Kibo Brimming With Hope

This cookbook is a heartfelt and fascinating tribute to the food, traditions, and courage of the people of Japan’s Tohoku region before and after the devastation of the earthquake and tsunami of March 11, 2011. It features traditional recipes such as Miso-Seared Scallops, Pinched-Noodle Soup with Pork, Salmon-Stuffed Kelp Rolls, and basics like rice, stocks, and sauces, along with sake pairings and essays on Japan in recovery from journalists and food writers. Kibō was written by Japanese culinary authority Elizabeth Andoh, who was in her Tokyo kitchen when the Great Eastern-Japan Earthquake struck. Over the following months she witnessed the strength of the people of the Tohoku region—one of the largest miso- and sake-producing areas in Japan—as they struggled with the effects of the resulting tsunami and nuclear accident. She was inspired to write Kibō (meaning “brimming with hope”) to not only tell the story of the food of the Tohoku region but also to document the experiences of its people, both before and after the disaster. This lushly photographed original eBook will honor the region and its rich culture on the first anniversary of the earthquake, with a portion of the proceeds going to Japanese recovery efforts.

This textbook provides an introduction to the fundamentals of serious games, which differ considerably from computer games that are meant for pure entertainment. Undergraduate and graduate students from various disciplines who want to learn about serious games are one target group of this book. Prospective developers of serious games are another, as they can use the book for self-study in order to learn about the distinctive features of serious game design and development. And ultimately, the book also addresses prospective users of serious game technologies by providing them with a solid basis for judging the advantages and limitations of serious games in different application areas such as game-based learning, training and simulation or games for health. To cater to this heterogeneous readership and wide range of interests, every effort was made to make the book flexible to use. All readers are expected to study Chapter 1, as it provides the necessary basics and terminology that will be used in all subsequent chapters. The eleven chapters that follow cover the creation of serious games (design, authoring processes and tools, content production), the runtime context of serious games (game engines, adaptation mechanisms, game balancing, game mastering, multi-player serious games), the effects of serious games and their evaluation (player experience, assessment techniques, performance indicators), and serious games in practice (economic aspects, cost-benefit analysis, serious game distribution). To familiarize the readers with best practice in this field, the final chapter presents more than 30 selected examples of serious games illustrating their characteristics and showcasing their practical use. Lecturers can select chapters in a sequence that is most suitable for their specific course or seminar. The book includes specific suggestions for courses such as “Introduction to Serious Games”, “Entertainment Technology”, “Serious Game Design”, “Game-based Learning”, and “Applications of Serious Games”.

From 1968 to 1972, St. Louis was home to the Black Artists' Group (BAG), a seminal arts collective that nurtured African American experimentalists involved with theater, visual arts, dance, poetry, and jazz. Inspired by the reinvigorated black cultural nationalism of the 1960s, artistic collectives had sprung up around the country in a diffuse outgrowth known as the Black Arts Movement. These impulses resonated with BAG's founders, who sought to raise black consciousness and explore the far reaches of interdisciplinary performance--all while struggling to carve out a place within the context of St. Louis history and culture.A generation of innovative artists--Julius Hemphill, Oliver Lake, and Emilio Cruz, to name but a few--created a moment of intense and vibrant cultural life in an abandoned industrial building on Washington Avenue, surrounded by the evisceration that typified that decade's "urban crisis." The 1960s upsurge in political art blurred the lines between political involvement and artistic production, and debates over civil rights, black nationalism, and the role of the arts in political and cultural struggles all found form in BAG. This book narrates the group's development against the backdrop of St. Louis spaces and institutions, examines the work of its major artists, and follows its musicians to Paris and on to New York, where they played a dominant role in Lower Manhattan's 1970s "loft jazz" scene. By fusing social concern and artistic innovation, the group significantly reshaped the St. Louis and, by extension, the American arts landscape.

Contains information on familiar and exotic root vegetables and includes recipes featuring each vegetable, including horseradish vinaigrette, stir-fried lotus root and snow peas, and yuca chips.

He was forbidden, my boss and incapable of loving me. People talked about him, whispered about him in passing. He was the king of his town. And I was a visitor. I was by no means a smart girl. Never loved with my head, always with my heart. That fact alone almost killed me once. I should have listened the second time around. But the king of this small town, had me starving. Had me craving his taste. My name is Kandi, and he called me his Kandiland. The king declared I was his medicine, and with each dose, he became better and better. He was the perfect liar. And I was his perfect Kandi. Together, we were explosive, and toxic in every way.

