Landscapes Of Accumulation

Over the past few decades, India has experienced a sudden and spectacular urban transformation. Gleaming business complexes encroach on fields and villages. Giant condominium communities offer gated security, indoor gyms, and pristine pools. Spacious, air-conditioned malls have sprung up alongside open-air markets. In Landscapes of Accumulation, Llerena Guiu Searle examines India’s booming developments and offers a nuanced ethnographic treatment of late capitalism. India’s land, she shows, is rapidly transforming from a site of agricultural and industrial production to an international financial resource. Drawing on intensive fieldwork with investors, developers, real estate agents, and others, Searle documents the new private sector partnerships and practices that are transforming India’s built environment, as well as widely shared stories of growth and development that themselves create self-fulfilling prophecies of success. As a result, India’s cities are becoming ever more inaccessible to the country’s poor. Landscapes of Accumulation will be a welcome contribution to the international study of neoliberalism, finance, and urban development and will be of particular interest to those studying rapid—and perhaps unsustainable—development across the Global South.

In this comparative, interdisciplinary study based on extensive fieldwork as well as historical sources, Janet Sturgeon examines the different trajectories of landscape change and land use among communities who call themselves Akha (known as Hani in China) in contrasting political contexts. She shows how, over the last century, processes of state formation, construction of ethnic identity, and regional security concerns have contributed to very different outcomes for Akha and their forests in China and Thailand, with Chinese Akha functioning as citizens and grain producers, and Akha in Thailand being viewed as "non-Thai" forest destroyers. The modern nation-state grapples with local power hierarchies on the periphery of the nation, with varied outcomes. Citizenship in China helps Akha better protect a fluid set of livelihood practices that confer benefits on them and their landscape. Denied such citizenship in Thailand, Akha are helpless when forests and other resources are ruthlessly claimed by the state. Drawing on current anthropological debates on the state in Southeast Asia and more generally on debates on property theory, states and minorities, and political ecology, Sturgeon shows how people live in a continuous state of negotiated boundaries - political, social, and ecological. This pioneering comparison of resource access and land use among historically related peoples in two nation-states will be welcomed by scholars of political ecology, environmental anthropology, ethnicity, and politics of state formation in East and Southeast Asia.

How are the far-away, invisible landscapes where materials come from related to the highly visible, urban landscapes where those same materials are installed? Reciprocal Landscapes: Stories of Material Movements traces five everyday landscape construction materials – fertilizer, stone, steel, trees, and wood – from seminal public landscapes in New York City, back to where they came from. Drawing from archival documents, photographs, and field trips, the author brings these two separate landscapes – the material’s source and the urban site where the material ended up – together, exploring themes of unequal ecological exchange, labor, and material flows. Each chapter follows a single material’s movement: guano from Peru that landed in Central Park in the 1860s, granite from Maine that paved Broadway in the 1890s, structural steel from Pittsburgh that restructured Riverside Park in the 1930s, London plane street trees grown on Rikers Island by incarcerated workers that were planted on Seventh Avenue north of Central Park in the 1950s, and the popular tropical hardwood, ipe, from northern Brazil installed in the High Line in the 2000s. Reciprocal Landscapes: Stories of Material Movements considers the social, political, and ecological entanglements of material practice, challenging readers to think of materials not as inert products but as continuous with land and the people that shape them, and to reimagine forms of construction in solidarity with people, other species, and landscapes elsewhere.

The book uses Athens as a case study to identify the key features of urban anti-poverty policies in Greece and to discuss them in relation to policy developments in the crisis-ridden countries of Southern Europe. The idea of contested landscapes shapes the focus of the book on urban poverty and homelessness. Contested landscapes refer to the complex dynamics between visible and invisible poverty and to competing strategies on how to address them. The book takes a path-dependent view on the development of post-welfare arrangements, devolution, and pluralism that are being shaped by both neoliberal mentality, solidarity and communitarian practices. The authors draw on their own research and advocacy background in New York and Athens to shape their conceptual and methodological tools; however, rather than uncritically ‘importing’ North American and North European concepts to Greece, the book highlights the significance of distinctive Mediterranean features for analysing homelessness and anti-poverty policies. This will be a useful read for academics policy makers in areas of urban studies, sociology, social policy, human geography and anthropology.

This is the only book to focus on the geomorphological landscapes of Canada West. It outlines the little-appreciated diversity of Canada’s landscapes, and the nature of the geomorphological landscape, which deserves wider publicity. Three of the most important geomorphological facts related to Canada are that 90% of its total area emerged from ice-sheet cover relatively recently, from a geological perspective; permafrost underlies 50% of its landmass and the country enjoys the benefits of having three oceans as its borders: the Arctic, Pacific and Atlantic oceans. Canada West is a land of extreme contrasts — from the rugged Cordillera to the wide open spaces of the Prairies; from the humid west-coast forests to the semi-desert in the interior of British Columbia and from the vast Mackenzie river system of the to small, steep, cascading streams on Vancouver Island. The thickest Canadian permafrost is found in the Yukon and extensive areas of the Cordillera are underlain by sporadic permafrost side-by-side with the never-glaciated plateaus of the Yukon. One of the curiosities of Canada West is the presence of volcanic landforms, extruded through the ice cover of the late Pleistocene and Holocene epochs, which have also left a strong imprint on the landscape. The Mackenzie and Fraser deltas provide the contrast of large river deltas, debouching respectively into the Arctic and Pacific oceans.

The Landscape of Industry is an integrated study which establishes a method for the analysis of complex industrial landscapes. Based on a study of the Ironbridge Gorge, the authors consider a range of material evidence, combining archaeological appraisal of the landscape with analysis of its characteristic settlement patterns and built forms. The authors consider the shifting relationship between landscape and industry. Industrialisation is itself shaped and constrained by the landscape in which it occurs, and the authors consider the interaction of environment and industry as the accumulation of an inheritance which in each generation influences the course and content of future development. The Landscape of Industry sets the agenda both for further study and for the integrated management of landscape resources.

From Francis Alÿs and Ursula Biemann to Vivan Sundaram, Allora & Calzadilla, and the Center for Urban Pedagogy, some of the most compelling artists today are engaging with the politics of land use, including the growth of the global economy, climate change, sustainability, Occupy movements, and the privatization of public space. Their work pivots around a set of evolving questions: In what ways is land, formed over the course of geological time, also contemporary and formed by the conditions of the present? How might art contribute to the expansion of spatial and environmental justice? Editors Emily Eliza Scott and Kirsten Swenson bring together a range of international voices and artworks to illuminate this critical mass of practices. One of the first comprehensive treatments of land use in contemporary art, Critical Landscapes skillfully surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena. This cross-disciplinary collection is destined to be an essential reference not only within the fields of art and art history, but also across those of cultural geography, architecture and urban planning, environmental history, and landscape studies.

Research volume on urban energy transition that will have wide interdisciplinary appeal to researchers in energy, urban and environmental studies.