Kidnapping In The South Seas

Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.

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Excerpt from Kidnapping in the South Seas: Being a Narrative of a Three Months' Cruise of H. M. Ship Rosario The following pages are written with the sole object of exposing the deeds that have been perpetrated among the beautiful islands of the South Pacific, by men calling themselves Englishmen, and whose transactions have been invariably carried on under cover of our glorious old flag. Few have either time or inclination to wade through Parliamentary Blue-books, or unravel the mysteries of Royal Commissions and Select Committees, but should any of my readers have sufficient leisure to do so, they will find ample evidence to show that, although our Government has remonstrated against certain transactions that have for some time past disgraced our name and flag in those seas, the time has arrived when something more must be done. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The South Seas charts the idea of the South Seas in popular cultural productions of the English-speaking world, from the beginnings of the Western enterprise in the Pacific until the eve of the Pacific War. Building on the notion that the influences on the creation of a text, and the ways in which its audience receives the text, are essential for understanding the historical significance of particular productions, Sean Brawley and Chris Dixon explore the ways in which authors’ and producers’ ideas about the South Seas were “haunted” by others who had written on the subject, and how they in turn influenced future generations of knowledge producers. The South Seas is unique in its examination of an array of cultural texts. Along with the foundational literary texts that established and perpetuated the South Seas tradition in written form, the authorsexplore diverse cultural forms such as art, music, theater, film, fairs, platform speakers, surfing culture, and tourism.