La France Du Xvie Si Cle 1483 1598

A masterful new survey of sixteenth-century France which examines the vicissitudes of the French monarchy during the Italian Wars and the Wars of Religion. It explores how the advances made under a succession of strong kings from Charles VIII to Henri II created tensions in traditional society which combined with economic problems and emerging religious divisions to bring the kingdom close to disintegration under a series of weak kings from Francois II to Henri III. The political crisis culminated in France's first succession conflict for centuries, but was resolved through Henri IV's timely reconnection of dynastic legitimism with religious orthodoxy.

The French Wars of Religion tore the country apart for almost fifty years. They were also part of the wider religious conflict between Catholics and Protestants which raged across Europe during the 16th century. This new study, by a major authority on French history, explores the impact of these wars and sets them in their full European context.

La France connut au XVIe siècle de profondes mutations. La rupture la plus nette fut peut-être religieuse, avec l'essor de la Réforme protestante. Mais les mutations politiques furent tout aussi décisives. Si la première moitié du siècle vit un renforcement de l'autorité monarchique, les guerres de Religion obligèrent les souverains à imaginer des solutions originales pour sortir de la crise. Apparemment, des millions de Français continuaient à vivre comme leurs arrière grands-parents, mais le développement du grand commerce, la multiplication des livres imprimés et le creusement des écarts sociaux, même à la campagne, changeaient peu à peu le visage du pays. Ces transformations, spectaculaires ou silencieuses, se produisirent dans un contexte culturel nouveau, où l'humanisme et l'art de la Renaissance trouvèrent leur place sans forcément remettre en cause l'héritage médiéval. Attentif aux travaux historiques les plus récents, enrichi par de nombreuses sources, cet ouvrage offre une mise au point claire et nuancée, qui permettra de mesurer toute la richesse du premier siècle de l'époque moderne.

Available for the first time in English, these thirteen selections from André Thevet’s Les vrais pourtraits et vies des hommes illustres offer a glimpse of France during a time of great upheaval. Originally published in 1584, Thevet’s collection contains over two hundred biographical sketches, detailing the lives of important persons from antiquity to the sixteenth century. Edward Benson and Roger Schlesinger have translated and annotated Thevet’s portraits of his contemporaries, and divided them into three categories: monarchs, aristocrats, and scholars. Additionally, an extensive introduction places the work in context and describes the critical attention that Thevet and his writings have received. Together these portraits provide a history of sixteenth-century France as the country underwent tremendous change: from an intellectual renaissance and its first encounter with the New World to the Protestant Reformation and the Wars of Religion that followed. France was irrevocably altered by these events and Thevet’s account of the lives of individuals who struggled with them is indispensable.

Catherine de' Medici (1519-89) was the wife of one king of France and the mother of three more - the last, sorry representatives of the Valois, who had ruled France since 1328. She herself is of preeminent importance to French history, and one of the most controversial of all historical figures. Despised until she was powerful enough to be hated, she was, in her own lifetime and since, the subject of a "Black Legend" that has made her a favourite subject of historical novelists (most notably Alexandre Dumas, whose Reine Margot has recently had new currency on film). Yet there is no recent biography of her in English. This new study, by a leading scholar of Renaissance France, is a major event. Catherine, a neglected and insignificant member of the Florentine Medici, entered French history in 1533 when she married the son of Francis I for short-lived political reasons: her uncle was pope Clement VII, who died the following year. Now of no diplomatic value, Catherine was treated with contempt at the French court even after her husband's accession as Henry II in 1547. Even so, she gave him ten children before he was killed in a tournament in 1559. She was left with three young boys, who succeeded to the throne as Francis II (1559-60), Charles IX (1560-74) and Henry III (1574-89). As regent and queen-mother, a woman and with no natural power-base of her own, she faced impossible odds. France was accelerating into chaos, with political faction at court and religious conflict throughout the land. As the country disintegrated, Catherine's overriding concern was for the interests of her children. She was tireless in her efforts to protect her sons' inheritance, and to settle her daughters in advantageous marriages. But France needed more. Catherine herself was both peace-loving and, in an age of frenzied religious hatred, unbigoted. She tried to use the Huguenots to counterbalance the growing power of the ultra-Catholic Guises but extremism on all sides frustrated her. She was drawn into the violence. Her name is ineradicably associated with its culmination, the Massacre of St Bartholomew (24 August 1572), when thousands of Huguenots were slaughtered in Paris and elsewhere. To this day no-one knows for certain whether Catherine instigated the massacre or not, but here Robert Knecht explores the probabilities in a notably level-headed fashion. His book is a gripping narrative in its own right. It offers both a lucid exposition of immensely complex events (with their profound imact on the future of France), and also a convincing portrait of its enigmatic central character. In going behind the familiar Black Legend, Professor Knecht does not make the mistake of whitewashing Catherine; but he shows how intractable was her world, and how shifty or intransigent the people with whom she had to deal. For all her flaws, she emerges as a more sympathetic - and, in her pragmatism, more modern - figure than most of her leading contemporaries.