Katherine Mansfield And Psychology

In line with the recent surge of critical interest in early psychology, the contributors read Mansfield's work alongside figures like William James and Henri Bergson, opening up new perspectives on affect in her work. While these essays trace strands within the intellectual milieu in which Mansfield came of age, others explore the intricate interplay between Mansfield's fiction and Freudian theory, seeing her work as emblematic of the uncanny doubling of modernist literature and psychoanalysis.

Bliss and Other Stories is a 1920 collection of short stories by the New Zealand writer Katherine Mansfield.

Radical, witty and inventive, Katherine Mansfield is one of the twentieth century’s most accomplished short-story writers and this selection of stories showcases her dazzling skill. Part of the Macmillan Collector’s Library; a series of stunning, clothbound, pocket-sized classics with gold foiled edges and ribbon markers. These beautiful books make perfect gifts or a treat for any book lover. Prelude & Other Stories is edited and introduced by Professor Meg Jensen. This selection of stories by Katherine Mansfield showcases her remarkable ability to delve into the human mind; in stories such as ‘The Garden Party’ she reveals the tension between innocence and corruption, the dark side of love and romance are explored in ‘Bliss’ and ‘Love à la Mode’, and in the title story, ‘Prelude’, inspired by her own childhood, her concern is for the isolated and the lonely. Collected together for the first time, this selection of short stories by Katherine Mansfield showcase her remarkable ability to delve deep into human psychology.

»The Garden Party« is a short story by Katherine Mansfield, first published in 1922. KATHERINE MANSFIELD, actually Kathleen Mansfield Beauchamp (later Murry), was born in 1888 in Wellington, New Zealand, and died in 1923 as a result of her pulmonary tuberculosis at a hospital near Fontainebleau, France. Mansfield left her homeland at the age of 19 and moved to Europe. In London, she established herself as a writer and became friends with Virginia Woolf and D.H. Lawrence. Rumour has it that the latter infected her with the lung disease that became her demise, at the young age of 35.

Fenella Crane struggles to keep up with her father and grandmother as they stride toward the Picton boat. Her neatly-rolled luggage is strapped to her back and she clutches her grandmother’s umbrella closely to her. Her father looks tired and sad, she thinks, and as the second whistle blows, he removes his hat and takes his mother in his arms. Fenella wants to know how long she is going to stay with her grandparents on the South Island, and when her father presses a shilling on her, just in case, she has her answer: forever. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.

Contains two great works by Orage that are invaluable resources for students on the path of self-development. Students of Gurdjieff and Ouspensky will enjoy this special collection. On Love includes "Talks with Katherine Mansfield at Fontainebleau" and aphorisms given to Orage's pupils who were taught Gurdjieff's methods and system from 1924 to 1930. Psychological Exercises presents over 200 exercises to increase the flexibility and scope of the mind.

This volume brings together a range of essays by eminent and emergent scholars working at the intersection of modern literary, cinema and sound studies. The individual studies ask what specific sonorous qualities are capable of being registered by different modern media, and how sonic transpositions and transferences across media affect the ways in which human subjects attend to modern soundscapes. Script, groove, electrical current, magnetic imprint, phonographic vibration: as the contributors show, sound traverses these and other material platforms to become an insistent ground-note of modern aesthetics, one not yet adequately integrated into critical accounts of the period. This collection also provides a commanding and wide-ranging investigation of the conditions under which modernists tapped technically into the rhythms, echoes and sonic architectures of their worlds.

Reconsiders of Arendt's philosophy of natality in terms of biopolitical theory and feminism to defend women's reproductive choices