King Of The Queen City

King of the Queen City is the first comprehensive history of King Records, one of the most influential independent record companies in the history of American music. Founded by businessman Sydney Nathan in the mid-1940s, this small outsider record company in Cincinnati, Ohio, attracted a diverse roster of artists, including James Brown, the Stanley Brothers, Grandpa Jones, Redd Foxx, Earl Bostic, Bill Doggett, Ike Turner, Roy Brown, Freddie King, Eddie Vinson, and Johnny "Guitar" Watson. While other record companies concentrated on one style of music, King was active in virtually all genres of vernacular American music, from blues and R & B to rockabilly, bluegrass, western swing, and country. A progressive company in a reactionary time, King was led by an interracial creative and executive staff that redefined the face and voice of American music as well as the way it was recorded and sold. Drawing on personal interviews, research in newspapers and periodicals, and deep access to the King archives, Jon Hartley Fox weaves together the elements of King's success, focusing on the dynamic personalities of the artists, producers, and key executives such as Syd Nathan, Henry Glover, and Ralph Bass. The book also includes a foreword by legendary guitarist, singer, and songwriter Dave Alvin.

"Nashville Cats: Record Production in Music City, 1945-1975 is the first history of record production during country music's so-called "Nashville Sound" era. This period of country music history produced some of the genre's most celebrated recording artists, including Country Music Hall of Fame inductees Patsy Cline, Jim Reeves, and Floyd Cramer, and marked the establishment of a recording industry that has come to define Nashville in the national and international consciousness. Yet, despite country music's overwhelming popularity during this period and the continued legacy of the studios that were built in Nashville during the 1950s and 1960s, little attention has been given to the ways in which recording engineers, session musicians, and record producers shaped the sounds of country music during the time. Drawing upon a rich array of previously unexplored primary sources, Nashville Cats: Record Production in Nashville, 1945-1975 is the first book to take a global view of record production in Nashville during the three decades that the city's musicians established the city as the leading center for the production and distribution of country music"--

Losing a loved one to murder is life’s ultimate tragedy. But when the killer is never captured, a family’s paralyzing grief only compounds. Years pass. Pain grows. Time heals nothing. Parents, spouses, and children of the victims never find peace. Investigators continue to lie awake night after night, year after year, thinking, “If only...” Cold cases fascinate us because of the endless possibilities. What if Alice Hochhausler hadn’t driven her daughter home from work while a strangler was running loose? What if Oda Apple’s wife hadn’t sent him to the corner drugstore? What if Linda Bricca hadn’t been so beautiful – and her husband not a workaholic? J. T. Townsend takes us on a sinister journey through thirteen cases, which took place in Cincinnati, Ohio, between 1904 and 1971. You’ll meet Frances Brady, a pretty bride-to-be gunned down at her own front door. Tommy Coby, age eight, who arrived home to an empty house, and learned later his parents were lying dead in their car. Patty Rebholz, a popular cheerleader, who was bludgeoned in a neighbor’s backyard while walking to break up with her teenage boyfriend. What do these cases have in common? A fleeting, irrational act of violence with no resolution. Somebody literally got away with murder. Each episode took place in sheer moments––but hundreds of innocent people still remember, still mourn, and are still haunted by horrible, unbearable images. Townsend’s riveting accounts include never-before-published details from police files and insights from both investigators and witnesses. Finally someone has managed to put all of the pieces together. Whodunit? We’ll never know for sure––but we can certainly make some informed, calculated guesses. Meanwhile, on these pages, each victim returns to vibrant life, becomes as real to us as to those loved ones they left behind––and still cries out for justice.

A single gunshot on Saturday night, October 6, 1894, shattered Toronto’s prevailing sense of peace and security. That gunshot took the life of Frank Westwood, a respectable young man from one of the city’s most prominent families. This unprecedented attack produced a feeling of hysteria throughout Toronto and baffled the municipal police forces. The mystery was even referred to Arthur Conan Doyle, the creator of Sherlock Holmes. However, even the Great Detective could not solve the Westwood murder. Finally, a chance rumour led to the most unlikely of suspects – a young Black woman named Clara Ford. She was a most unusual character, a tough, revolver-toting lady who often wore men’s clothing and defied the norms of late Victorian Toronto. While the police increasingly focused their investigation on her, the motives for the killing remained a puzzle. Was Clara seeking revenge for a previous assault, or was she the frustrated lover of a young white man? The trial of Clara Ford captured Toronto’s attention like no other case before it. The evidence revealed a bizarre story of romance and racism. In addition to the wildly unconventional Clara, the cast of characters featured dogged detectives, and wily lawyers who at times seemed to make this cause célèbre more of a theatrical than a judicial display.

In the twentieth century, Appalachian migrants seeking economic opportunities relocated to southwestern Ohio, bringing their music with them. Between 1947 and 1989, they created an internationally renowned capital for the thriving bluegrass music genre, centered on the industrial region of Cincinnati, Dayton, Hamilton, Middletown, and Springfield. Fred Bartenstein and Curtis W. Ellison edit a collection of eyewitness narratives and in-depth analyses that explore southwestern Ohio’s bluegrass musicians, radio broadcasters, recording studios, record labels, and performance venues, along with the music’s contributions to religious activities, community development, and public education. As the bluegrass scene grew, southwestern Ohio's distinctive sounds reached new fans and influenced those everywhere who continue to play, produce, and love roots music. Revelatory and multifaceted, Industrial Strength Bluegrass shares the inspiring story of a bluegrass hotbed and the people who created it. Contributors: Fred Bartenstein, Curtis W. Ellison, Jon Hartley Fox, Rick Good, Lily Isaacs, Ben Krakauer, Mac McDivitt, Nathan McGee, Daniel Mullins, Joe Mullins, Larry Nager, Phillip J. Obermiller, Bobby Osborne, and Neil V. Rosenberg.

Fans can join Cincinnati Reds Hall of Fame pitcher Tom Browning for legendary tales of festivity (the 1990 World Series championship), immortality (a perfect game in 1988), and a bit of eccentricity (life with Marge Schott). He tries to answer a variety of questions that fans have been asking for years: What was his reaction to the lifetime suspension of his manager and friend, Pete Rose? How did a ragtag group of Cincinnati ballplayers topple the mighty Oakland A's in the 1990 Fall Classic? Was that really Tom on a Sheffield Avenue rooftop - in uniform - during a 1993 Reds-Cubs game at Wrigley Field? The former All-Star recounts these gems and many more in the much-anticipated Tom Browning's Tales from the Reds Dugout.View Book Tour ScheduleIn the book, Browning offers stories and anecdotes about some of the biggest names in Reds history, including Pete Rose, Tony Perez, Marge Schott, Lou Piniella, Eric Davis, Dave Parker, Buddy Bell, Barry Larkin, Joe Nuxhall, Jim Kaat, Rob Dibble, Mario Soto, and Jose Rijo. It contains an entire chapter on Browning's perfect game, considered to be one of the greatest moments in club history, in one of the first behind-the-scenes accounts of that remarkable performance. Tom Browning's Tales from the Red Dugout also provides an insider's look at two of the most controversial figures in Reds' and baseball history, Rose and Schott, along with numerous photographs from Browning's personal collection.

As one of the creators of ragtime, Joplin moved between black and white society, and his experience offers a window into the complex forces of class, race, and culture that shaped modern America.