Kith Kin And Neighbors

In the mid-seventeenth century, Wilno (Vilnius), the second capital of the Polish-Lithuanian Commonwealth, was home to Poles, Lithuanians, Germans, Ruthenians, Jews, and Tatars, who worshiped in Catholic, Uniate, Orthodox, Calvinist, and Lutheran churches, one synagogue, and one mosque. Visitors regularly commented on the relatively peaceful coexistence of this bewildering array of peoples, languages, and faiths. In Kith, Kin, and Neighbors, David Frick shows how Wilno's inhabitants navigated and negotiated these differences in their public and private lives. This remarkable book opens with a walk through the streets of Wilno, offering a look over the royal quartermaster's shoulder as he made his survey of the city's intramural houses in preparation for King Wladyslaw IV's visit in 1636. These surveys (Lustrations) provide concise descriptions of each house within the city walls that, in concert with court and church records, enable Frick to accurately discern Wilno's neighborhoods and human networks, ascertain the extent to which such networks were bounded confessionally and culturally, determine when citizens crossed these boundaries, and conclude which kinds of cross-confessional constellations were more likely than others. These maps provide the backdrops against which the dramas of Wilno lives played out: birth, baptism, education, marriage, separation or divorce, guild membership, poor relief, and death and funeral practices. Perhaps the most complete reconstruction ever written of life in an early modern European city, Kith, Kin, and Neighbors sets a new standard for urban history and for work on the religious and communal life of Eastern Europe.

From the amazing imagination of bestselling author Holly Black, a mysterious and wonderful teen graphic novel masterpiece.Rue Silver's mother has disappeared . . . and her father has been arrested, suspected of killing her. But it's not as straightforward as that. Because Rue is a faerie, like her mother was. And her father didn't kill her mother -- instead, he broke a promise to Rue's faerie king grandfather, which caused Rue's mother to be flung back to the faerie world. Now Rue must go to save her -- and must also defeat a dark faerie that threatens our very mortal world.

For use in schools and libraries only. Rue Silver's life is not what it appears to be. Her mother is a faerie, and has been taken back to the faerie realm. As Rue goes to bring her back, she must travel deep into an inhuman world. At the same time, the faerie realm is venturing into our world too, and taking its toll on those Rue loves. When her grandfather's plans threaten Rue's city, she realizes that she's the only one who can stop him. But is Rue a human or a faerie? Where does she fit? How does she know the difference between love and enchantment?

In the horrific events of the mid-1990s in Rwanda, tens of thousands of Hutu killed their Tutsi friends, neighbors, even family members. That ghastly violence has overshadowed a fact almost as noteworthy: that hundreds of thousands of Hutu killed no one. In a transformative revisiting of the motives behind and specific contexts surrounding the Rwandan genocide, Lee Ann Fujii focuses on individual actions rather than sweeping categories. Fujii argues that ethnic hatred and fear do not satisfactorily explain the mobilization of Rwandans one against another. Fujii's extensive interviews in Rwandan prisons and two rural communities form the basis for her claim that mass participation in the genocide was not the result of ethnic antagonisms. Rather, the social context of action was critical. Strong group dynamics and established local ties shaped patterns of recruitment for and participation in the genocide. This web of social interactions bound people to power holders and killing groups. People joined and continued to participate in the genocide over time, Fujii shows, because killing in large groups conferred identity on those who acted destructively. The perpetrators of the genocide produced new groups centered on destroying prior bonds by killing kith and kin.

The perfect book to help build resilience in children.

Why are so many Western children unhappy? Why has childhood become so unnatural? Why are we scared to let our kids be free? In Kith, Jay Griffiths seeks to discover why we deny our children the freedoms of space, time and the natural world. Visiting communities as far apart as West Papua and the Arctic, as well as the UK, and delving into history, philosophy, language and literature, she explores how children's affinity for nature is an essential and universal element of childhood. It is a journey deep into the heart of what it means to be a child, and it is central to all our experiences, young and old. 'Scintillating, passionate, supremely honest. Adults and children need more books like this.' Literary Review 'A subterranean book. We excavate it to refind the secrets of childhood, our own, and many other childhoods in times and places far from ours.' John Berger 'Griffiths' understanding of how it feels to be a child is extraordinary, and her writing is as vivid as poetry.' Mail on Sunday 'I didn't just read this book; I revelled in it. There's a rare vitality and robust energy . . . reading this book feels like playing in the woods. An unabashedly Romantic rallying cry for childhood. Playful and polemical, emotional and imaginative. As vital as play itself.' Independent