Kohkum S Babushka

"This story is about a young Ukrainian girl who journeys through time to the first Ukrainian settlers in Canada and their interactions with the Metis community. The two groups share their culture with one another, forming a special bond."--

The wind bring Natalia a babushka just like the ones her Baba used to wear, taking the young girl on a magical journey to an autumn long ago to discover the wedding traditions of her Ukrainian heritage.

The tale of the Holodomor told through letters between a grandfather (who was a young boy during the Ukrainian famine) and his granddaughter (a teenager in today's Canada).

"A book celebrating grandmothers of all nationalities and heritages, and the special relationship they share with their grandchildren."--

This is the first book monograph devoted to Anglophone Ukrainian Canadian children’s historical fiction published between 1991 and 2021. It consists of five chapters offering cross-sectional and interdisciplinary readings of 41 books – novels, novellas, picturebooks, short stories, and a graphic novel. The first three chapters focus on texts about the complex process of becoming Ukrainian Canadian, showcasing the experiences of the first two waves of Ukrainian immigration to Canada, including encounters with Indigenous Peoples and the First World War Internment. The last two chapters are devoted to the significance of the cultural memory of the Holodomor, the Great Famine of 1932-1933, and the Second World War for Ukrainian Canadians. All the chapters demonstrate the entanglements of Ukrainian and Canadian history and point to the role Anglophone children’s literature can play in preventing the symbolical seeds of memory from withering. This volume argues that reading, imagining, and reimagining history can lead to the formation of beyond-textual next-generation memory. Such memory created through reading is multidimensional as it involves the interpretation of both the present and the past by an individual whose reality has been directly or indirectly shaped by the past over which they have no influence. Next-generation memory is of anticipatory character, which means that authors of historical fiction anticipate the readers – both present-day and future – not to have direct links to any witnesses of the events they discuss and to have little knowledge of the transcultural character of the Ukrainian Canadian diaspora.

Fifteen-year-old Lesia can hardly bear it. She and her family must leave their beloved Baba in their Ukrainian hometown in order to flee to Canada. Dreaming of fields of wheat, wealth and security, Lesia looks forward to a life in Canada, free from poverty and rumours of war. But the 160 acres of hardscrabble prairie look nothing like the wheat fields of her dreams. And even though there is no fighting in her new country, the First World War follows them there.