From sleek, silken tofu with delicate toppings to piping-hot fried satchels in a robust sauce, tofu provides a versatile canvas for the intricate flavors and textures that Asian and vegetarian cooks have long enjoyed. America has embraced tofu as a healthy, affordable ingredient. And while it has been welcomed into sophisticated mainstream dining, tofu is often hidden in Western guises and in limited applications. In her third intrepid cookbook, celebrated food writer and teacher ANDREA NGUYEN aims to elevate this time-honored staple to a new place of prominence on every table. Asian Tofu’s nearly 100 recipes explore authentic,ancient fare and modern twists that capture the culinary spirit of East, Southeast, and South Asia. There are spectacular favorites from Japan, Korea, Thailand, Singapore, and India, as well as delicious dishes from Taipei, San Francisco, Santa Monica, and New York. Andrea demystifies tofu and interprets traditional Asian cuisine for cooks, sharing compelling personal stories and dispatches from some of the world’s best tofu artisans along the way. For those who want to take their skills to the next level, the tofu tutorial clearly outlines tofu-making technique, encouraging readers to experiment with the unparalleled flavors of homemade varieties. But time-pressed cooks needn’t fear: while a few recipes, such as Silken Tofu and Seasoned Soy Milk Hot Pot, are truly best with homemade tofu, most are terrific with store-bought products. Some traditional dishes combine tofu with meat in brilliant partnerships, such as Spicy Tofu with Beef and Sichuan Peppercorn and Tofu with Kimchi and Pork Belly, but this collection is predominantly vegetarian and vegan, including the pristinely flavored Spiced Tofu and Coconut in Banana Leaf and vibrant Spicy Lemongrass Tofu Salad. And innovations such as Okara Doughnuts reveal tofu’s more playful side. For health- and eco-conscious eaters and home chefs who are inspired to make the journey from bean to curd, Asian Tofu is the perfect guide.

There never lived a more honourable, upright, scrupulous gentleman than Major Hugh Walsingham Greene, and there seldom lived a duller, narrower, more pompous or more irascible one. Nor, when the Great War broke out, and gave him something fresh to do and to think about, were there many sadder and unhappier men. His had been a luckless and unfortunate life, what with his two wives and his one son; his excellent intentions and deplorable achievements; his kindly heart and harsh exterior; his narrow escapes of decoration, recognition and promotion. At cards he was not lucky—and in love he . . . well—his first wife, whom he adored, died after a year of him; and his second ran away after three months of his society. She ran away with Mr. Charles Stayne-Brooker (elsewhere the Herr Doktor Karl Stein-Brücker), the man of all men, whom he particularly and peculiarly loathed. And his son, his only son and heir! The boy was a bitter disappointment to him, turning out badly—a poet, an artist, a musician, a wretched student and “intellectual,” a fellow who won prizes and scholarships and suchlike by the hatful, and never carried off, or even tried for, a “pot,” in his life. Took after his mother, poor boy, and was the first of the family, since God-knows-when, to grow up a dam’ civilian. Father fought and bled in Egypt, South Africa, Burma, China, India; grandfather in the Crimea and Mutiny, great-grandfather in the Peninsula and at Waterloo, ancestors with Marlborough, the Stuarts, Drake—scores of them: and this chap, his son, theirdescendant, a wretched creature of whom you could no more make a soldier than you could make a service saddle of a sow’s ear! It was a comfort to the Major that he only saw the nincompoop on the rare occasions of his visits to England, when he honestly did his best to hide from the boy (who worshipped him) that he would sooner have seen him win one cup for boxing, than a hundred prizes for his confounded literature, art, music, classics, and study generally. To hide from the boy that the pæans of praise in his school reports were simply revolting—fit only for a feller who was going to be a wretched curate or wretcheder schoolmaster; to hide his distaste for the pale, slim beauty, which was that of a delicate girl rather than of the son of Major Hugh Walsingham Greene. . . . Too like his poor mother by half—and without one quarter the pluck, nerve, and “go” of young Miranda Walsingham, his kinswoman and playmate. . . . Too dam’ virtuous altogether.

A complete reference guide to modern Japanese grammar, it fills many gaps left by previous textbooks. Grammar points are put in context by examples from a range of Japanese media. Arranged alphabetically, it includes a detailed index of terms.