Killing Choice

Sunday Times Crime Book of the Month, one of The Times Best Crime Novels of 2021, The Sunday Times Crime Club Book of the Week, one of The Times best books to read this summer and one of the Observers thrillers of the month. 'Riveting . . . Shindler's second novel displays an acute understanding of family dynamics, easily fulfilling the promise of his debut, The Burning Men' SUNDAY TIMES, CRIME BOOK OF THE MONTH THE SECOND NOVEL FROM THE AUTHOR OF THE BURNING MEN, FEATURING DI ALEX FINN AND DCI MATTIE PAULSEN A FRIDAY NIGHT Karl and his daughter Leah are on their weekly evening stroll through Crystal Palace Park. A HOODED FIGURE From out of the shadows, a figure wearing a blank mask ambushes them, armed with a large knife. A CHOICE TO MAKE Karl is forced to make an impossible decision: stay and die, or walk away from Leah with a knife at her throat and the promise that they will both survive. Could Karl ever live with himself if he left his daughter? Does he really have a choice? Soon, more seemingly unconnected and innocent people across London are offered a deal in exchange for their lives. DI Alex Finn and DC Mattie Paulsen must hunt for a killer that appears to have no face, no motive and no conscience before more victims' blood is spilled. Praise for THE KILLING CHOICE 'The explosive opening hooked me straight in . . . With a cast of credible characters, a twisting plotline and some ingenious twists, the book develops at a cracking pace' Lesley Sanderson, author of The Orchid Girls 'An outstanding page-turner' Robin Morgan-Bentley, author of The Wreckage 'DI Alex Finn and DCI Mattie Paulsen are back, this time chasing someone who forces their victims to make an impossible life-and-death decision. This is sitting up and begging to be developed for television' Sunday Times, Pick of the Week 'Riveting . . . Shindler's second novel displays an acute understanding of family dynamics, easily fulfilling the promise of his debut, The Burning Men' Sunday Times, Book of the month 'An excellent second outing for the cop pair following their introduction in The Burning Men - and as fine a police procedural as you'd want for a cold winter's night' Weekend Sport 'The Killing Choice is the second in a series that opened with The Burning Men, and is another adept police procedural, building the sense of dread to breaking point as Finn and Paulsen rush to uncover any links between the victims. This is an immersive read that leaves the reader wondering how they would react if faced with such an unimaginable choice' Observer ***Order the third novel in the Finn and Paulsen series, THE HUNTING GROUND, now!***

You Can Destroy What Steals Your Strength Just like Superman, who can leap over any hurdle and defeat every foe, followers of Christ have the supernatural ability to conquer the challenges we face. But the problem for both Superman and us is there’s a kryptonite that steals our strength. Of course, both Superman and kryptonite are fictional. But spiritual kryptonite is not. This book offers answers to why so many of us are unable to experience the divine strength that was evident among first-century Christians. In Killing Kryptonite, John Bevere reveals what this kryptonite is, why it’s compromising our communities, and how to break free from its bondage. Not for the faint of heart, Killing Kryptonite is anything but a spiritual sugar high. This is serious truth for any Christ-follower who longs to embrace the challenging but rewarding path of transformation. Includes discussion questions for group study

From beloved author Lois Duncan comes a frightening novel about a group of students who set out to teach their malicious teacher a lesson -- only to learn that one of them could be a killer. Mr. Griffin is the strictest teacher at Del Norte High, with a penchant for endless projects and humiliating students. Even straight-A student Susan can't believe how mean he is to her crush, Dave, and to the charismatic Mark Kinney. So when Dave asks Susan to help a group of students teach Mr. Griffin a lesson of their own, she goes along with them. After all, it's a harmless prank, right? But things don't go according to plan. When one "accident" leads to another and people begin to die, Susan and her friends must face the awful truth: one of them is a killer.

