Kylian

Introduces readers to the life and career of soccer star Kylian Mbappé. Colorful spreads, fun facts, interesting sidebars, and a map of important places in his life make this a thrilling read for young sports fans.

Be inspired by Football Legend, Kylian Mbappe! Football Legends: Young readers will love finding out all about the lives of their favourite players in this incredible biography series. Discover more about this incredible player's journey from his early career at AS Bondy, coached by his father, to his success at Paris Saint-Germain FC and fulfilling his dream of playing for France. Packed with footie facts and match stats plus Kylian's career highlights. Amazing cover artwork ilustrated by Manchester-based artist, Stanley Chow, whose iconic work has found worldwide acclaim.

Brett Wescott has a talent for creating quick sketches of people from verbal descriptions. Ones that looked exactly like the subject -- at least according to the tourists who find him either in Jackson Square or one of the bars along Bourbon Street. It helps that he is telepathic. Kylian Dubois is a powerful elf who runs a covert agency he formed in the late seventeen-hundreds to stop paranormals from preying on and killing humans. All of his employees are elves or shifters -- each one with their own reasons for wanting to work with Kylian. When a particularly vicious shifter killer, known as the Phantom Slayer, begins stalking New Orleans, Kylian recruits Brett to help find him -- even though Brett is only human. Slowly a bond forms between Brett and Kylian. A bond that could turn into something more, providing they can deal with their differences.

Kylian Mbappe: World Soccer Sensation tells the story of the breakout player from the 2018 World Cup, a teenager who led France to the championship with his breathtaking speed and dynamic goal-scoring ability. Features include a timeline, a glossary, further readings, websites, source notes, and an index. Aligned to Common Core Standards and correlated to state standards. Essential Library is an imprint of Abdo Publishing, a division of ABDO.

First Published in 1999. Routledge is an imprint of Taylor & Francis, an informa company.

"This book draws together in an accessible style key foundational contributions delineating the emerging parameters of the field. It explains the significance of concepts devised by postmodern thinkers, through which emerge meaning and order in organizations." "The Aesthetics of Organization is a resource for students and researchers in organization and business studies."--BOOK JACKET.

"Nearly four hundred and fifty years in, ballet still resonates-though the stages have become international, and the dancers, athletes far removed from noble amateurs. While vibrations from the form's beginnings clearly resound, much has transformed. Nowadays ballet dancers aspire to work across disciplines with choreographers who value a myriad of abilities. Dance theorists and historians make known possibilities and polemics in lieu of notating dances verbatim, and critics do the daily work of recording performance histories and interviewing artists. Ideas circulate, questions arise, and discussions about how to resist ballet's outmoded traditions take precedence. In the dance community, calls for innovation have defined palpable shifts in ballet's direction and resultantly we have arrived at a new moment in its history that is unquestionably recognized as a genre onto its own: Contemporary Ballet. An aspect of this recent discipline is that its dancemakers, more often than not, seek to reorient the viewer by celebrating what could be deemed vulnerabilities, re-construing ideals of perfection, problematizing the marginalized/mainstream dichotomy, bringing audiences closer in to observe, and letting the art become an experience rather than a distant object preciously guarded out of reach. Hence, the practice of ballet is moving to become a less-mediated and more active process in many circumstances. Performers and audiences alike are challenged, and while convention is still omnipresent, choices are being made. For some, this approach has been drawn on for decades, and for others it signifies a changing of the guard, yet however we arrive there, the conclusion is the same: Contemporary Ballet is not a style. That is to say, it is not a trend, phase, or fashionable term that will fade, rather it is a clear period in ballet's time deserved of investigation. And it is into this moment that we enter"--

"Stop! Let her go." A deep voice roared from outside of the dungeon forcing the guard leader's hand to hang in the air. Luciana gasped and fell to the ground, groaning as her wounded sore body came in contact with the hard cold floor but somehow grateful for the distraction and whoever it was that gave her a minute to breathe even if she knew it wouldn't last for long. All the eyes turned towards the figure. Anyone that could make the guard leader cower at his voice must be someone highly important. The figure walked into the dungeon room straight to Luciana where she lay helplessly on the ground. He towered over her with his penetrating eyes hovering over her. Then he gulped thickly. How could it be? The question pondered in his head as he stared down at the weak girl curled up and trembling before him whom a strange fragrance had drawn him to. Could she be ...his mate… "No…no way..." he muttered under his breath, taking a foot backward. There was no way he would agree to being mate to a weakling and a slave. Never.