Khmer American

In the early 1980s, tens of thousands of Cambodian refugees fled their war-torn country to take up residence in the United States, where they quickly became one of the most troubled and least studied immigrant groups. This book is the story of that passage, and of the efforts of Khmer Americans to recreate the fabric of culture and identity in the aftermath of the Khmer holocaust. Based on long-term research among Cambodians residing in metropolitan Boston, this rich ethnography provides a vivid portrait of the challenges facing Khmer American culture as seen from the perspective of elders attempting to preserve Khmer Buddhism in a deeply unfamiliar world. The study highlights the tensions and ambivalences of Khmer socialization, with particular emphasis on Khmer conceptions of personhood, morality, and sexuality. Nancy J. Smith-Hefner considers how this cultural heritage influences the performance of Khmer children in American schools and, ultimately, determines Khmer engagement with American culture.

Immigration studies have increasingly focused on how immigrant adaptation to their new homelands is influenced by the social structures in the sending society, particularly its economy. Less scholarly research has focused on the ways that the cultural make-up of immigrant homelands influences their adaptation to life in a new country. In Ethnic Origins, Jeremy Hein investigates the role of religion, family, and other cultural factors on immigrant incorporation into American society by comparing the experiences of two little-known immigrant groups living in four different American cities not commonly regarded as immigrant gateways. Ethnic Origins provides an in-depth look at Hmong and Khmer refugees—people who left Asia as a result of failed U.S. foreign policy in their countries. These groups share low socio-economic status, but are vastly different in their norms, values, and histories. Hein compares their experience in two small towns—Rochester, Minnesota and Eau Claire, Wisconsin—and in two big cities—Chicago and Milwaukee—and examines how each group adjusted to these different settings. The two groups encountered both community hospitality and narrow-minded hatred in the small towns, contrasting sharply with the cold anonymity of the urban pecking order in the larger cities. Hein finds that for each group, their ethnic background was more important in shaping adaptation patterns than the place in which they settled. Hein shows how, in both the cities and towns, the Hmong's sharply drawn ethnic boundaries and minority status in their native land left them with less affinity for U.S. citizenship or "Asian American" panethnicity than the Khmer, whose ethnic boundary is more porous. Their differing ethnic backgrounds also influenced their reactions to prejudice and discrimination. The Hmong, with a strong group identity, perceived greater social inequality and supported collective political action to redress wrongs more than the individualistic Khmer, who tended to view personal hardship as a solitary misfortune, rather than part of a larger-scale injustice. Examining two unique immigrant groups in communities where immigrants have not traditionally settled, Ethnic Origins vividly illustrates the factors that shape immigrants' response to American society and suggests a need to refine prevailing theories of immigration. Hein's book is at once a novel look at a little-known segment of America's melting pot and a significant contribution to research on Asian immigration to the United States. A Volume in the American Sociological Association's Rose Series in Sociology

On April 17, 1975, after five years of civil war, the Khmer Rouge guerrillas invaded Cambodia's major cities and forced the residents on a mass exodus to the countryside. Their leader, Pol Pot, established a government based on terror to bring about his dream of an agrarian society where work was done by hand--without what he believed to be corruptive influences. By the time the Vietnamese captured Phnom Penh and ended this brutal experiment in communism in 1979, an estimated two million Cambodians were dead and hundreds of thousands had begun to flee the country for refugee camps in Thailand. Survivors of Pol Pot and his Khmer Rouge now living in the Midwest tell their stories in this work. Many of them were children during that time, unable to comprehend exactly what was happening and why, but now able to reveal the trauma they experienced. Noeun Nor and Sinn Lok recollect being wrenched from their families and put into labor camps around the age of five. Prum Nath talks about her mother encouraging her to eat the last grains of her family's rice. Sokhary You remembers giving birth on a mountain without a doctor or hospital and using rusty scissors to cut the umbilical cord.

