Kant S Early Critics

This book, first published in 2000, offers translations of the initial critical reactions to Kant's philosophy.

This book offers translations of early critical reactions to Kant's account of free will. Spanning the years 1784-1800, the translations make available, for the first time in English, works by little-known thinkers including Pistorius, Ulrich, Heydenreich, Creuzer and others, as well as familiar figures including Reinhold, Fichte and Schelling. Together they are a testimony to the intense debates surrounding the reception of Kant's account of free will in the 1780s and 1790s, and throw into relief the controversies concerning the coherence of Kant's concept of transcendental freedom, the possibility of reconciling freedom with determinism, the relation between free will and moral imputation, and other arguments central to Kant's view. The volume also includes a helpful introduction, a glossary of key terms and biographical details of the critics, and will provide a valuable foundation for further research on free will in post-Kantian philosophy.

This Critical Guide provides succinct and in-depth explorations of cutting-edge debates concerning the philosophical significance of Kant's revolutionary Critique of Pure Reason.

In the Critique of Judgement, Kant offers a penetrating analysis of our experience of the beautiful and the sublime. He discusses the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation, and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the degree in which nature has a purpose, with respect to the highest interests of reason and enlightenment. The work profoundly influenced the artists, writers, and philosophers of the classical and romantic period, including Hegel, Schelling, Schopenhauer, and Nietzsche. In addition, it has remained a landmark work in fields such as phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics, and contemporary critical theory. Today it remains an essential work of philosophy, and required reading for all with an interest in aesthetics.

Metaphysicians have for centuries attempted to clarify the nature of the world and how rational human beings construct their ideas of it. Materialists believed that the world (including its human component) consisted of objective matter, an irreducible substance to which qualities and characteristics could be attributed. Mindthoughts, ideas, and perceptionswas viewed as a more sophisticated material substance. Idealists, on the other hand, argued that the world acquired its reality from mind, which breathed metaphysical life into substances that had no independent existence of their own. These two camps seemed deadlocked until Immanuel Kant's Critique of Pure Reason endeavored to show that the most accurate theory of reality would be one that combined relevant aspects of each position, yet transcended both to arrive at a more fundamental metaphysical theory. Kant's synthesis sought to disclose how human reason goes about constructing its experience of the world, thus intertwining objective simuli with rational processes that arrive at an orderly view of nature.

The most accurate and informative English translation ever produced of this epochal philosophical text.

The first collective commentary in English on Kant's landmark 1871 publication.

Kant's Critique of Judgement analyses our experience of the beautiful and the sublime in relation to nature, morality, and theology. Meredith's classic translation is here lightly revised and supplemented with a bilingual glossary. The edition also includes the important First Introduction. - ;'beauty has purport and significance only for human beings, for beings at once animal and rational' In the Critique of Judgement (1790) Kant offers a penetrating analysis of our experience of the beautiful and the sublime, discussing the objectivity of taste, aesthetic disinterestedness, the relation of art and nature, the role of imagination, genius and originality, the limits of representation and the connection between morality and the aesthetic. He also investigates the validity of our judgements concerning the apparent purposiveness of nature with respect to the highest interests of reason and enlightenment. The work profoundly influenced the artists and writers of the classical and romantic period and the philosophy of Hegel and Schelling. It has remained a central point of reference from Schopenhauer and Nietzsche through to phenomenology, hermeneutics, the Frankfurt School, analytical aesthetics and contemporary critical theory. J. C. Meredith's classic translation has been revised in accordance with standard modern renderings and provided with a bilingual glossary. This edition also includes the important 'First Introduction' that Kant originally composed for the work. -