Killing Sydney

'Presents serious issues in a way which neither patronises or mystifies the lay reader.' Paul Keating on Three Houses A blueprint for the future of our city in a radically changing world. Columnist Elizabeth Farrelly brings her unique perspective as architectural writer and former city councillor to a burning question for our times: how will we live in the future? Can our communities survive pandemic, environmental disaster, overcrowding, government greed and big business? Using her own adopted city of Sydney, she creates a roadmap for urban living and analyses the history of cities themselves to study why and how we live together, now and into the future. Killing Sydney is part-lovesong, part-warning: little by little, our politics are becoming debased and our environment degraded. The tipping point is close. Can the home we love survive? Praise for Killing Sydney 'If you believe that Elizabeth Farrelly is expressing your long held concerns about the state of our governmens, our cities and our environment in her Sydney Morning Herald Saturday articles, then I encourage you to get Killing Sydney and have a month of Saturdays in the one book. That's what I'll do because I most often strongly agree!' Councillor Clover Moore, Lord Mayor of Sydney 'This is an important book for all Aussies! Written with passion, beautiful prose, and insightful knowledge. Read and weep. More than ever we need to push pause on development and so called "progress". Go Elizabeth!' Di Morrissey AM 'Great cities need great champions. Sydney needs Elizabeth Farrelly.' Adam Spencer

This book is about how Bubonic Plague arrived and spread through parts of Australia in the period 1900-1925. In particular it concentrates on the epidemic of Plague which affected Sydney in 1900 and in the following years. The book examines the impact of Plague on Sydney’s population and in particular how medical and governmental authorities struggled to come to grips with what Plague really was and how it spread. Without any doubt the Plague epidemic that broke out in Sydney in 1900 was the most devastating and traumatic event in Australia’s 19th Century history and the greatest social disaster to affect Australia’s population. The book explores the impact that Plague had on ordinary people and how they behaved and reacted during the epidemic crisis. At a public level this outbreak of Plague produced some of the greatest scenes of fear, hysteria and panic ever seen in Australia. The book also delves into how Government and Medical officials fought among themselves re how best to control the pandemic and stop in spreading. Plague also produced some extraordinary scenes of finding someone to blame. Neighbour turned on neighbour and people blamed the Chinese and other immigrant communities for introducing and spreading the disease.

The first collection of Sydney Schanberg's work to be published.

Gangland Sydney details the exploits of an unforgettable cast of villains, crooks and mobsters who have defined the criminal and gangland scene in Sydney from the mid-1800s to the present day.In this compelling book, Britain's top true crime author James Morton and barrister and legal broadcaster Susanna Lobez track the rise and fall of Sydney's standover men, contract killers, robbers, brothel keepers, biker gangs and drug dealers, and also examine the role of police, politicians and lawyers who have helped and hindered the growth of these criminal empires.Vivid and explosive, Gangland Sydney is compulsive reading.

The true story of the Sydney River McDonald’s massacre, a botched robbery that would become the most sensational murder case in Canadian history. It started with a broken conveyor belt. When the mechanical malfunction brought eighteen-year-old McDonald’s employee Derek Wood into the restaurant’s back room, he saw the safe and got a dangerous idea. It would be so easy to prop the back door open, allowing two friends to sneak inside and steal the money. Wood assumed there was at least $200,000 in the cashbox—an incredible haul for just a few minutes’ work—but things would not go according to plan. The robbery went wrong from the start, and within minutes, a fast-food restaurant in the wilds of Nova Scotia was turned into a bloodbath. Wood and his accomplices attacked the employees, killing three instantly and leaving the fourth for dead. In the safe, where they had expected to find a fortune, there was barely $2,000. They fled the scene, instigating a manhunt that would captivate the nation. In the tradition of In Cold Blood and The Onion Field, this stunning work of true crime tells the story of the small-town murder that shocked a nation. Phonse Jessome brings a trained journalist’s eye to the case, which remains one of the most horrifying incidents of suburban violence in recent history.

This book explores the representation of real-life serial murders as adapted for the screen and popular culture. Bringing together a selection of essays from international scholars, Serial Killing on Screen: Adaptation, True Crime and Popular Culture examines the ways in which the screen has become a crucial site through which the most troubling of real-life crimes are represented, (re)constructed and made accessible to the public. Situated at the nexus of film and screen studies, theatre studies, cultural studies, criminology and sociology, this interdisciplinary collection raises questions about, and implications for, thinking about the adaptation and representation of true crime in popular culture, and the ideologies at stake in such narratives. It discusses the ways in which the adaptation of real-life serial murder intersects with other markers of cultural identity (gender, race, class, disability), as well as aspects of criminology (offenders, victims, policing, and profiling) and psychology (psychopathy, sociopathy, and paraphilia). This collection is unique in its combined focus on the adaptation of crimes committed by real-life criminal figures who have gained international notoriety for their plural offences, including, for example, Ted Bundy, Ian Brady and Myra Hindley, Aileen Wuornos, Jack the Ripper, and the Zodiac, and for situating the tales of these crimes and their victims’ stories within the field of adaptation studies.

V. E. Schwab's New York Times bestseller Vicious is a masterful tale of ambition, jealousy, desire, and superpowers. Victor and Eli started out as college roommates—brilliant, arrogant, lonely boys who recognized the same sharpness and ambition in each other. In their senior year, a shared research interest in adrenaline, near-death experiences, and seemingly supernatural events reveals an intriguing possibility: that under the right conditions, someone could develop extraordinary abilities. But when their thesis moves from the academic to the experimental, things go horribly wrong. Ten years later, Victor breaks out of prison, determined to catch up to his old friend (now foe), aided by a young girl whose reserved nature obscures a stunning ability. Meanwhile, Eli is on a mission to eradicate every other super-powered person that he can find—aside from his sidekick, an enigmatic woman with an unbreakable will. Armed with terrible power on both sides, driven by the memory of betrayal and loss, the archnemeses have set a course for revenge—but who will be left alive at the end? In Vicious, V. E. Schwab brings to life a gritty comic-book-style world in vivid prose: a world where gaining superpowers doesn't automatically lead to heroism, and a time when allegiances are called into question. "A dynamic and original twist on what it means to be a hero and a villain. A killer from page one...highly recommended!" —Jonathan Maberry, New York Times bestselling author of Marvel Universe vs The Avengers and Patient Zero One of Publishers Weekly's Best Fantasy Books of 2013 At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Chronicles Bob Carr's years of leadership and opposition, steering New South Wales through good and bad times, including the most successful Olympic Games ever. It is an honest, frank account of a politician's career with all its ups and downs, spiced with Carr's own humour, opinions and frank discourse with his State and Federal.