Ladies Of Lost Causes

In this highly original study, Judith Rumgay evaluates the development of a residential programme for female offenders run by the Griffins Society. The text is unique in that it documents the radical contribution of women philanthropists and practitioners to offender rehabilitation. Drawing on archival, interview, and observational sources, the author describes, analyses, and evaluates a distinctive model of care provision by volunteer, upper-middle-class women that has since been overtaken by the professionalization of the voluntary sector. Rumgay illuminates the pathways of women into, and out of, serious crime; explores the dynamics of rehabilitative practice in the volatile setting of residential care; and also analyses the qualities of successful rehabilitative practice. Subsequently, the author suggests rehabilitative success is more appropriately understood within a paradigm of natural desistance from crime, instead of the more common appeal to a medical model of treatment. Moreover, this style of rehabilitative practice is inextricable from the broader social outlook of a dedicated group of philanthropic women, whose critics derided them with epithets such as 'Lady Bountiful'.

This book is unique in that it documents the radical contribution of women philanthropists and practitioners to offender rehabilitation by undertaking an evaluation of the development of a residential programme for female offenders run by the Griffins Society. The author illuminates the pathways of women into, and out of, serious crime; explores the dynamics of rehabilitative practice in the volatile setting of residential care; and also analyses the qualities of successful rehabilitative practice.

Immediately after the Civil War, white women across the South organized to retrieve the remains of Confederate soldiers. In Virginia alone, these Ladies' Memorial Associations (LMAs) relocated and reinterred the remains of more than 72,000 soldiers. Challenging the notion that southern white women were peripheral to the Lost Cause movement until the 1890s, Caroline Janney restores these women as the earliest creators and purveyors of Confederate tradition. Long before national groups such as the Woman's Christian Temperance Union and the United Daughters of the Confederacy were established, Janney shows, local LMAs were earning sympathy for defeated Confederates. Her exploration introduces new ways in which gender played a vital role in shaping the politics, culture, and society of the late nineteenth-century South.

This richly illustrated collection of fourteen essays examines the ways in which Confederate memorials - from Monument Avenue to Stone Mountain - and the public rituals surrounding them testify to the tenets of the Lost Cause, a romanticized narrative of the war. Several essays highlight the creative leading role played by women's groups in memorialization, while others explore the alternative ways in which people outside white southern culture wrote their very different histories on the southern landscape. The authors - who include Richard Guy Wilson, Catherine W. Bishir, W. Fitzhugh Brundage, and William M.S. Ramussen - trace the origins, objectives, and changing consequences of Confederate monuments over time and the dynamics of individuals and organizations that sponsored them. Thus these essays extend the growing literature on the rhetoric of the Lost Cause by shifting the focus to the realm of the visual. They are especially relevant in the present day when Confederate symbols and monuments continue to play a central role in a public - and often emotionally charged - debate about how the South's past should be remembered. The editors: Art Historian Cynthia Mills, a specialist in nineteenth-century public sculpture, is executive editor of American Art, the scholarly journal of the Smithsonian American Art Museum. Pamela H. Simpson is the Ernest Williams II Professor of Art History at Washington and Lee University. She is the coauthor of The Architecture of Historic Lexington.

Compares the faith and politics of former Confederate chaplains during the Reconstruction period, and argues for some counterintuitive understandings of their beliefs and practices in the post-war period

The myth of the Lost Cause of the Confederate States in the Civil War was and is an elaborate and intentional effort on the part of southerners to rationalise the secession and the war itself. Unfortunately, for historical truth and the national memory, these skilful propagandists, beginning with Jubal Early, have been so successful that the Lost Cause has assumed a life of its own and continues to misrepresent what really happened, distorting the national memory in the process. In this book, nine historians analyse the Lost Cause, describing its content and identifying its falsity. The work is thus a major contribution to Civil War historiography.

In Tearing Down the Lost Cause: The Removal of New Orleans's Confederate Statues James Gill and Howard Hunter examine New Orleans’s complicated relationship with the history of the Confederacy pre– and post–Civil War. The authors open and close their manuscript with the dramatic removal of the city’s Confederate statues. On the eve of the Civil War, New Orleans was far more cosmopolitan than Southern, with its sizable population of immigrants, Northern-born businessmen, and white and Black Creoles. Ambivalent about secession and war, the city bore divided loyalties between the Confederacy and the Union. However, by 1880 New Orleans rivaled Richmond as a bastion of the Lost Cause. After Appomattox, a significant number of Confederate veterans moved into the city giving elites the backing to form a Confederate civic culture. While it’s fair to say that the three Confederate monuments and the white supremacist Liberty Monument all came out of this dangerous nostalgia, the authors argue that each monument embodies its own story and mirrors the city and the times. The Lee monument expressed the bereavement of veterans and a desire to reconcile with the North, though strictly on their own terms. The Davis monument articulated the will of the Ladies Confederate Memorial Association to solidify the Lost Cause and Southern patriotism. The Beauregard Monument honored a local hero, but also symbolized the waning of French New Orleans and rising Americanization. The Liberty Monument, throughout its history, represented white supremacy and the cruel hypocrisy of celebrating a past that never existed. While the book is a narrative of the rise and fall of the four monuments, it is also about a city engaging history. Gill and Hunter contextualize these statues rather than polarize, interviewing people who are on both sides including citizens, academics, public intellectuals, and former mayor Mitch Landrieu. Using the statues as a lens, the authors construct a compelling narrative that provides a larger cultural history of the city.