Land With No Sun

A no-holds-barred, straight-in-your-face account of combat in Vietnam.

I knew that arming the general populace and their elected leadership with knowledge, verifiable knowledge, would change the game in New Mexico forever. Now here I was in the present gazing at Teresas rosary. Then abashedly upon the beauty of her body. She was real and it hadnt been a ghost chase. I was having some difficulty in processing the ramifications of finding her by the supernatural means I had used. In fact, I was attempting an inner self-assessment of my spiritual status. I had become a sorcerer to find my lover. Would she be? It was unlikely that she would choose to love a person like myself. ACTION / SUSPENSE / ADULT HISTORICAL FICTION For persons interested in shamanism... this book is a must! Gary Grief, Petroglyph Recorder/Archeologist and former Program Chair, Taos

This title is aimed at those interested in the Yukon's history, from the pre-gold rush days through the 'lean' years and both wars to the present.

New York Times bestselling author Barbara Wood's latest novel follows a disinherited English baron and a young New York heiress who marry and move West to build an agricultural empire in Palm Springs in the 1920s when it was just a budding town on the edge of the Mojave Desert. It's a saga about ambition on both large and small scales and the rapidly modernizing world as the harsh, sun-drenched landscape transforms from a Native American haven to the playground of Hollywood's rich and famous. Land of the Afternoon Sun is also the story of a woman finding her own personality and strength in the West against a breathtaking desert landscape that changes constantly and shows its deadly side in poisonous snakes, flash floods and sand storms, with dramatic moments of forbidden romance, reversals, treachery, betrayal and, ultimately, triumphs.

A historically accurate study that takes no sides, this book is the first complete document of Treaties 8 and 11 between the Canadian government and the Native people at the turn of the nineteenth century.

Exclusive online content, photos, and more, available here Parks are importantly fertile places to talk about land. Whether its big national parks, provincial campgrounds, isolated conservation areas, destination parks, or humble urban patches of grass, we tend to speak of parks as unqualified goods. People think of parks as public or common land, and it is a common belief that parks are the best uses of land and are good for everyone. But no park is innocent. Parks are lionized as “natural oases,” and urban parks as “pure nature” in the midst of the city — but that’s absurd. Parks are as “natural” as the roads or buildings around them, and just as political. Every park in North America is performing modernity and settler colonialism everyday. Furthermore, parks are not private property, but while they are called ‘public’, they are highly regulated spaces that normatively demand and closely control behaviours. Parks are a certain kind of property, and thus creations of law, and they are subject to all kinds of presumptions about what parks are for, and what kinds of people should be doing what kinds of things in them. Parks — as they are currently constituted — are colonial enterprises. On This Patch of Grass is an investigation into one small urban park — Vancouver’s Victoria Park, or Bocce Ball Park — as a way to interrogate the politics of land. The authors grapple with the fact that they are uninvited guests on the occupied and traditional territories of the Musqueam (xwməθkwəy̓əm), Squamish (Skwxwú7mesh), and Tsleil-Waututh (səliľwətaʔɬ) nations. But Bocce Ball Park is also a wonderful place in many ways, with a startling plurality of users and sovereignties, and all kinds of overlapping activities and all kinds of overlapping people co-existing more-or-less peaceably. It is a living exhibition of the possibilities of sharing land and perhaps offers some clues to a decolonial horizon. The book is a collaborative exercise between one white family and some friends looking at the park from a variety of perspectives, asking what we might say about this patch of grass, and what kinds of occupation might this place imply.

Jennifer Ebenhack knows what it is to be broken down by circumstances. She and her husband Jarod had no idea their decision to adopt twins from Haiti would turn into eight years of life in that literal sun-scorched land. While those years of ministry involved joys and sorrows, life-threatening dangers and divine interventions, none of those years included any progress on their children's adoptions. But God saw it all. The exhaustion, anxiety, and especially the disintegration of all human hope in the wake of the 2010 Port-au-Prince earthquake. In a Sun-Scorched Land is a story of dead-ends turned to miracles; of desperation turned to peace. Though your story may differ, this is the story of all our lives: reaching the end of ourselves to find that God alone is our hope and the mover of mountains.