Karma Dharma And Butterflies

Karma, Dharma and Butterflies is a mind opening, and at times hilarious account of the inevitable ups and downs that are part of the path to inner happiness through Vipassana meditation practice. The book begins with the author reluctantly spending three days of a Hawaii dream vacation at a New Year's retreat at a Zen center in Honolulu. Little does she know that the meeting with a teacher at the retreat will have a dramatic life changing impact on her. Along with the inner journey, there is an exotic outer journey taking place, which brings the reader from Florence, to Hawaii, French Polynesia, Burma and back to Florence again. Karma, Dharma and Butterflies is a truly inspiring book about meditation as a way to inner happiness and peace. Happiness is like a butterfly, which when pursued is always beyond grasp, but if you sit down quietly, happiness may slight upon yo

Professor Delta Quinn teams with investigative reporter Caleb Barthes to unravel the mystery of the zombie seed, the genetically-modified follow-up to the “terminator seed.” This fact-based fiction is an academic novel that relies on fast-paced action as well as theoretical insights. Using the cultural icon of the zombie to address work alienation and contemporary apathy is perfect for the purposes of having the reader examine corporate greed in a global world. The cast of characters brings this global aspect to life. In the backdrop of the novel, a history of the zombie unfolds—a history of the violence that Haiti and African diaspora have suffered. Yet, it is Delta’s research into narratives of partner abuse that lead her to grapple with her own tragic past and take brave steps toward ending the abuse of others. This social justice book is based on award-winning research in rhetorical ethnography and is being assigned for courses in rhetoric, ethnography, narrative, organizational communication, and diversity, but would fit with others (e.g., ethics, interpersonal, public relations, journalism, sociology, philosophy) where examining the individual’s role in the life-world is not only promoted but expected. If the novel doesn’t do it, then the facts found at the end of the book should “wake up” any remaining zombies. Robin Patric Clair is a Full Professor, Diversity Fellow and a Fellow to the Center of Creative Endeavors at Purdue University. She has won research awards in rhetoric, narrative, ethnography and organizational communication, including two ‘Outstanding Book of the Year’ awards, two ‘Best Research Article of the Year’ awards, the ‘Golden Anniversary Award’ and multiple ‘Top Paper’ Awards for her research.

Max Roper is one of the new-fangled breed who includes murder in his arsenal of security activities. In The Pushbutton Butterfly, he has to track a missing girl through a myriad of fascinating, violent, and potentially evil people, including an idealistic student rebel at Berkeley; the most fashionable of gurus; young coeds who augment their income by pushing heroin; a motorcycle gang leader who is flying high all the time; and a staid, liberal pillar of the Establishment who secretly collects pornographic pictures. Roper is a compelling man who carries his own standards of behavior into every society he encounters. He fits best with the local police who are his friends, with an aspiring Mr. America, whom he can throw with karate, indeed with all types of evildoers and guardians against evildoers. He’s an adaptable fellow, though, and manages to get on well—when he has to—with millionaires and murderers of all classes. The Pushbutton Butterfly begins when Max Roper’s boss, head of an organization called EPT, sends him out to investigate the report of a missing girl, a security project. EPT, an offshoot of a wartime operation, occasionally does top, top secret jobs for the CIA and other legal espionage groups. In this case, the girl’s father is manufacturing some highly important electronic gadgets, and there’s some danger that pressure could be exerted o him through his daughter to release secret formulas. The father, who is understandably inimical to Roper’s presence in the case, gives grudging cooperation. The girl is a student at Berkeley, and there Max goes to learn what he can from her friends. He finds one of them almost immediately, an attractive girl whose charms are not improved the condition in which Max finds her, which is very dead. From this opening, there is no letdown to the pace and excitement of The Pushbutton Butterfly, Max Roper’s first case, a provocative introduction.

Using the metaphor of metamorphosis, Carbon Dharma calls for our occupation of the Earth as Butterflies, to undo the damage done by the human species in its present Caterpillar stage of existence. It diagnoses the reasons for our Caterpillar stage of existence as the misinterpretation of the fundamental principles that underlie our democracy and our industrial civilization. It posits that the solution to our predicament was already revealed in the first chapter of the Rig Veda, one of the oldest and foundational texts of human religion, and that we are doing the exact opposite of the Rig Veda's prescription in our modern consumer societies, following false Freudian assertions. The book is intended for the youth of this world who are facing some of the gravest challenges ever faced by any generation of human beings. It is also intended for all those who love the youth of this world, for the youth cannot solve these challenges on their own while their parents, grandparents, uncles and aunts continue to pile on more grave challenges for them to solve. While drawing upon the ancient Hindu concept of Dharma, or "right action", the book weaves illustrative stories from the author's life and leads up to a global call to action, action of a very specific, focused kind. Rather than listing hundreds of "change-light-bulb" type actions that a lot of us have been doing disjointly, but somewhat ineffectively, it lists three specific actions that we can begin to do concertedly to make a difference. While changing the world is about changing ourselves, effecting social change requires such concerted action.

An engrossing and definitive narrative account of history and myth that offers a new way of understanding one of the world's oldest major religions, The Hindus elucidates the relationship between recorded history and imaginary worlds. The Hindus brings a fascinating multiplicity of actors and stories to the stage to show how brilliant and creative thinkers have kept Hinduism alive in ways that other scholars have not fully explored. In this unique and authoritative account, debates about Hindu traditions become platforms to consider history as a whole.

This book describes the concept of Karma in its historical development. The concept of Karma was already present in early Indian religious texts. But from the beginning it embraced broader sphere than terms between humans and gods. Therefore, later it answered for polytheism preservation, development of spiritual tolerance, and uprising of many sects in Hinduism framework. The concept of Karma remained rigidly irrelevant to any concrete religious world outlook. It was easily accepted by other spiritual movements being included into very different systems explaining arrangement of creation in whole. Karma concedes plenty of both gods and religions. This is third Russian edition of the book 'Karma Mastery' published by 'Starklight' (Moscow, 2006) and translated into English (2010). It includes second part of the author's Karmic series, published by 'Vector' (Saint-Petersburg, 2007). Second Russian edition of the series in two volumes was done by 'LitRes' (Moscow, 2009).

Dharma Woman delves into the 59 precepts of the Lojong, Buddhist principles for study and meditation, as a basis for this commentary. The author illuminates with wit and wisdom the difficulties of following the buddhist path of mindfulness and meditation, compassion and loving kindness, as a daily practice when faced with the circumstances and challenges of living in the secular world.