Laid

Laid offers more than 40 personal narratives - from young women and men - about everything involving sex and being sexual. Need-to-know facts and Q&A's accompany each chapter, providing food for thought on the many important and often maligned or ...

DigiCat Publishing presents to you this special edition of "The Juggler's Oracle; or, The Whole Art of Legerdemain Laid Open" by H. Boaz. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

WINNER OF CBC CANADA READS WINNER OF THE STEPHEN LEACOCK MEDAL FOR HUMOUR Here’s the set up: A burnt-out politcal aide quits just before an election—but is forced to run a hopeless campaign on the way out. He makes a deal with a crusty old Scot, Angus McLintock—an engineering professor who will do anything, anything, to avoid teaching English to engineers—to let his name stand in the election. No need to campaign, certain to lose, and so on. Then a great scandal blows away his opponent, and to their horror, Angus is elected. He decides to see what good an honest M.P. who doesn’t care about being re-elected can do in Parliament. The results are hilarious—and with chess, a hovercraft, and the love of a good woman thrown in, this very funny book has something for everyone.

Emily Dickinson, probably the most loved and certainly the greatest of American poets, continues to be seen as the most elusive. One reason she has become a timeless icon of mystery for many readers is that her developmental phases have not been clarified. In this exhaustively researched biography, Alfred Habegger presents the first thorough account of Dickinson’s growth–a richly contextualized story of genius in the process of formation and then in the act of overwhelming production. Building on the work of former and contemporary scholars, My Wars Are Laid Away in Books brings to light a wide range of new material from legal archives, congregational records, contemporary women's writing, and previously unpublished fragments of Dickinson’s own letters. Habegger discovers the best available answers to the pressing questions about the poet: Was she lesbian? Who was the person she evidently loved? Why did she refuse to publish and why was this refusal so integral an aspect of her work? Habegger also illuminates many of the essential connection sin Dickinson’s story: between the decay of doctrinal Protestantism and the emergence of her riddling lyric vision; between her father’s political isolation after the Whig Party’s collapse and her private poetic vocation; between her frustrated quest for human intimacy and the tuning of her uniquely seductive voice. The definitive treatment of Dickinson’s life and times, and of her poetic development, My Wars Are Laid Away in Books shows how she could be both a woman of her era and a timeless creator. Although many aspects of her life and work will always elude scrutiny, her living, changing profile at least comes into focus in this meticulous and magisterial biography.

How a Midwestern family with no agriculture experience went from a few backyard chickens to a full-fledged farm—and discovered why local chicks are better. When Lucie Amundsen had a rare night out with her husband, she never imagined what he’d tell her over dinner—that his dream was to quit his office job (with benefits!) and start a commercial-scale pasture-raised egg farm. His entire agricultural experience consisted of raising five backyard hens, none of whom had yet laid a single egg. To create this pastured poultry ranch, the couple scrambles to acquire nearly two thousand chickens—all named Lola. These hens, purchased commercially, arrive bereft of basic chicken-y instincts, such as the evening urge to roost. The newbie farmers also deal with their own shortcomings, making for a failed inspection and intense struggles to keep livestock alive (much less laying) during a brutal winter. But with a heavy dose of humor, they learn to negotiate the highly stressed no-man’s-land known as Middle Agriculture. Amundsen sees firsthand how these midsized farms, situated between small-scale operations and mammoth factory farms, are vital to rebuilding America’s local food system. With an unexpected passion for this dubious enterprise, Amundsen shares a messy, wry, and entirely educational story of the unforeseen payoffs (and frequent pitfalls) of one couple’s ag adventure—and many, many hours spent wrangling chickens.

An uninhibited portrait of growing up gay in 1980s Alabama: exploring art and sex with “more layered insight than the page count should allow” (Hanif Abdurraqib, MTV News). DeShawn lives a high, creative, and promiscuous life in San Francisco. But when he’s called back to his cramped Alabama hometown for his uncle’s funeral, he’s hit by flashbacks of handsome, doomed neighbors and sweltering Sunday services. Amidst prickly reminders of his childhood, DeShawn ponders family, church, and the men in his life, prompting the question: Who deserves love? A modern American classic, Since I Laid My Burden Down is a raw and searing look into the intersections of memory, Blackness, and queerness. “Performance artist Purnell beautifully captures a personality through introspection and memory in this slim novel . . . a compelling portrait of a particular disaffected kind of gay youth caught between religion, culture, and desire.” —Publishers Weekly “It’s a true novel, chaptered, and bound, that not only holds its own as queer literature, with its unapologetically misanthropic narrative, but also expands upon it.” —San Francisco Chronicle “An antidote to the rigamarole of gay lit.” —Mask Magazine “Slim yet potently realized, with a lot to ponder.” —The Bay Area Reporter “Since I Laid My Burden Down has a fearless (sometimes reckless) humor as Brontez Purnell interrogates what it means to be black, male, queer; a son, an uncle, a lover; Southern, punk, and human. An emotional tightrope walk of a book and an important American story rarely, if ever, told.” —Michelle Tea, author of Castle on the River Vistula

Explores the significance of the heist film genre.

The latest book by journalist and author Paul Blustein to go behind the scenes at the highest levels of global economic policy making, Laid Low chronicles the International Monetary Fund’s role in the euro-zone crisis. Based on interviews with a wide range of participants and scrutiny of thousands of documents, the book tells how the IMF joined in bailouts that all too often piled debt atop debt and imposed excessively harsh conditions on crisis-stricken countries. As the author shows, IMF officials had grave misgivings about a number of these rescues, but went along at the insistence of powerful European policy makers — to the detriment of the Fund’s credibility, with disheartening implications for the management of future crises. The narrative ends with a tale of the clash between Greece’s radical Syriza government and the country’s creditor institutions that reached a dramatic climax in the summer of 2015.