totally in it. Though Kamban acknowledges his indebtedness to the Sanskrit version of the Ramayana by Valmiki, his is an independent work, enriched by various religious, philosophical and literary influences. The Kamba Ramayana differs from Valmiki’s in significant ways. Though cast in the heroic mould of a Purushotama or ‘the best among men’, Valmiki’s Rama is still a man. Kamban, on the other hand, never allows the reader to forget the godhood of Rama. His Ravana too, though flawed, is a heroic figure. While Valmiki’s diction is sparse and direct, Kamban’s exuberant prose sparkles with wit and inventiveness. Translated into English by the late P.S. Sundaram, this edition has been abridged and edited by his long-time friend N.S. Jagannathan. Though pared down from the original six volumes to a single one, this translation retains the magic and poetry of the original.

The epic story of Rama, which is part of the Indian collective consciousness, has been retold in many regional languages. Pre-eminent among the many vernacular retellings of the Ramayana is the twelfth-century Tamil version by Kamban. The son of a temple drummer, Kamban is reputed to have had an impressive mastery of Tamil and Sanskrit classics. Fascinated by the lore of Ramayana, he immersed himself totally in it. Though Kamban acknowledges his indebtedness to the Sanskrit version of the Ramayana by Valmiki, his is an independent work, enriched by various religious, philosophical and literary influences. The Kamba Ramayana differs from Valmiki's in significant ways. Though cast in the heroic mould of a Purushotama or 'the best among men', Valmiki's Rama is still a man. Kamban, on the other hand, never allows the reader to forget the godhood of Rama. His Ravana too, though flawed, is a heroic figure. While Valmiki's diction is sparse and direct, Kamban's exuberant prose sparkles with wit and inventiveness. Translated into English by the late P.S. Sundaram, this edition has been abridged and edited by his long-time friend N.S. Jagannathan. translation retains the magic and poetry of the original. A major new addition to the Penguin Classics The classic Tamil work now finally available in an accessible single volume edition

The Story Of Rama And Sita Has A Unique Status In The Literature Of Almost Every Language Of Asia, Thanks To Its Extolment Of A Value-Based Life As Superior To One That Prizes Power Or Pelf; It Belongs To The World. This Book Offers A Critical And Comparative Study Of The Earliest Valmiki'S Classic In Sanskrit, Known As Adi-Kavya, And The First Version In The Tamil Language, Which Arose Ten Centuries Later. The Author, Mr. K.S. Srinivasan, Is A Recognised Scholar In The Field.

"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a Bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onward, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 8 MAY, 1983 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 52 VOLUME NUMBER: Vol. LIV, No. 19 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-50 ARTICLE: 1. Poetry Recitation And Appreciation 2. Preserving Art : New Technologies 3. Books On My Mental Shelf 4. Sleep Disturbances 5. Zero: The Hero of Mathematics AUTHOR: 1. Jal P. Gimi 2. G. Nagarajan 3. K. S. Duggal 4. Dr. Amal K. Mullick 5. Dr. P. C. Vaidya KEYWORDS : 1. Soul satisfying 2. Illumination Technology 3. Proficiency 4. Two categories 5. Place value system Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.