Khatru Symposium Women In Science Fiction

Originally published and edited by Jeffrey D. Smith in 1975, Khatru 3&4's symposium on women in science fiction was a detailed conversation among some of the most well-known authors of 70s feminist science fiction, including Suzy McKee Charnas, Samuel R. Delany, Vonda N. McIntyre, Joanna Russ, James Tiptree Jr. (before her true identity of Alice B. Sheldon was known), Kate Wilhelm, Chelsea Quinn Yarbro, and others, The opinions expressed by participants are still radical today. This 1993 update of the symposium includes new material by some of the original participants and commentary by others, including Pat Murphy, Karen Joy Fowler, Gwyneth Jones, and Jeanne Gomoll. Cover by Judith M Weiss, illustrations by Georgie Schnobrich.

How women and feminism helped to shape science fiction in America.

Works of science fiction and fantasy increasingly explore gender issues, feature women as central characters, and are written by women writers. This book examines women's contributions to science fiction and fantasy across a range of media and genres, such as fiction, nonfiction, film, television, art, comics, graphic novels, and music. The first volume offers survey essays on major topics, such as sexual identities, fandom, women's writing groups, and feminist spirituality; the second provides alphabetically arranged entries on more specific subjects, such as Hindu mythology, Toni Morrison, magical realism, and Margaret Atwood. Entries are written by expert contributors and cite works for further reading, and the set closes with a selected, general bibliography. Students and general readers love science fiction and fantasy. And science fiction and fantasy works increasingly explore gender issues, feature women as central characters, and are written by women writers. Older works demonstrate attitudes toward women in times past, while more recent works grapple with contemporary social issues. This book helps students use science fiction and fantasy to understand the contributions of women writers, the representation of women in the media, and the experiences of women in society.

Go back to The Future Is Female in this all new collection of wildly entertaining stories by the trailblazing feminist writers who transformed American science fiction in the 1970s In the 1970s, feminist authors created a new mode of science fiction in defiance of the “baboon patriarchy”—Ursula Le Guin’s words—that had long dominated the genre, imagining futures that are still visionary. In this sequel to her groundbreaking 2018 anthology The Future is Female!: 25 Classic Science Fiction Stories by Women from Pulp Pioneers to Ursula K. Le Guin, SF-expert Lisa Yaszek offers a time machine back to the decade when far-sighted rebels changed science fiction forever with stories that made female community, agency, and sexuality central to the American future. Here are twenty-three wild, witty, and wonderful classics that dramatize the liberating energies of the 1970s: Sonya Dorman, “Bitching It” (1971) Kate Wilhelm, “The Funeral” (1972) Joanna Russ, “When It Changed” (1972) NEBULA AWARD Miriam Allen deFord, “A Way Out”(1973) Vonda N. McIntyre, “Of Mist, and Grass, and Sand” (1973) NEBULA James Tiptree, Jr., “The Girl Who Was Plugged In” (1973) HUGO AWARD Kathleen Sky, “Lament of the Keeku Bird” (1973) Ursula K. Le Guin, “The Day Before the Revolution” (1974) NEBULA & LOCUS AWARD Eleanor Arnason, “The Warlord of Saturn’s Moons” (1974) Kathleen M. Sidney, “The Anthropologist” (1975) Marta Randall, “A Scarab in the City of Time” (1975) Elinor Busby, “A Time to Kill” (1977) Raccoona Sheldon, “The Screwfly Solution” (1977) NEBULA AWARD Pamela Sargent, “If Ever I Should Leave You” (1974) Joan D. Vinge, “View from a Height” (1978) M. Lucie Chin, “The Best Is Yet to Be” (1978) Lisa Tuttle, “Wives” (1979) Connie Willis, “Daisy, In the Sun” (1979)

In this major study of the work of Joanna Russ, Jeanne Cortiel gives a clear introduction to the major feminist issues relevant to Russ’s work and assesses its development. The book will be especially valuable for students of SF and feminist SF, especially in its concern with the function of woman-based intertextuality. Although Cortiel deals principally with Russ’s novels, she also examines her short stories, and the focus on critically neglected texts is a particularly valuable feature of the study. "I recommend this book to any reader interested in Russ’s fiction, or in women’s science fiction generally."—Science Fiction Studies

First published in 2003. With essays by an international and interdisciplinary group of scholars, Dark Horizons focuses on the development of critical dystopia in science fiction at the end of the twentieth century. In these narratives of places more terrible than even the reality produced by the neo-conservative backlash of the 1980s and the neoliberal hegemony of the 1990s, utopian horizons stubbornly anticipate a different and more just world. The top-notch team of contributors explores this development in a variety of ways: by looking at questions of form, politics, the politics of form, and the form of politics. In a broader context, the essays connect their textual and theoretical analyses with historical developments such as September 11th, the rise and downturn of the global economy, and the growth of anti-capitalist movements.

Experimental, strange, and unabashedly feminist, Joanna Russ's groundbreaking science fiction grew out of a belief that the genre was ideal for expressing radical thought. Her essays and criticism, meanwhile, helped shape the field and still exercise a powerful influence in both SF and feminist literary studies.Award-winning author and critic Gwyneth Jones offers a new appraisal of Russ's work and ideas. After years working in male-dominated SF, Russ emerged in the late 1960s with Alyx, the uber-capable can-do heroine at the heart of Picnic on Paradise and other popular stories and books. Soon, Russ's fearless embrace of gender politics and life as an out lesbian made her a target for male outrage while feminist classics like The Female Man and The Two of Them took SF in innovative new directions. Jones also delves into Russ's longtime work as a critic of figures as diverse as Lovecraft and Cather, her foundational place in feminist fandom, important essays like "Amor Vincit Foeminam," and her career in academia.