Kieran Hurley Plays 1

Multi-award-winning Scottish playwright Kieran Hurley has been making waves since the early 2010s with his vivid storytelling and searing honesty, creating plays acutely concerned with society and community, and deeply enmeshed in Scotland's local political context. Tracking the evolution of Hurley's work from his early solo shows to his later large-cast plays and featuring an introduction by Scottish theatre critic Joyce McMillan, this is an exciting collection showcasing one of the UK's most exciting creators of politically-engaged theatre. The plays collected are: Hitch (2010): a previously unpublished solo show about Hurley's hitchhiking trip to the 2009 G8 meeting in L'Aquila, exploring the meaning of political protest. Beats (2012): a coming-of-age story exploring the aftermath of the 1994 Criminal Justice Act outlawing raves. It was adapted into a film in 2019, garnering nominations for BIFA Best Debut Screenplay and WGGB Best Screenplay. Heads Up (2016): a ferocious piece of storytelling asking what we would do if we found ourselves at the end of our world as we know it. (Winner of the Fringe First Award 2016.) Mouthpiece (2018): an unflinching Edinburgh-centric two-hander which examines whether it's possible to tell someone else's story without exploiting them along the way. (Winner of the Carol Tambor Best of Edinburgh Award 2019.) The Enemy (2021): a provocative and timely drama offering a uniquely Scottish take on Henrik Ibsen's timeless work An Enemy of the People.

Multi-award-winning Scottish playwright Kieran Hurley has been making waves since the early 2010s with his vivid storytelling and searing honesty, creating plays acutely concerned with society and community, and deeply enmeshed in Scotland's local political context. Tracking the evolution of Hurley's work from his early solo shows to his later large-cast plays and featuring an introduction by Scottish theatre critic Joyce McMillan, this is an exciting collection showcasing one of the UK's most exciting creators of politically-engaged theatre. The plays collected are: Hitch (2010): a previously unpublished solo show about Hurley's hitchhiking trip to the 2009 G8 meeting in L'Aquila, exploring the meaning of political protest. Beats (2012): a coming-of-age story exploring the aftermath of the 1994 Criminal Justice Act outlawing raves. It was adapted into a film in 2019, garnering nominations for BIFA Best Debut Screenplay and WGGB Best Screenplay. Heads Up (2016): a ferocious piece of storytelling asking what we would do if we found ourselves at the end of our world as we know it. (Winner of the Fringe First Award 2016.) Mouthpiece (2018): an unflinching Edinburgh-centric two-hander which examines whether it's possible to tell someone else's story without exploiting them along the way. (Winner of the Carol Tambor Best of Edinburgh Award 2019.) The Enemy (2021): a provocative and timely drama offering a uniquely Scottish take on Henrik Ibsen's timeless work An Enemy of the People.

Salisbury Crags, Edinburgh. Twilight. A woman takes a step forward into the air. A teenage boy pulls her back. Two lives are changed forever. Libby whiles away her days in New Town cafes and still calls herself a writer – but she's not put pen to page for years. Declan is a talented young artist struggling with a volatile home life in Pilton. As they form an uneasy friendship, complicated by class and culture, Libby spots an opportunity to put herself back on track, and really make a difference. She needs Declan's story. In all its messy, painful detail. But does she have the right to it? When does poverty portrayal become poverty porn? Often startling, sometimes shocking and threaded with unexpected humour, Mouthpiece takes a frank and unflinching look at the different Edinburghs which often exist in ignorance of one another, and examines whether it's possible to tell someone else's story without exploiting them along the way.

In 1994 the Criminal Justice Act effectively outlawed raves, banning public gatherings around amplified music characterised by ‘the emission of a succession of repetitive beats.’Featuring a soundtrack from a live DJ and psychedelic 90s-inspired visuals, Beats tells the story of Johnno McCreadie, a teenager living in a small suburban Scottish town at the time of the Act. Beats is an award-winning new play by Kieran Hurley; a coming-of-age story exploring rebellion, apathy, and the irresistible power of gathered youth. Beats was the winner of Critics Awards for Theatre in Scotland, as well as the winner of The Arches Platform 18 Behaviour Award 2012.

In a once-great Scottish town, a massive redevelopment project promises to bring money, jobs and new prospects to its forgotten population. However, when Dr Kirsten Stockmann discovers a dangerous secret, she knows she must bring the truth to light – no matter the cost. A provocative and timely drama about corruption, politics and the media, The Enemy is a uniquely Scottish take on Henrik Ibsen's timeless work An Enemy of the People, written by award-winning playwright Kieran Hurley. This edition was published to coincide with its National Theatre of Scotland production in October 2021.

Max is a normal-ish kid in a normal-ish town. He spends his days daydreaming and hanging out with his weird wee pal Stevie Nimmo. But when Max is called for his first Square Go, a fight by the school gates, it’s his own demons he must wrestle with first. Featuring an original soundtrack by members of Frightened Rabbit, this unmissable collaboration between Fringe First winning writers Kieran Hurley (Heads Up) and Gary McNair (A Gambler’s Guide to Dying) is a raucous and hilarious new play about playground violence, myths of masculinity and the decision to step up or run.

A retired American steps off the plane at Prestwick, hoping to discover the land of his fathers. A beleaguered politician in Edinburgh dips her feet into a hot bath. An old drunk man in Peterhead has a mystical vision at the harbour. A supermarket checkout girl in Port Glasgow approaches work with a baseball bat... Part living-room gathering, part play, part gig session, Rantin draws on storytelling, live music and an unapologetically haphazard take on Scottish folk tradition, in an attempt to stitch together fragmented stories to reveal a botched patchwork of a nation.

Shortlisted for the Brighton Fringe Emerging Talent Award 2013 at the Edinburgh Fringe. Maggie is just in from Sainsbury’s Local to make a quick sandwich for Jamie. He likes his cheese and pickle. With the crusts off. A good heart, that lad. Not like those other boys around here. You know what boys are like. Laws unto themselves once they reach that age. But it’s those other boys, really. Not Jamie. A boy with a Batman lunch box? What harm is he to anybody? Co-written by AJ Taudevin and Kieran Hurley, Chalk Farm explores love, responsibility, and the culture of blame and retribution surrounding the 2011 English riots.