“An intense snapshot of the chain reaction caused by pulling a trigger.” —Booklist (starred review) “Astonishing.” —Kirkus Reviews (starred review) “A tour de force.” —Publishers Weekly (starred review) A Newbery Honor Book A Coretta Scott King Honor Book A Printz Honor Book A Time Best YA Book of All Time (2021) A Los Angeles Times Book Prize Winner for Young Adult Literature Longlisted for the National Book Award for Young People’s Literature Winner of the Walter Dean Myers Award An Edgar Award Winner for Best Young Adult Fiction Parents’ Choice Gold Award Winner An Entertainment Weekly Best YA Book of 2017 A Vulture Best YA Book of 2017 A Buzzfeed Best YA Book of 2017 An ode to Put the Damn Guns Down, this is New York Times bestselling author Jason Reynolds’s electrifying novel that takes place in sixty potent seconds—the time it takes a kid to decide whether or not he’s going to murder the guy who killed his brother. A cannon. A strap. A piece. A biscuit. A burner. A heater. A chopper. A gat. A hammer A tool for RULE Or, you can call it a gun. That’s what fifteen-year-old Will has shoved in the back waistband of his jeans. See, his brother Shawn was just murdered. And Will knows the rules. No crying. No snitching. Revenge. That’s where Will’s now heading, with that gun shoved in the back waistband of his jeans, the gun that was his brother’s gun. He gets on the elevator, seventh floor, stoked. He knows who he’s after. Or does he? As the elevator stops on the sixth floor, on comes Buck. Buck, Will finds out, is who gave Shawn the gun before Will took the gun. Buck tells Will to check that the gun is even loaded. And that’s when Will sees that one bullet is missing. And the only one who could have fired Shawn’s gun was Shawn. Huh. Will didn’t know that Shawn had ever actually USED his gun. Bigger huh. BUCK IS DEAD. But Buck’s in the elevator? Just as Will’s trying to think this through, the door to the next floor opens. A teenage girl gets on, waves away the smoke from Dead Buck’s cigarette. Will doesn’t know her, but she knew him. Knew. When they were eight. And stray bullets had cut through the playground, and Will had tried to cover her, but she was hit anyway, and so what she wants to know, on that fifth floor elevator stop, is, what if Will, Will with the gun shoved in the back waistband of his jeans, MISSES. And so it goes, the whole long way down, as the elevator stops on each floor, and at each stop someone connected to his brother gets on to give Will a piece to a bigger story than the one he thinks he knows. A story that might never know an END…if Will gets off that elevator. Told in short, fierce staccato narrative verse, Long Way Down is a fast and furious, dazzlingly brilliant look at teenage gun violence, as could only be told by Jason Reynolds.

The pressing and universally relevant issue of euthanasia is debated in this volume. Euthanasia has become increasingly contentious as populations age, and medical and scientific advances continue to transform and extend life. Euthanasia - Choice and Death examines the key philosophical arguments that have underpinned thinking and practice up till now: the centrality of choice to our notion of the human being, and the challenge of changes to our concept of death in the face of medical, scientific and technological advances. Gail Tulloch develops a conception of dignity that does not depend on religious assumptions and can promote a broad ethical consensus in a liberal democracy. Examination of landmark cases and the approaches adopted by key countries - the U.S.A., the U.K., the Netherlands, and Australia - ground the book.

From the American Revolution to the end of World War II, the United States spent nineteen years at war against other nations. But since1950, the total is twenty-two years and counting. On four occasions, U.S. presidents elected as "peace candidates" have gone on to lead the nation into ferocious armed conflicts. Repeatedly, wars deemed necessary when they began have been seen in retrospect as avoidable, Äîandill-advised. Americans profess to be a peace-loving people and one wary of "foreign entanglements." Yet we have been drawn into wars in distant lands from Vietnam to Afghanistan. We cherish our middle-class comforts and our children. Yet we send our troops to Fallujah and Mogadishu. How is it that ordinary Americans with the most to lose are so easily convinced to follow hawkish leaders-of both parties-into war? In Reasons to Kill noted scholar Richard E. Rubenstein explores both the rhetoric that sells war to the public and the underlying cultural and social factors that make it so effective. With unmatched historical perspective and insightful commentary, Rubenstein offers citizens new ways to think for themselves about crucial issues of war and peace.

Stripping away the stigma of addiction through stories that are hard-hitting, poignant, sad, confessional, funny, and overall, human, Killing Season will change minds about the epidemic, help obliterate stigma, and save lives.