King S Shadow

Impeccably researched, and written like a thriller, Edmund Richardson's The King's Shadow is the extraordinary untold and wild journey of Charles Masson - think Butch Cassidy and the Sundance Kid meets Indiana Jones - and his search for the Lost City of Alexandria in the "Wild East" during the age of empires, kings, and spies. For centuries the city of Alexandria Beneath the Mountains was a meeting point of East and West. Then it vanished. In 1833 it was discovered in Afghanistan by the unlikeliest person imaginable: Charles Masson, deserter, pilgrim, doctor, archaeologist, spy, one of the most respected scholars in Asia, and the greatest of nineteenth-century travelers. On the way into one of history's most extraordinary stories, he would take tea with kings, travel with holy men and become the master of a hundred disguises; he would see things no westerner had glimpsed before and few have glimpsed since. He would spy for the East India Company and be suspected of spying for Russia at the same time, for this was the era of the Great Game, when imperial powers confronted each other in these staggeringly beautiful lands. Masson discovered tens of thousands of pieces of Afghan history, including the 2,000-year-old Bimaran golden casket, which has upon it the earliest known face of the Buddha. He would be offered his own kingdom; he would change the world, and the world would destroy him. This is a wild journey through nineteenth-century India and Afghanistan, with impeccably researched storytelling that shows us a world of espionage and dreamers, ne'er-do-wells and opportunists, extreme violence both personal and military, and boundless hope. At the edge of empire, amid the deserts and the mountains, it is the story of an obsession passed down the centuries.

After he is orphaned and has his tongue cut out in a clash with the bullying sons of a Welsh noble, Evyn is sold as a slave and serves many masters, from the gracious Lady Swan Neck to the valiant Harold Godwinson, England's last Saxon king

It is commonly assumed that the rise of modern democracies put an end to the spectacular and ceremonial aspects of political rule that were so characteristic of monarchies and other earlier regimes. The medieval idea that the king had two bodies - a mortal physical body and an eternal political body - strikes us today as alien and remote from our understanding of politics: with the transition from monarchy to modern representative democracy, the idea of the body politic was abandoned. Or was it? In this remarkable and highly original book Philip Manow shows that the body politic, though so often pronounced dead, remains alive in modern democracies. It is just one of the many ideas that we have inherited from our predecessors and that continue to shape our modern forms of political life. Why did the semi-circle become the main seating plan for modern parliaments? Why do we think that parliament should mirror the diversity of society? Why does the president's motorcade always have more than one identical-looking Cadillac? Why do we pay so much attention to the physical features and appearance - the body - of our political leaders today? In answering these and other questions Manow sheds fresh light on the pre-modern origins of our modern political institutions and practices and shows convincingly that all political power - including democracy - requires and produces its own political mythology.

'This is a jewel of a book' - SUNDAY TIMES 'One of the great stories of archaeology, exploration and espionage' - William Dalrymple 'Immensely enjoyable' - BBC HISTORY MAGAZINE ____________________________________ For centuries the city of Alexandria Beneath the Mountains was a meeting point of East and West. Then it vanished. In 1833 it was discovered in Afghanistan by the unlikeliest person imaginable: Charles Masson, an ordinary working-class boy from London turned deserter, pilgrim, doctor, archaeologist and highly respected scholar. On the way into one of history's most extraordinary stories, Masson would take tea with kings, travel with holy men and become the master of a hundred disguises; he would see things no westerner had glimpsed before and few have glimpsed since. This is a wild journey through nineteenth-century India and Afghanistan, with impeccably researched storytelling that shows us a world of espionage and dreamers, ne'er-do-wells and opportunists, extreme violence both personal and military, and boundless hope. At the edge of empire, amid the deserts and the mountains, it is the story of an obsession passed down the centuries. 'Impressive ... Masson has at last found the intrepid biographer he has so long deserved' - John Keay

When a mysterious envelope arrives for Jake Ransom, he and his older sister, Kady, are plunged into a gripping chain of events. An artifact found by their parents—on the expedition from which they never returned—leads Jake and Kady to a strange world inhabited by a peculiar mix of long-lost civilizations, a world that may hold the key to their parents' disappearance. But even as they enter the gate to this extraordinary place, savage grackyls soar across the sky, diving to attack. Jake's new friends, the pretty Mayan girl Marika and the Roman Pindor, say the grackyls were created by an evil alchemist—the Skull King. And as Jake struggles to find a way home, it becomes obvious that what the Skull King wants most is Jake and Kady—dead or alive.

SHORTLISTED FOR THE BOOKER PRIZE 2020 A BOOK OF THE YEAR IN THE NEW YORK TIMES, GUARDIAN, ELLE, TIME, SPECTATOR ‘DEVASTATING’ Marlon James, ‘BRILLIANT’ Salman Rushdie, ‘MAGNIFICENT’ Aminatta Forna, ‘WONDERFUL’ Laila Lalami, ‘UNFORGETTABLE’ The Times, ‘REMARKABLE’ New York Times Ethiopia, 1935. With the threat of Mussolini’s army looming, recently orphaned Hirut struggles to adapt to her new life as a maid. Her new employer, Kidane, an officer in Emperor Haile Selassie’s army, rushes to mobilise his strongest men before the Italians invade. Hirut and the other women long to do more than care for the wounded and bury the dead. When Emperor Haile Selassie goes into exile and Ethiopia quickly loses hope, it is Hirut who offers a plan to maintain morale. She helps disguise a gentle peasant as the emperor and soon becomes his guard, inspiring other women to take up arms. But how could she have predicted her own personal war, still to come, as a prisoner of one of Italy’s most vicious officers? The Shadow King is a gorgeously crafted and unputdownable exploration of female power, and what it means to be a woman at war.

Two princes lead a war-broken people. One rules while the other serves in the shadows, haunted by encroaching death. Halavant overthrew his queen mother to save his people from slavery, and now she seeks his life. Yosyph acts as the new king's eyes and ears, but being invisible comes at great cost and his life is slipping away. To save his closest friend, Halavant travels to the land of the skin-carving Carani, leaving Yosyph to rule a troubled people despite his ill health and the nobles on the verge of rebellion. Unless Halavant can survive in the land of his enemies to find a cure and Yosyph can unite the frightened and starving people against a second war, both will die and their budding democracy will crumble under a new tyrant.