La Morada De Los Cuatro Vientos

"The fictionalized explorers and conquistadors represented in this corpus all identify with certain aspects of Amerindian culture - significantly, those elements that are most distinct from European culture, such as cannibalism and human sacrifice - but also feel the need to distance themselves from these "others" in order to protect their own European cultural identity. In most cases, the conquistadors themselves are represented as outsiders within the enterprise of imperialism, due to ethnic, religious, or sexual differences from the norm. This representation turns the gaze inward toward the "other" within European culture, underscoring the complex origins of Latin American cultures in the violent encounter between the Amerindians and the conquistadors." "By examining these issues, Lopez's Latin American Novels of the Conquest illuminates the ways in which Latin American novelists used their literary imaginations to embody their ambivalence regarding their own transcultural heritage as children of both the colonized and the colonizer."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Beginning with the 1979 publication of Alejo Carpentier's El arpa y la sombra, the New Historical Novel has become the dominant genre within Latin American fiction. In this at-times tongue-in-cheek postmodern study, Seymour Menton explores why the New Historical Novel has achieved such popularity and offers discerning readings of numerous works. Menton argues persuasively that the proximity of the Columbus Quincentennial triggered the rise of the New Historical Novel. After defining the historical novel in general, he identifies the distinguishing features of the New Historical Novel. Individual chapters delve deeply into such major works as Mario Vargas Llosa's La guerra del fin del mundo, Abel Posse's Los perros del paraíso, Gabriel García Márquez's El general en su laberinto, and Carlos Fuentes' La campaña. A chapter on the Jewish Latin American novel focuses on several works that deserve greater recognition, such as Pedro Orgambide's Aventuras de Edmund Ziller en tierras del Nuevo Mundo, Moacyr Scliar's A estranha nação de Rafael Mendes, and Angelina Muñiz's Tierra adentro.

Tal vez algunos lectores se preguntarán porque se me ocurrió producir un libro de los ángeles, para contestar su curiosidad le diré que en una noche de viernes cuando caminé, en el campo, desde la casa de mi abuela hasta la Iglesia donde me tocaba predicar, como estaba lluvioso no asistió ni un solo miembro. (Iglesia Vertientes, Baracoa Cuba). Yo decidí quedarme en la Iglesia en vigilia y oración y en la madrugada tuve una visión de cuatro ángeles sobre la Iglesia. Su piel era muy rosada y sus vestidos eran como de seda que la brisa lo movía suavemente. Después de esa experiencia los hermanos por si solo se hicieron la decisión de no faltar a los cultos, parece que lo siguen cumpliendo, porque después de 28 años de ausencia yo le volví a visitar y el mismo día, sin anuncio, ni aviso la Iglesia estaba llena, gracias a DIOS, todo sea para su honra y su gloria y era domingo en la tarde. Lo segundo y último porque produje este material es que he examinado en varios países algunas producciones sobre los ángeles y la mayoría no se ajustan a la Palabra de Dios. Puedo garantizar que este es el documento más extenso que se ha producido sobre este tema, pues es el producto de 52 años Bíblicos y especialmente un año sacando todo lo que la Biblia dice de los ángeles y sus relacionados. Yo le digo a los hermanos que los ángeles quisieran estar en el cielo, pero como tienen que estar con nosotros, por lo menos se sienten mejor cuando nos acompañan a los servicios religiosos, donde se canta, se ora, se estudia la Palabra, se adora, se alaba y se honra al Dios verdadero, nuestro Creador. Amen

"The Only True God" is the originator of all the languages of the nations of this planet Earth (Genesis 11:1-9). Does He knows the details of Grammar of those languages? How can we define in synthesis whatGrammar is? Does our wise and sovereign God presaw the need of talking to us in our own language? Does He also presaw that His dealing with the human race should be written in a book? Because these are facts that cannot be denied, it is evident He decreed that every word, phrase, sentence, concepts and complete paragraphs written in The Bible should be grammatically correct. The concept of the Three Persons of deity is evidenced with printine clarity, whenever this Book of God is grammatically interpreted. Inthe last night before His crucifixion, in His prayer to the Father, Jesus said: "This is eternal life, that they may know You, the only true God, and Jesus Christ whom You have sent. An now, Oh Father, glorify Me together with Yourself, with the glory which I had with You before the world was." "Me" and "I" explicitly defines two persons!