Kings Queens And Pawns An American Woman At The Front

This collection by journalist and mystery writer Mary Roberts Rinehart contained her observations on her travels during 1914 when she went to Europe alone to cover World War I. She wonderfully describes everything from being received by King Albert in Belgium and recording his first certified statement on the war to meeting Winston Churchill and travelling to the English and French front lines as the first reporter allowed. Moreover, she made some interesting observations on the people, places and events she came across during her time there. Apart from being a travel book, this work was, more importantly, a humanitarian plea to Americans to join the war effort three years before the American Expeditionary Force set sail for Europe.

Excerpt from Kings, Queens and Pawns: An American Woman at the Front I told her exactly half of why I was going. I had a shrewd idea that the question in itself meant nothing. But it gave her a good chance to look at me. She was a very clever woman. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

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For King and Country! All through England, all through France, all through that tragic corner of Belgium which remains to her, are similar armies, drilling and waiting, equally young, equally eager, equally resolute. And the thing they were going to I knew. I had seen it in that mysterious region which had swallowed up those who had gone before; in the trenches, in the operating, rooms of field hospitals, at outposts between the confronting armies where the sentries walked hand in hand with death. I had seen it in its dirt and horror and sordidness, this thing they were going to. War is not two great armies meeting in a clash and frenzy of battle. It is much more than that. War is a boy carried on a stretcher, looking up at God's blue sky with bewildered eyes that are soon to close; war is a woman carrying a child that has been wounded by a

This book tells the story of women in the First World War at the front line, under fire, and in combat. Through their diaries, letters and memoirs, meet the women who defied convention and followed their convictions to defend the less fortunate and fight for their country. Follow British Flora Sandes as she joins the Serbian Army and takes up a place in the rear-guard of the Iron Regiment as they retreat from the Bulgarian advance. Stow away with Dorothy Lawrence as she smuggles herself to Paris, steals a uniform and heads to the Front. Enlist in Russia’s all-female ‘Battalion of Death’ alongside peasant women and princesses alike.Through the letters, diaries and memoirs of women who were members of organisations such as the US Army Signal Corps, the Canadian Army Medical Corps, the FANY, WRAF, WRNS, WAAC and many others, we learn what life was like for them on the front and discover the courage of the women who took up arms.

This edited book provides a unique opportunity for international scholars to contribute to the exploration of liminality in the field of Anglo-American literature written by or about women between the Victorian period and the Second World War.

This book deals with an aspect of the Great War that has been largely overlooked: the war reportage written based on British and American authors’ experiences at the Western Front. It focuses on how the liminal experience of the First World War was portrayed in a series of works of literary journalism at different stages of the conflict, from the summer of 1914 to the Armistice in November 1918. Sara Prieto explores a number of representative texts written by a series of civilian eyewitness who have been passed over in earlier studies of literature and journalism in the Great War. The texts under discussion are situated in the ‘liminal zone’, as they were written in the middle of a transitional period, half-way between two radically different literary styles: the romantic and idealising ante bellum tradition, and the cynical and disillusioned modernist school of writing. They are also the product of the various stages of a physical and moral journey which took several authors into the fantastic albeit nightmarish world of the Western Front, where their understanding of reality was transformed beyond anything they could have anticipated.