Kluge

A New York University psychologist argues that the mind is a "kluge"-a clumsy, cobbled-together contraption-as he ponders the accidents of evolution that caused this structure and what we can do about it.

The first English-language monograph devoted to the full oeuvre of Alexander Kluge, the prolific German filmmaker, television producer, digital entrepreneur, author, thinker, and public intellectual. Alexander Kluge (born 1932) is a German filmmaker, author, television producer, theorist, and digital entrepreneur. Since 1960, he has made fourteen feature films and twenty short films and has written more than thirty books—including three with Marxist philosopher Oskar Negt. His television production company has released more than 3,000 features, in which Kluge converses with real or fictional experts or creates thematic montages. He also maintains a website on which he reassembles segments from his film and television work. To call Kluge “prolific” would be an understatement. This is the first English-language monograph devoted to the full scope of Kluge's work, from his appearance on the cultural scene in the 1960s to his contributions to New German Cinema in the 1970s and early 1980s to his recent collaborations with such artists as Gerhard Richter. In Toward Fewer Images, Philipp Ekardt offers both close analyses of Kluge's individual works and sustained investigations of his overarching (and perpetual) production. Ekardt discusses Kluge's image theory and practice as developed across different media, and considers how, in relation to this theory, Kluge returns to, varies, expands, and modifies the practice of montage, including its recent manifestations in digital media—noting Kluge's counterintuitive claim that creating montages results in fewer images. Kluge's production, Ekardt argues, allows us to imagine a model of authorship and artistic production that does not rely on an accumulation of individual works over time but rather on a permanent activity of (temporalized) reworking and redifferentiation.

A revelatory revisionist biography of Alexander Graham Bell — renowned inventor of the telephone and powerful enemy of the deaf community. When Alexander Graham Bell first unveiled his telephone to the world, it was considered miraculous. But few people know that it was inspired by another supposed miracle: his work teaching the deaf to speak. The son of one deaf woman and husband to another, he was motivated by a desire to empower deaf people by integrating them into the hearing world, but he ended up becoming their most powerful enemy, waging a war against sign language and deaf culture that still rages today. The Invention of Miracles tells the dual stories of Bell’s remarkable, world-changing invention and his dangerous ethnocide of deaf culture and language. It also charts the rise of deaf activism and tells the triumphant tale of a community reclaiming a once-forbidden language. Katie Booth has researched this story for over a decade, poring over Bell’s papers, Library of Congress archives, and the records of deaf schools around America. Witnessing the damaging impact of Bell’s legacy on her deaf family set her on a path that upturned everything she thought she knew about language, power, deafness, and technology.

With new readings of ancient texts, Ancient Maya Politics unlocks the long-enigmatic political system of the Classic Maya.

Through his films and theoretical writings, and as a television producer, teacher, political lobbyist, lawyer, and public spokesman, Alexander Kluge has played a substantial role in creating the New German Cinema, as well as in German cultural politics. Since 1961 Kluge has produced almost thirty films and hundreds of television programs, written four volumes of fiction, coauthored three major works of sociocultural theory, and won almost every major literary and film prize in Germany. Peter Lutze provides in-depth analysis of Kluge's films and television work but also devotes attention to his political work. In raising issues that have become key questions in contemporary debates about modernism and postmodernism, Kluge's films and pronouncements demonstrate his modernist sensibility and an appropriation of modernist formal strategies for the purpose of the social critique.

Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands his video production to the internet. Despite Kluge's five decades of work in philosophy, literature, television, and media politics, his reputation outside of the German-speaking world still largely rests on his films of the 1960s, 70s, and 80s. With the aim of introducing Kluge's heterogeneous mind to an Anglophone readership, Difference and Orientation assembles thirty of his essays, speeches, glossaries, and interviews, revolving around the capacity for differentiation and the need for orientation toward ways out of catastrophic modernity. This landmark volume brings together some of Kluge's most fundamental statements on literature, film, pre- and post-cinematic media, and social theory, nearly all for the first time in English translation. Together, these works highlight Kluge's career-spanning commitment to unorthodox, essayistic thinking.

The classic novel that gave rise to a movie franchise. “A warm, entertaining, and highly evocative story of youth, music, and growing up in the 1950s.” —The Philadelphia Inquirer Eddie and his Jersey-bred band, The Parkway Cruisers, were going places. With an album and a few minor hits to their credit the future seemed bright until Eddie died in a fiery car crash. Twenty years later a British rock band turns their old songs into monumental fresh hits. With this comes a surge of interest in the surviving Cruisers and in a rumored cache of tapes that Eddie made before he died. That’s when the killing starts . . . “An excellently crafted book. The dialogue is sharp, the book is packed with exquisite description and a surprise ending.” —Sunday Journal and Star “Eddie and the Cruisers seems at first glance to be only a smartly written novel about nostalgia for the music of the late 1950s. It quickly proves, however, to be a remarkably good suspense story, full of vivid characters and some hilarious dialogue.” —St. Louis Post-Dispatch “Sparkling dialogue, wonderful characterizations and a plot which dazzles.” —Enterprise Sun “[A] good mix of everyday blues with old-time bebop.” —Booklist

The “public sphere” is a key concept in political discourse, designating a space for political action. But is this a single authoritative and universal space in which various positions compete for recognition, or does it consist of multiple local spaces spread over diverse collectivities? In Kluge and Negt’s groundbreaking book they examine the material conditions of experience in an arena that had previously figured only as an abstract term: the media of mass and consumer culture. With a new, up-to-date introduction from Alexander Kluge.