King Of Nowhere 3

Kings of Nowhere is only getting started and it’s about to get much, much hotter in this pulse-pounding tale of deceit, redemption, and revenge. As the dust settled from his epic battle against the Tundra Renegades, Bass, broken and bruised, rescued the young orphan Dante. Despite his steely resolve, Bass knew that he couldn’t keep the boy by his side without risking the child’s life. Left behind to fend for himself, Dante falls into the clutches of the nefarious SD Ultra gang, known for their use of child soldiers. Now, with Dante’s life on the line, Bass must embark on a perilous mission into the eye of the storm. Our hero will face off against unyielding chimeras and must overcome the demons of his past on his quest to rescue Dante and break the curse that has plagued him since childhood.

Denis may have been mostly accepted by the strange citizens of Nowhere, but he’s not the only stranger wreaking havoc in town. When Denis gets enlisted to help with the investigation, his time in Nowhere is about to get weirder than he could ever imagine.

Eisner Award-nominated writer W. Maxwell Prince (Ice Cream Man) comes to BOOM! Studios with Eisner-nominated artist Tyler Jenkins (Grass Kings, Black Badge) for an unforgettable thriller that explores the miraculous, the mundane, and all the mysteries in between.Lovable drunken lowlife Denis awakens on the outskirts of a mysterious village called Nowhere, home to a friendly populace of deformed, mutated, just-left-of-normal citizens—and he has no memory of how he got there. But just when Denis starts to regain his memories, his past catches up to him... literally. What at first seems like merely a bad trip quickly heightens into a drama of mistaken identities, small-town conspiracy, and high-stakes fantasy fulfillment.

Now an honorary citizen of Nowhere, Denis joins one of the locals on a doomed-to-fail money-making scheme at the outskirts of town, while John Doe’s mysterious killer continues to leave bodies in his wake...

Ranging from the earliest drama to the theater of the 1980's this encyclopedia includes coverage of national drama and theater around the world, theater companies, and musical comedy. Arrangement of the 1,300 entries is alphabetically by name or subject with nearly 950 of these devoted to individual playwrights and their works.

The debut graphic novel series written and illustrated by artist Soroush Barazesh, also known by his online moniker Koteri Ink! Kings of Nowhere Volume 1 takes you on an unforgettable journey of revenge, power, redemption, and fate—driven by the primal instincts of a beast! In a world where humans transform into beasts, a boy outcast from society must carve his own path in the criminal underworld. Bili is the son of a notorious gangster, but his quiet and lonesome demeanor makes him an easy target for local thugs. When an unexpected beating takes a ruthless turn, Bili is overcome with intense rage and trauma—transforming him into his chimera form—into that of an ape. As he struggles to cope with his new life, he faces ever growing challenges—from confronting his hatred for his father to learning how to thrive in the unforgiving slums ruled by crime lords and corruption. With the aid of new comrades, Hamed a baboon and Zatoichi a blind monkey, Bili embarks on a life of purpose—a life of cold, unapologetic vengeance against each of those who have taken a piece of him—who he once was . . . and what he will ultimately become.

The American Theatre series discusses every Broadway production chronologically--show by show and season by season. It offers plot summaries, production details, names of leading actors and actresses--the roles they played, as well as any special or unusual aspects of individual shows. This second volume in the series, covers what is probably the richest period in American theater, the years 1914 through 1930. Bordman includes most of Eugene O'Neill's work, along with playwrights as diverse as Elmer Rice and George Kaufman. Among the era's stars one finds John and Ethel Barrymore, Helen Hayes, Katherine Cornell, and Lynn Fontaine and Alfred Lunt. Considering the sheer number of productions, American theater climbed to its all-time high in the 1920s; by mid-decade, nearly 300 new plays appeared on Broadway each year. America saw more theatrical activity--in every sense of the word-- than any time before or since.