Lajwanti And Other Stories

In Lajwanti, Mulk Raj Anand focuses on a woman's predicament and struggle to find an identity for herself. Frustrated by a rigid pattern of social relationships, gender bias, religious bigotry and her own petty human foibles, her abject condition serves as a metaphor for sacrifice and servility which forms the thematic heart of these stories.

About the author: mulk raj anand, an indian english language author who depicted the lives of the poorer castes in a traditional indian society anand, a novelist, short story writer, essayist and an art critic, is frequently referred to as the founding father of indo-english writing anands prolific writing career spanned over 75 years, during which he was widely identified with the quest for a just, equitable and forward looking india anand wrote extensively in areas as diverse as art and sculpture, politics, indian literature and the history of ideas he has been conferred with several awards including the sahitya akademi award in 1972 and the padma bhushan for his contribution to english literature

Mulk Raj Anand, novelist, short story writer, essayist and art critic, along with Raja Rao and R.K. Narayan, is frequently referred to as ‘founding father’ of Indo-English writing. He began his career by writing for T.S. Eliot’s Criterion and went on to win international fame with his heart-warming portraits of the Indian landscape and its people. Anand’s prolific writing career spanned more than 75 years, during which he was widely identified with the quest for a just, equitable, and forward-looking India. He wrote extensively in areas as diverse as art and sculpture, politics, Indian literature and the history of ideas. He was honoured with Sahitya Akademi Award, the most prestigious Indian award for literary writing in 1972. This volume of short stories is remarkable for the variety of its inspiration. ‘Anand is an excellent raconteur, telling a story with grace and point. He commands an easy urbane style… The stories have the power to charm.’ — Weekend Review ‘Anand’s picture is real, comprehensive, and subtle, and the shifts in moods, from farce to comedy, from pathos to tragedy, and from the realistic to the poetic, are remarkable.’ — V S Pritchett, British Literary Critic 'With great deftness, Anand pictures India... He impresses with his profound knowledge of Indian religion and culture.' — Books Abroad, USA

'The volume is remarkable for the variety of its inspiration...' — Manchester Guardian, UK 'Anand's picture is real, comprehensive, and subtle, and the shifts in moods, from farce to comedy, from pathos to tragedy, and from the realistic to the poetic, are remarkable.' — V S Pritchett, British Literary Critic 'Anand is indeed adept in the art of spinning a yarn.' — Punjab Journal of English Studies, Guru Nanak Dev University

" ... Documents the history and development of [Post-colonial literatures in English, together with English and American literature] and includes original research relating to the literatures of some 50 countries and territories. In more than 1,600 entries written by more than 600 internationally recognized scholars, it explores the effect of the colonial and post-colonial experience on literatures in English worldwide.

Worldwide Appreciation of the Short Story Form Spans Cultures and Centuries! In this concise volume, Gulnaz Fatma traces the short story from its origins in fables, ancient poetry, and tales such as "The Arabian Nights," to its modern form in the early American stories of Irving, Poe, and Hawthorne, and then through the twentieth century and throughout the world. The elements of what makes a short story are presented along with a discussion of the difficulties in defining the genre. The short story's relation to the novel as well as its uniqueness as its own form are deftly presented. While the American and European traditions of the short story take up much of this book, the final chapter is a thorough presentation of the short story's development in India. Anyone interested in the short story--teachers, students, writers, and readers--will find this volume informative, thoughtful, and a welcome addition to our understanding of one of literature's most dynamic forms. Gulnaz Fatma is an Indian writer and author. She is a research scholar in the Department of English at Aligarh Muslim University in Aligarh, India. "As a fiction writer who has also taught the short story form, I was impressed by the thoroughness and insight presented in this concise book. Fatma's broad exploration of the short story form is backed by numerous supporting examples and her chapter on the short story in India will introduce many readers to that country's own literary gems." --Tyler R. Tichelaar, Ph.D. and author of the award-winning "Narrow Lives" From the World Voices Series www.ModernHistoryPress.com Literary Criticism: Short Stories Literary Criticism: Asian - General

Mulk Raj Anand Was An Indian English Writer Of World Repute. His First Ten Books Were From London. He Has Over 22 Books Of Fiction And A Large Number Of Publications On Art, Education And Culture, And Thousands Of Letters. Only Three Volumes Of His Letters Have Been Published. Some Of His Works Have Gone Out Of Print. The Book Is The First Attempt Of Its Kind To Fill This Gap And Introduce The Author To A Large Readership. Here Is An Earnest Endeavour To Give A ýFeelý Of His Immortal Art And Vision. It Opens With ýThe Lost Childý And Records, In All, 15 Short Stories. Then Selections From 15 Novels Have Been Given. The Final Part Carries Four Letters Of Anand, Culled From Three Anthologies Of Letters.

A born story teller,Dr. Mulk Raj Anand is one of the most outstanding short story writers. His contributions to the Indian short story is truly impressive. These short stories are selected from a collection of his writings over the last forty years. His stories reveal modes such as strong satire, uproarious laughter and acute psychological perception.