Kingdom Animalia

The poems in this highly anticipated second book are elegiac poems, as concerned with honoring our dead as they are with praising the living. Through Aracelis Girmay's lens, everything is animal: the sea, a jukebox, the desert. In these poems, everything possesses a system of desire, hunger, a set of teeth, and language. These are poems about what is both difficult and beautiful about our time here on earth. Aracelis Girmay's debut collection won the Great Lakes Colleges Association New Writers Award. A Cave Canem Fellow, she is on the faculty at Drew University and Hampshire College. She lives in Brooklyn, New York.

An essential resource for paleontologists, biologists, geologists, and teachers, The Rise of Animals is the best single reference on one of earth's most significant events.

The groundbreaking first book by a major evolutionary biologist, published in 1912, that anticipated current thinking about organismal complexity. Julian Huxley’s The Individual in the Animal Kingdom, published in 1912, is a concise and groundbreaking work that is almost entirely unknown today. In it, Huxley analyzes the evolutionary advances in life’s organizational complexity, anticipating many of today’s ideas about changes in individuality. Huxley’s overarching system of concepts and his coherent logical principles were so far ahead of their time that they remain valid to this day. In part, this is because his explicitly Darwinian approach carefully distinguished between the integrated form and function of hierarchies within organisms and loosely defined, nonorganismal ecological communities. In The Individual in the Animal Kingdom, we meet a youthful Huxley who uses his commanding knowledge of natural history to develop a nonreductionist account of life’s complexity that aligns with seminal early insights by Darwin, Wallace, Weismann, and Wheeler. As volume editors Richard Gawne and Jacobus Boomsma point out, this work disappeared into oblivion despite its relevance for contemporary research on organismal complexity and major evolutionary transitions. This MIT Press edition gives Huxley’s book a second hearing, offering readers a unique vantage point on the discoveries of evolutionary biology past and present.

Examines the similarities and differences between the five classes of vertebrates, or animals with backbones: fish, amphibians, reptiles, birds, and mammals.

The animal world is immensely diverse, and our understanding of it has been greatly enhanced by analysis of DNA and the study of evolution and development ('evo-devo'). In this Very Short Introduction Peter Holland presents a modern tour of the animal kingdom. Beginning with the definition of animals (not obvious in biological terms), he takes the reader through the high-level groupings of animals (phyla) and new views on their evolutionary relationships based on molecular data, together with an overview of the biology of each group of animals. The phylogenetic view is central to zoology today and the volume will be of great value to all students of the life sciences, as well as providing a concise summary for the interested general reader. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The authors in ‘Lost Kingdom’ grapple with both the catastrophe of mass animal extinction, in which the panoply of earthly life is in the accelerating process of disappearing, and with the mass death of industrial animal agriculture. Both forms of anthropogenic violence against animals cast the Anthropocene as an era of criminality and loss driven by boundless human exceptionalism, forcing a reckoning with and an urgent reimagining of human-animal relations. Without the sleights of hand that would lump “humanity” into a singular Anthropos of the Anthropocene, the authors recognize the differential nature of human impacts on animal life and the biosphere as a whole, while affirming the complexity of animal worlds and their profound imbrications in human cultures, societies, and industries. Confronting the reality of the Sixth Mass Extinction and mass animal death requires forms of narrativity that draw on traditional genres and disciplines, while signaling a radical break with modern temporalities and norms. Chapters in this volume reflect this challenge, while embodying the interdisciplinary nature of inquiry into non-human animality at the edge of the abyss—historiography, cultural anthropology, post-colonial studies, literary criticism, critical animal studies, ethics, religious studies, Anthropocene studies, and extinction studies entwine to illuminate what is arguably the greatest crisis, for all creatures, in the past 65 million years.

The poems in this first full collection from New Zealand's Janis Freegard are categorized by Linnaean taxonomy: the six sections Mammalia, Aves, Amphibia, Pisces, Insecta, and Vermes are interspersed with a seven-part poem on the topic of Carolus Linneaus himself. Here Freegard catalogs the various fantastic and artistic, anthropomorphic and objective, rational and self-serving ways that humans draw on the animal world: as symbol and allegory, food and friend, ravening enemy, and sacred icon. From surreal prose poems to gorgeous lists—featuring a stuffed Maori dog, murderous magpies, and cake-shop cockroaches—Freegard's verse reflects the diversity of the animal kingdom and its light-hearted fancifulness belies a strong commitment to conservation.