Katey

"Sagal takes you through the highs and lows of her life, from the tragic deaths of her parents to her long years in the Los Angeles rock scene, from being diagnosed with cancer at the age of twenty-eight to getting her big break on the fledgling FOX network as the wise-cracking Peggy Bundy on the beloved sitcom Married with Children. Sparse and poetic, Grace Notes is an emotionally riveting tale of struggle and success, both professional and personal: Sagal's path to sobriety; the stillbirth of her first daughter, Ruby; motherhood; the experience of having her third daughter at age fifty-two with the help of a surrogate; and her lifelong passion for music."--Book jacket..

Katey learns of a massive corruption attempt. Spirits approach her to cooperate with them in an attempt to end it. Will the new powers she is given be of any useãand will she have the willpower to use them?

A biography of a Victorian-era woman who grew up as the daughter of novelist Charles Dickens—and found a creative career of her own. Katey Dickens was born into a house of turbulent celebrity and grew up surrounded by fascinating, famous, and infamous people. From a very young age, she knew her vocation was to be an artist. Lucinda Hawksley charts the life of a celebrated portrait painter who redefines our preconceptions about Victorian women. Living to be almost ninety, Katey survived an unconventional marriage, love affairs, heartbreak, depression, and the challenges of being a female artist in a male-dominated era. Compelling and illuminating, this biography of Katey Dickens tells the story of a spirited woman who found fame at the center of the first celebrity phenomenon; it also uncovers the reality of what it was like to be a child of Charles and Catherine Dickens.

Appealing, rhyming story that celebrates making in many forms.

*Audio Enhanced Read-Along EbookNominee for 2017 Cybils Award, Best Fiction Picture Book, Children's and Young AdultGrandmother Thorn treasures her garden, where not a leaf, twig or pebble is allowed out of place. But when a persistent plant sprouts without her permission, Grandmother begins to unravel. "Her hair became as tangled as the vines on her fence. Her garden fell into disrepair. One morning, she did not rake the path." A dear friend, the passage of seasons, and a gift only nature can offer help Grandmother Thorn discover that some things are beyond our control, and that sweetness can blossom in unexpected places.

The Oxford Handbook of Dance and the Popular Screen sets the agenda for the study of dance in popular moving images - films, television shows, commercials, music videos, and YouTube - and offers new ways to understand the multi-layered meanings of the dancing body by engaging with methodologies from critical dance studies, performance studies, and film/media analysis. Through thorough engagement with these approaches, the chapters demonstrate how dance on the popular screen might be read and considered through bodies and choreographies in moving media. Questions the contributors consider include: How do dance and choreography function within the filmic apparatus? What types of bodies are associated with specific dances and how does this affect how dance(s) is/are perceived in the everyday? How do the dancing bodies on screen negotiate power, access, and agency? How are multiple choreographies of identity (e.g., race, class, gender, sexuality, and nation) set in motion through the narrative, dancing bodies, and/or dance style? What types of corporeal labors (dance training, choreographic skill, rehearsal, the constructed notion of "natural talent") are represented or ignored? What role does a specific film have in the genealogy of Hollywood dance film? How does the Hollywood dance film inform how dance operates in making cultural meanings? Whether looking at Bill "Bojangles" Robinson's tap steps in Stormy Weather, or Baby's leap into Johnny Castle's arms in Dirty Dancing, or even Neo's backwards bend in The Matrix, the book's arguments offer powerful new scholarship on dance in the popular screen.

A lovebird who doesn't like kisses?! Rissy's friends and family wonder if she's sick, confused, or rude. But kisses make Rissy uncomfortable. Can one little lovebird show everyone that there's no one right way to show you care? Rissy No Kissies carries the message that "your body and your heart are yours, and you choose how to share." A note at the end provides further information for kids, parents, and educators about body autonomy, consent, and different ways to show affection. "This is an artistic gem for consent discussions, sensory-processing contexts, and anyone who champions children's agency and bodily autonomy. Radiant."—starred, Kirkus Reviews

Katey demanded, "When will I see you again?" Jerry gripped his cane hard till the knuckles on his hand went white with rage. "Better make that never plus ten years!" he shouted. Katey and Jerry are caught up in the three Cs: change, commitment, and challenges. They have had their differences over the years, and through the numerous bumps in their mutual happiness, they have always managed to hold onto each other. But when a vicious and vindictive CEO begins plotting to oust Jerry even to the point of physical threats, their happy union is threatened. Can Katey and Jerry save their company from the machinations of an egomaniacal railroad mogul? Will their love manage to overcome the ultimate test? What about you? Can you handle the three Cs in your life? Find out in Ivan Bosanko's thrilling, inspirational novel, The Rubber Room, Volume 2.