Ky To Daigaku K Gaku Kenky

"A welcome addition to any reading list for those interested in contemporary Japanese society." - Roger Goodman, Nissan Professor of Modern Japanese Society, University of Oxford "I know no better book for an accessible and up-to-date introduction to this complex subject than The SAGE Handbook of Modern Japan Studies." - Hiroko Takeda, Associate Professor, Organization for Global Japanese Studies, University of Tokyo "Pioneering and nuanced in analysis, yet highly accessible and engaging in style." - Yoshio Sugimoto, Emeritus Professor, La Trobe University The SAGE Handbook of Modern Japanese Studies includes outstanding contributions from a diverse group of leading academics from across the globe. This volume is designed to serve as a major interdisciplinary reference work and a seminal text, both rigorous and accessible, to assist students and scholars in understanding one of the major nations of the world. James D. Babb is a Senior Lecturer in the School of Geography, Politics and Sociology at Newcastle University.

The essays in this volume explore how two domains of human experience and action—religion and technology—are implicated in each other. Contrary to commonsense understandings of both religion (as an “otherworldly” orientation) and technology (as the name for tools, techniques, and expert knowledges oriented to “this” world), the contributors to this volume challenge the grounds on which this division has been erected in the first place. What sorts of things come to light when one allows religion and technology to mingle freely? In an effort to answer that question, Deus in Machina embarks upon an interdisciplinary voyage across diverse traditions and contexts where religion and technology meet: from the design of clocks in medieval Christian Europe, to the healing power of prayer in premodern Buddhist Japan, to 19th-century Spiritualist devices for communicating with the dead, to Islamic debates about kidney dialysis in contemporary Egypt, to the work of disability activists using documentary film to reimagine Jewish kinship, to the representation of Haitian Vodou on the Internet, among other case studies. Combining rich historical and ethnographic detail with extended theoretical reflection, Deus in Machina outlines new directions for the study of religion and/as technology that will resonate across the human sciences, including religious studies, science and technology studies, communication studies, history, anthropology, and philosophy.

Since its early days of mass production in the 1850s, the sewing machine has been intricately connected with the global development of capitalism. Andrew Gordon traces the machine’s remarkable journey into and throughout Japan, where it not only transformed manners of dress, but also helped change patterns of daily life, class structure, and the role of women. As he explores the selling, buying, and use of the sewing machine in the early to mid-twentieth century, Gordon finds that its history is a lens through which we can examine the modern transformation of daily life in Japan. Both as a tool of production and as an object of consumer desire, the sewing machine is entwined with the emergence and ascendance of the middle class, of the female consumer, and of the professional home manager as defining elements of Japanese modernity.

This book uses texts from classical to modern Japanese literature to examine concepts of 'respect for the strong', as a notion of an evolutionary society, and 'sympathy for the weak', as a notion of a non-violent and changeless egalitarian society. The term strong refers not just to those with strength and power. It also includes other ideal attributes such as beauty, youth and goodness. Similarly, the term weak implies not only the weak and infirm, but also the disadvantaged, the indecent, the unsophisticated and those generally shunned by society. The former are associated not only with the power of life, competition, evolution, progress, development, ability, effectiveness, efficiency, individuality, the future, hope and romance, but also with violence, fighting, bullying, discrimination and sacrifice. The latter, in contrast, invoke notions of peace, egalitarianism, anti-discrimination and welfare, as well as stagnation, retreat, retrogression, degeneration and the decline of vital powers. By using these two concepts Murakami skillfully weaves a narrative that is part literary criticism, part social commentary. As such the book will be of huge interest to not only scholars and students of Japanese literature, but also those of Japanese society and culture.

This book provides a broad account of the international history of East Asia from 1900 to 1968 - a subject that is essential to any understanding of the modern epoch. Whereas much of the scholarship on this subject has focused purely on the immediate origins and consequences of violent events such as wars and revolutions, this book demonstrates the importance of also considering other forces such as ideology, trade and cultural images that have helped shape East Asian international history. It analyses how the development of the region was influenced by ideological competition and ‘orientalism’, by both multilateral and unilateral efforts to instil order, and by the changing nature of international trade. It considers a number of important topics such as the concept of the ‘open door’; the rise and influence of progressive internationalism in the forum of the League of Nations; the development of anti-colonial nationalism and anti-Western internationalism in the shape of pan-Asianism; and the onset of the Cold War. It also includes detailed case studies of subjects including the administration of the Chinese Maritime Customs Service; the international effort to regulate the trade in opium; and the significance of intra-Asian trade. Overall, this book constitutes an impressive account of the international history of East Asia, and is an important contribution to the interpretive study of this crucial period of history.

Well-grounded on abundant Japanese language sources which have been underused, this book uncovers the League of Nations’ works in East Asia in the inter-war period. By researching the field of social and other technical issues, namely, the trade in narcotics, the trafficking of women and the work in terms of improving health provision and providing economic advice to Nationalist China, it not only examines their long-term impacts on the international relations in the region but also argues that the League’s works challenged the existing imperial order of East and Southeast Asia. The book offers a key read for academics and students of international history and international relations, and others studying Japan or East Asia in the twentieth century.

The Digital Library of Korean Classics is a project undertaken by Literature Translation Institute of Korea (LTI Korea) to digitalize selected translated titles of Korean classics published in the late nineteenth to the early twenty-first century. LTI Korea is an affiliate of the Ministry of Culture, Sports, and Tourism of the Republic of Korea that seeks to promote Korean literature and culture around the world. This e-book was made by scanning and converting the original book using OCR software. We have made every effort to ensure the book is free of any errors or omissions, but if you discover any, please email us so that we can improve the quality of the book.

The samurai radicals who overthrew the last shogun in 1868 promised to restore ancient and pure Japanese ways. Foreign observers were terrified that Japan would lapse into violent xenophobia. But the new Meiji government took an opposite course. It copied best practices from around the world, building a powerful and modern Japanese nation with the help of European and American advisors. While revering the Japanese past, the Meiji government boldly embraced the foreign and the new. What explains this paradox? How could Japan's 1868 revolution be both modern and traditional, both xenophobic and cosmopolitan? To Stand with the Nations of the World explains the paradox of the Restoration through the forces of globalization. The Meiji Restoration was part of the global "long nineteenth century" during which ambitious nation states like Japan, Britain, Germany, and the United States challenged the world's great multi-ethnic empires--Ottoman, Qing, Romanov, and Hapsburg. Japan's leaders wanted to celebrate Japanese uniqueness, but they also sought international recognition. Rather than simply mimic world powers like Britain, they sought to make Japan distinctly Japanese in the same way that Britain was distinctly British. Rather than sing "God Save the King," they created a Japanese national anthem with lyrics from ancient poetry, but Western-style music. The Restoration also resonated with Japan's ancient past. In the 600s and 700s, Japan was threatened by the Tang dynasty, a dynasty as powerful as the Roman empire. In order to resist the Tang, Japanese leaders borrowed Tang methods, building a centralized Japanese state on Tang models, and learning continental science and technology. As in the 1800s, Japan co-opted international norms while insisting on Japanese distinctiveness. When confronting globalization in 1800s, Japan looked back to that "ancient globalization" of the 600s and 700s. The ancient past was therefore not remote or distant, but immediate and vital.