Kiki Man Ray Art Love And Rivalry In 1920s Paris

A dazzling portrait of Paris’s forgotten artist and cabaret star, whose incandescent life asks us to see the history of modern art in new ways. In freewheeling 1920s Paris, Kiki de Montparnasse captivated as a nightclub performer, sold out gallery showings of her paintings, starred in Surrealist films, and shared drinks and ideas with the likes of Jean Cocteau and Marcel Duchamp. Her best-selling memoir—featuring an introduction by Ernest Hemingway—made front-page news in France and was immediately banned in America. All before she turned thirty. Kiki was once the symbol of bohemian Paris. But if she is remembered today, it is only for posing for several now-celebrated male artists, including Amedeo Modigliani and Alexander Calder, and especially photographer Man Ray. Why has Man Ray’s legacy endured while Kiki has become a footnote? Kiki and Man Ray met in 1921 during a chance encounter at a café. What followed was an explosive decade-long connection, both professional and romantic, during which the couple grew and experimented as artists, competed for fame, and created many of the shocking images that cemented Man Ray’s reputation as one of the great artists of the modern era. The works they made together, including the Surrealist icons Le Violon d’Ingres and Noire et blanche, now set records at auction. Charting their volatile relationship, award-winning historian Mark Braude illuminates for the first time Kiki’s seminal influence not only on Man Ray’s art, but on the culture of 1920s Paris and beyond. As provocative and magnetically irresistible as Kiki herself, Kiki Man Ray is the story of an exceptional life that will challenge ideas about artists and muses—and the lines separating the two.

"From humble origins, Kiki de Montparnasse became the muse of Man Ray, Kisling, Foujita, Calder, and other important artists living in Paris in the Roaring Twenties. Many revolutionary writers, artists, and personalities flourished on the bohemian Left Bank, each one inventing their own iconic style, and Kiki, the Queen of Montparnasse, was the thread connecting them. Not only an artist's model, Kiki was also a cabaret performer, actress, and an artist in her own right with two successful exhibitions. Every image tells a fascinating story in this lavishly illustrated, oversize luxury slipcase volume, revealing the artistic, social, and historical events that created and surrounded the incredible artistic flowering of the now mythical Montparnasse neighborhood"--Publisher's web site.

Already in 1972, the National Museum of Modern Art had a major retrospective devoted to Man Ray. Like all exhibitions held in collaboration with the artist at that time, he extensively showed his creative activity and its fascinating diversity: paintings, collages, drawings, sculptures, assemblages, etc rayographs. In relation to the photographs, the other media were there in very small numbers. The current exhibition at the Centre Pompidou proposes therefore is the complementary part of the previous. The focus is on photography by bringing together hundreds of photographs, both masterpieces of unknown, or little known, aspects of his production: portraits of Dadaists and Surrealists friends, the celebrities of intellectual and artistic Paris, the Anglo-Saxon writers, creative photography Illustrative for surrealist magazines, nudes and rayographs but also views of Paris, the photo mode and commissioned portraits. Some of these blocks, unknown in original prints, have recently been drawn and will be shown for the first time. As for painting and objects, fifty highly selected pieces will give a renewed vision of success he has achieved in various moments of his life with fresh and inventive works.

From 1900 to 1930, Montparnasse was the center of artistic life for the whole world. Now this major contribution to the social and cultural history of the period -- with its informative text and hundreds of photographs -- is available in paperback once again.

Oscar-nominated Charlotte Rampling most recently appeared in hit ITV drama Broadchurch, the BBC’s London Spy and HBO’s Dexter, and the feature film 45 Years. Her career has spanned popular entertainment and arthouse cinema, having starred in English, French and Italian films from 1966’s Georgy Girl (opposite Lynn Redgrave), to films with French director François Ozon, including 2003’s Swimming Pool. Having shied away from biographies and autobiographies (“too personal”) Rampling has now written Who I Am (first published in French) a lyrical, and intimate self-portrait via reminiscences. Highly personal, packed with photographs from her personal archive, Rampling recounts her childhood and youth as the daughter of an army officer (who won a gold medal for the 4 x 400 relay in the infamous 1936 Berlin Olympics), and the memories and passions that would inspire her life and later work as an actress. Written in a style that gives a unique insight into her screen persona, it is an idiosyncratic and beguiling insight of one of the most consistently adventurous and interesting actors.

"In the bohemian and brilliant Montparnasse of the 1920s, Kiki escaped poverty to become one of the most charismatic figures of the avant-garde years between the wars. Partner to Man Ray, she would be immortalised by many artists. The muse of a generation, she was one of the first emancipated women of the 20th century." -- Provided by publisher.

Memoirs of Montparnasse is a delicious book about being young, restless, reckless, and without cares. It is also the best and liveliest of the many chronicles of 1920s Paris and the exploits of the lost generation. In 1928, nineteen-year-old John Glassco escaped Montreal and his overbearing father for the wilder shores of Montparnasse. He remained there until his money ran out and his health collapsed, and he enjoyed every minute of his stay. Remarkable for their candor and humor, Glassco’s memoirs have the daft logic of a wild but utterly absorbing adventure, a tale of desire set free that is only faintly shadowed by sadness at the inevitable passage of time.