Karl Rahner S Theological Aesthetics

This innovative book discloses Karl Rahner's foremost achievement: discovering and delineating an ethos of Catholicism, a multi-faceted and comprehensive approach to life in Christ. Karl Rahner's Theological Aesthetics does so by placing the German Jesuit and his teacher, philosopher Martin Heidegger, into a richly detailed dialogue on aesthetics. The book treats classic Rahner topics such as anthropology and Christology. But it breaks new ground by exploring themes such as angels, Mary, and the apocalypse, juxtaposed with analogous philosophical topics in Heidegger.

Since its emergence in the sixties of the last century, liberation theology in Latin America has paid little attention to the areas of aesthetics and art. At the same time, theological aesthetics seldom has been directly and explicitly concerned about the reality of the poor and the struggle for justice. This mutual disinterest between liberation theology and theological aesthetics is regrettable, because discerning a correlation between them would benefit both theological disciplines in their attempt to understand the saving action of God in the world. It is the intention of this book to fill that gap. A Theological Aesthetics of Liberation correlates liberation theology and theological aesthetics, exploring different themes such as the liberating power of art, and how the Spirit of God is involved in the process of liberation in and through art. This study is a critical reflection upon the question of the beauty of Jesus Christ, especially in relationship with the event of the cross, and upon its meaning for Christian life. This book analyzes such topics in conversation with important theologians: Gustavo Gutiérrez, Jon Sobrino, Karl Rahner, Hans Urs von Balthasar, Edward Schillebeeckx, and other contemporary Christian theologians who have explored these themes.

This book explores the role of aesthetic experience in our perception and understanding of the holy. Richard Viladesau's goal is to articulate a theology of revelation, examined in relation to three principal dimensions of the aesthetic realm: feeling and imagination; beauty (or taste); and the arts. After briefly considering ways in which theology itself can be imaginative or beautiful, Viladesau concentrates on the theological significance of aesthetic data provided by each of the three major spheres of aesthetic perception and response. Throughout the work, the underlying question is how each of these spheres serves as a source (however ambiguous) of revelation. Although he frames much of his argument in terms of Catholic theology--from the Church Fathers to Karl Rahner, Hans urs von Balthasar, Bernard Lonergan, and David Tracy--Viladesau also makes extensive use of ideas from the Protestant theologian of the arts Gerardus van der Leeuw, and draws insights from such diverse thinkers as Hans Goerg Gadamer, Wolfhart Pannenberg, and Iris Murdoch. His analysis is enlivened by the artistic examples he selects: the music of Mozart as contemplated by Karl Barth, Schoenbergs opera Moses und Aron, the sculptures of Chartres Cathedral, poems by Rilke and Michelangelo, and many others. What emerges from this study is what Viladeseau terms a transcendental theology of aesthetics. In Thomistic terms, he finds that beauty is not only a perfection but a transcendental. That is, any instance of beauty, rightly perceived and rightly understood, can be seen to imply divinely beautiful things as well. In other words, Viladesau argues, God is the absolute and necessary condition for the possibility of beauty.

In this groundbreaking work, Brown shows how aesthetics, no less than ethics, can play a central role in the study of religion and in the practice of theology. "An important book, wide ranging, often very witty . . . showing an impressive grasp of the current state of aesthetics and possible new directions".--Nick McAdoo, British Journal of Aesthetics.

One of the most important theologians of the modern era, Karl Rahner is best known for his efforts to make Christianity credible in light of the intellectual questions of modern culture. Stephen M. Fields, SJ, now explains how Rahner developed his metaphysics as a creative synthesis of Thomism and the modern philosophical tradition. Focusing on Rahner's core concept of the Realsymbol, which posits all beings as symbolic, Fields establishes the place of the Realsymbol in philosophical theories of the symbol. He particularly concentrates on those key aspects of Rahner's metaphysics-his theories of finite realities and language—that have received insufficient attention. By examining a wide range of Rahner's works in the context of twelve medieval, modern, and contemporary thinkers, Fields locates the origins of this seminal thinker's metaphysics to an extent never before attempted. He notes the correlations that exist between the Realsymbol and such work as Aquinas's theory of the sacraments, Goethe's and Hegel's dialectics, Moehler's view of religious language, and Heidegger's aesthetics. Through this analysis, Fields reveals the structural core of Rahner's metaphysics and shows how art, language, knowledge, religious truth, and reality in general are all symbolic. Being as Symbol opens new perspectives on this important thinker and positions him in the broader spectrum of philosophical thought.

This text discusses what both the early Fathers and later writers such as Calvin and Sergius Bulgakov said about the association of beauty, both in nature and art, with the Holy Spirit. It also considers topics such as divine glory, inspiration and the eschatological character of beauty.

In the course of the 20th century, a new worldview has arisen in Western society and culture that is defined in this book as "immanent mysticism." Several major philosophers are sensitive to such a sense of immanent mysticism. The same sensitivity is noticeable in the works of poets, painters, and other artists. It expresses the desire for transforming the way to meaningful living. A Taste of God shows that theological research programs are innovated by insights from aesthetics and studies of spirituality. The book's research indicates that contemporary Western culture requires a reframing of foundational theology. (Series: Nijmegen Studies in Theology - Vol. 3)