Kissing The Sword

An internationally acclaimed writer's harrowing tale of imprisonment in Iran, and her gripping story of getting out.

A moving account of life as a political prisoner in post-revolutionary Iran from the acclaimed Iranian author of Women Without Men. Shahrnush Parsipur was a successful writer and television producer in her native Iran until the Revolution of 1979. Soon after seizing control, the Islamist government began detaining its citizens—and Parsipur found herself incarcerated without charges. Kissing the Sword captures the surreal experience of serving time as a political prisoner and witnessing the systematic elimination of opposition to fundamentalist power. It is a harrowing narrative filled with both horror and humor: nights blasted by machine gun fire as detainees are summarily executed, days spent debating prison officials on whether the Quran demands that women be covered. Parsipur, one of modern Iran’s great literary voices, mines her painful life experiences to deliver an urgent call for the most basic of human rights: the freedom of expression. “Parsipur makes a stylishly original contribution to modern feminist literature.” —Marjane Satrapi, author of Persepolis “Stands as a powerful testament to not only the devastations of an era, but to the integrity and courage of an extraordinary woman.” —Kirkus Reviews “Parsipur’s memoir is a powerful tale of a writer’s struggle to survive the worst cases of atrocities and injustice with grace and compassion. A terribly dark but truly illuminating narrative; Parsipur forces the reader to question human nature and resilience.” —Shirin Neshat, artist

"Shahrnush Parsipur was an important writer and television producer in her native Iran until 1979 when the Islamic Republic began imprisoning its citizens. Kissing the Sword captures the surreal experiences of serving time without being charged with a crime, and witnessing the systematic destruction of any and all opposition to fundamentalist power. It is a memoir filled with both horror and humor: nights blasted by the sounds of machine gun fire as hundreds of prisoners are summarily executed, and days spent debating prison officials on whether the Quran demands that women be covered. Parsipur, one of the great novelists of modern Iran, known for magic realism, tells a story here that is all too real. She mines her own painful memories to create an urgent call for one of the most basic of human rights: freedom of expression. Born in Iran in 1946, Shahrnush Parsipur began her career as a fiction writer and producer at Iranian National Television and Radio. She was imprisoned for nearly five years by the religious government without being formally charged. Shortly after her release, she published Women Without Men and was arrested and jailed again, this time for her frank and defiant portrayal of women's sexuality. While still banned in Iran, the novel became an underground bestseller there, and has been translated into many languages around the world. Parsipur is also the author of Touba and the Meaning of Night, among many other books, and now lives in exile in northern California. "--

From the gruff, sword-toting swashbucklers of the Middle Ages to modern adventure epics like The Princess Bride, the aura surrounding the sword is one that is both romantic and pragmatic. Thoughts of this weapon bring to mind images of the Knights of the Round Table, Zorro, the Three Musketeers—the things daydreams are made of. Historically, the fate of the empires revolved around the sword; nations rose and fell based on the power of their swordsmen. For centuries it was the weapon of choice in settling personal disputes. Today, the art of sword fighting has been incarnated as the dynamic, chess-like sport of fencing. It has also played an important part in the history of theatre and film, and it has been part of literature for as long as there have been books. In its varied guises, the sword has for centuries figured in the world's varied cultures, myths, and politics. Yet, there has never been a comprehensive volume on the subject of the sword until the publication of this encyclopedia. For the first time, in a single volume one can locate information on the history of sword types and styles around the world; techniques of combat sword use; techniques and styles of modern sport fencing; names and descriptions of various fencing implements and weapon types; swashbuckler films and the fencing masters who influenced the genre; significant individuals who have taught sword use; the sword at the Olympics; the literature in which the rapier, foil, or broadsword has figured; and much, much more. Essential reading for fencing and military history enthusiasts.

After helping my steady dragon Zav with his family problems, I thought life would get back to normal. As normal as it can be when you're a hit woman responsible for hunting down bad guys.That was before a strange artifact showed up in a bog and turned my ancient dwarven sword into a magical beacon. Now my enemies can sense it from hundreds of miles away. More than that, every club-toting, over-muscled orc, ogre, and troll who would like a magic sword can sense it.Usually, fighting off opportunists wouldn't be a problem (they don't call me Ruin Bringer without reason), but even I can only handle so many attacks at a time. And Zav isn't as much help as you'd think, since he's busy on a quest for a ring.No, it's not a Lord of the Rings kind of quest. My boss put it in Zav's head that since we're mated in the dragon way, we should also be married in the human way. Now, he's off to find the perfect engagement ring. Given his taste in human footwear, I may be in trouble for more reasons than my marked sword.Not only is there no chance of my life getting back to normal any time soon, but if I can't figure out how to fix my sword, I'll be dead long before I can get married.

Unlike most makers of modern or futuristic films, George Lucas turned away from the standard special operatives or secret agents when he created the heroes for his epic Star Wars saga. Part knight, part monk, the Jedi Knights were an order of swordsmen that helped rule the universe in accordance with law and lofty principles of justice and honor. Without the Jedi, there could be no Star Wars, and without the lightsaber sword, there could be no Jedi. This examination of the Jedi Knights, their adversaries the Sith and their lightsaber swordplay throughout all six episodes of the franchise evaluates the ways in which Lucas blended science fiction with the most ancient and epic tales of traditional samurai and Western swordsmen. It presents swordsmanship as a way to better understand the Jedi Knights, focusing on the human movement and activity surrounding the weapon and the ways in which traditional Japanese martial arts were adapted for use in the films. Topics of discussion include the powerful effects of the master-apprentice relationship; the technical choreography used in the lightsaber scenes of the Star Wars films; and the historical precedents for the Jedi order, including the Sohei fighting monks of Japan, the Janissaries and Mamelukes of Islam, and the knights of the Templar, Hospitaller and Teutonic orders.

Rooted in folklore, medieval ideals of chivalry, and the last gallant strugglesof the British against the Saxon invaders, the legends of King Arthur have been told in song and story since the middle ages. The Sword and the Circle tells of the birth of Arthur, the gift of Excalibur, the forming of the Round Table and the first noble quests of its knights until the arrival of Percival . . .