This ethnography, based on a five-year field study, presents a holistic view of a nearly invisible ethnic minority in the urban Midwest, Cambodian refugees. Hopkins begins with a brief look at Cambodian history and the reign which led these farmers to flee their homeland, and then presents an intimate portrait of ordinary family life and also of Buddhist ceremonial life. The book details their struggles to adjust in the face of the many barriers presented by American urban life, such as poverty, dangerous neighborhoods, and unemployment, and also by the conflict between their particular needs and American institutions such as schools, health care, law, and even the agencies intended to help them.

While the United States battled the Communists of North Vietnam in the 1960s and '70s, the neighbouring country of Cambodia was attacked from within by dictator Pol Pot and the Khmer Rouge. The Khmer Rouge imprisoned, enslaved, and murdered the educated and intellectual members of the population, resulting in the harrowing "killing fields"–rice paddies where the harvest yielded nothing but millions of skulls. Young Sichan Siv–a target since he was a university graduate–was told by his mother to run and "never give up hope!" Captured and put to work in a slave labor camp, Siv knew it was only a matter of time before he would be worked to death–or killed. With a daring escape from a logging truck and a desperate run for freedom through the jungle, including falling into a dreaded pungi pit, Siv finally came upon a colorfully dressed farmer who said, "Welcome to Thailand." He spent months teaching English in a refugee camp in Thailand while regaining his strength, eventually Siv was allowed entry into the United States. Upon his arrival in the U.S., Siv kept striving. Eventually rising to become a U.S. ambassador to the United Nations, Siv returned with great trepidation to the killing fields of Cambodia in 1992 as a senior representative of the U.S. government. It was an emotionally overwhelming visit.

In a lyrical journey of self-acceptance, the author questions and comes to term with the Killing Fields and other genocides. She explores what it means to be a child of the Killing Fields raised in the United States.

The first comprehensive anthropological description of the Khmer Buddhism practiced by Cambodian refugees in the United States over the past four decades. Cambodian Buddhism in the United States is the first comprehensive anthropological study of Khmer Buddhism as practiced by Khmer refugees in the United States. Based on research conducted at Khmer temples and sites throughout the country over a period of three and a half decades, Carol A. Mortland uses participant observation, open-ended interviews, life histories, and dialogues with Khmer monks and laypeople to explore the everyday practice of Khmer religion, including spirit beliefs and healing rituals. This ethnography is enriched and supplemented by the use of historical accounts, reports, memoirs, unpublished life histories, and family memorabilia painstakingly preserved by refugees. Mortland also traces the changes that Cambodians have made to religion as they struggle with the challenges of living in a new country, learning English, and supporting themselves. The beliefs and practices of Khmer Muslims and Khmer Christians in the United States are also reviewed. Carol A. Mortland is a retired professor and the coeditor (with David W. Haines) of Manifest Destinies: Americanizing Immigrants and Internationalizing Americans, and (with May M. Ebihara and Judy Ledgerwood) Cambodian Culture Since 1975: Homeland and Exile.

How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and writers—photographers, filmmakers, court dancers, and poets—embodies traces of trauma, scars leaving an indelible mark on the body and the psyche. Her book considers artists of different generations and family experiences: a Cambodian-American woman whose father sent her as a baby to the United States to be adopted; the Cambodian-French filmmaker, Rithy Panh, himself a survivor of the Khmer Rouge, whose film The Missing Picture was nominated for an Oscar in 2014; a young Cambodian artist born in 1988—part of the “post-memory” generation. The works discussed include a variety of materials and remnants from the historical past: the broken pieces of a shattered clay pot, the scarred landscape of bomb craters, the traditional symbolism of the checkered scarf called krama, as well as the absence of a visual archive. Boreth Ly’s poignant book explores obdurate traces that are fragmented and partial, like the acts of remembering and forgetting. Her interdisciplinary approach, combining art history, visual studies, psychoanalysis, cultural studies, religion, and philosophy, is particularly attuned to the diverse body of material discussed, including photographs, video installations, performance art, poetry, and mixed media. By analyzing these works through the lens of trauma, she shows how expressions of a national trauma can contribute to healing and the reclamation of national identity.