Keeping It Living

The European explorers who first visited the Northwest Coast of North America assumed that the entire region was virtually untouched wilderness whose occupants used the land only minimally, hunting and gathering shoots, roots, and berries that were peripheral to a diet and culture focused on salmon. Colonizers who followed the explorers used these claims to justify the displacement of Native groups from their lands. Scholars now understand, however, that Northwest Coast peoples were actively cultivating plants well before their first contact with Europeans. This book is the first comprehensive overview of how Northwest Coast Native Americans managed the landscape and cared for the plant communities on which they depended. Bringing together some of the world's most prominent specialists on Northwest Coast cultures, Keeping It Living tells the story of traditional plant cultivation practices found from the Oregon coast to Southeast Alaska. It explores tobacco gardens among the Haida and Tlingit, managed camas plots among the Coast Salish of Puget Sound and the Strait of Georgia, estuarine root gardens along the central coast of British Columbia, wapato maintenance on the Columbia and Fraser Rivers, and tended berry plots up and down the entire coast. With contributions from ethnobotanists, archaeologists, anthropologists, geographers, ecologists, and Native American scholars and elders, Keeping It Living documents practices, many unknown to European peoples, that involve manipulating plants as well as their environments in ways that enhanced culturally preferred plants and plant communities. It describes how indigenous peoples of this region used and cared for over 300 different species of plants, from the lofty red cedar to diminutive plants of backwater bogs.

A comprehensive and inspiring guide small-scale fiber farming and wool crafting. Fiber crafts—such as knitting, weaving, and crocheting—continue to surge in popularity, with sites like Ravelry (a social media community for the wool obsessed) gaining more than six million members. Artists are seeking quality raw materials in greater numbers. The cottage industry of supplying not only raw fleece, but handcrafted yarns, is strong. Janet Garman has a small fiber flock (including Pygora fiber goats) and shares her expertise, as well as interviews, tips, and advice from fiber farmers and craftspeople across the country. In these pages, readers will learn the basics of properly raising sheep, goats, llamas, alpacas, and rabbits, with tips on selecting animals, feeding, housing, breeding, and healthcare. From there, instructions are provided for shearing, sorting, skirting, washing, picking, carding, combing, and spinning the wool. Enthusiasts will also find recipes and instructions for natural, plant-based dyes and advice for selling your finished yarn. The proper care of fiber animals leads to a superior yarn product. Lapses in good care can show up in the fleece. As the demand for quality yarn and fiber grows, more people are becoming concerned with the animals’ treatment and care. Give your animals a good home and a happy life and enjoy superior fleece and yarn products for your own homestead or to sell.

One of my purposes in writing this book was to provide the readers with unique ways of looking at life from another person’s point of view. I am a Georgia-Licensed Nurse who has had lots of experiences with people and their lives due to thirty-three years in the field of nursing, and experiences in my own life. I am a graduate of Waynesboro High School of Waynesboro, Georgia, and a graduate of The Lawton B. Evans School of Nursing formerly of Augusta, Georgia. I reside in Waynesboro, Georgia. My greatest accomplishment is my daughter (Sgt. Jennifer L. Jones of the USMC) who has served our country well for nine years and continues to serve. My first attempt at writing was in the 1990s when I began writing poems. One of my poems (“This Feeling”) was published in The America at The Millennium, The Best Poems and Poets of the 20th Century by the International Library of Poetry in 1999 and again in the year 2000. This is my first attempt at writing a book, which started in the year 2008. ISBN: 978-1-

"We all have need to be trained to see, and to have our eyes opened before we can take in the joy that is meant for us in this beautiful life." Charlotte Mason ~~~~~~~ "Composition books and blank journals are readily available at every big box and corner store, available so inexpensively as to be common and ironic as we reach that digital dominion, the projected 'paperless culture.' Shall we despair the future of the notebook? Is the practice an anachronism in an age where one's thoughts and pictures, doings and strivings are so easily recorded on a smartphone or blog,and students in even the youngest classrooms are handed electronic tablets with textbooks loaded and worksheets at the ready? Or is there something indispensable in the keeping of notebooks without which human beings would be the poorer?" THE LIVING PAGE invites the reader to take a closer look in the timeless company of 19th century educator, Charlotte Mason.

Labrador Innu cultural and environmental activist Tshaukuesh Elizabeth Penashue is well-known both within and far beyond the Innu Nation. The recipient of a National Aboriginal Achievement Award and an honorary doctorate from Memorial University, she has been a subject of documentary films, books, and numerous articles. She led the Innu campaign against NATO’s low-level flying and bomb testing on Innu land during the 1980s and ’90s, and was a key respondent in a landmark legal case in which the judge held that the Innu had the “colour of right” to occupy the Canadian Forces base in Goose Bay, Labrador. Over the past twenty years she has led walks and canoe trips in nutshimit, “on the land,” to teach people about Innu culture and knowledge. Nitinikiau Innusi: I Keep the Land Alive began as a diary written in Innu-aimun, in which Tshaukuesh recorded day-to-day experiences, court appearances, and interviews with reporters. Tshaukuesh has always had a strong sense of the importance of documenting what was happening to the Innu and their land. She also found keeping a diary therapeutic, and her writing evolved from brief notes into a detailed account of her own life and reflections on Innu land, culture, politics, and history. Beautifully illustrated, this work contains numerous images by professional photographers and journalists as well as archival photographs and others from Tshaukuesh’s own collection.

A lively and joyful read, Living Serendipitously gets you to be an active dreamer, who is living your dreams, not just thinking about them. It captures the joyful essence of "the art of living" and shows you how to feel deliciously alive, vibrant and happy every day of your life . . . no matter what your circumstances. Einstein said, "There are only two ways to live your life - as though nothing is a miracle or as though everything is a miracle." Living Serendipitously aligns us with the everything.

Living virtuously does not mean perfection. It means learning contentment, choosing joy, and being teachable. Victory and virtue are gifts given to those who persevere on their own journey that God has given no matter what life may bring. In this book, we will journey together through Proverbs 31 in the Bible, discovering the traits of a Virtuous Woman. I will take you from the spiritual to the practical, giving you a complete, well-rounded perspective of what it means to keep your heart and your home."--Back cover.