Landscapes Of War In Greek And Roman Literature

In this volume, literary scholars and ancient historians from across the globe investigate the creation, manipulation and representation of ancient war landscapes in literature. Landscape can spark armed conflict, dictate its progress and influence the affective experience of its participants. At the same time, warfare transforms landscapes, both physically and in the way in which they are later perceived and experienced. Landscapes of War in Greek and Roman Literature breaks new ground in exploring Greco-Roman literary responses to this complex interrelationship. Drawing on current ideas in cognitive theory, memory studies, ecocriticism and other fields, its individual chapters engage with such questions as: how did the Greeks and Romans represent the effects of war on the natural world? What distinctions did they see between spaces of war and other landscapes? How did they encode different experiences of war in literary representations of landscape? How was memory tied to landscape in wartime or its aftermath? And in what ways did ancient war landscapes shape modern experiences and representations of war? In four sections, contributors explore combatants' perception and experience of war landscapes, the relationship between war and the natural world, symbolic and actual forms of territorial control in a military context, and war landscapes as spaces of memory. Several contributions focus especially on modern intersections of war, landscape and the classical past.

The Hellenistic age witnessed a dynamic increase of cultural fusion and entanglement across the Mediterranean and Eurasian worlds. Amid seismic changes in the world writ large, the regions of central Greece and the Peloponnese have often been considered a cultural space left behind. Localism in Hellenistic Greece explores how various processes impacted the countless small-scale, local communities of the Greek mainland. Drawing on notions of locality, localism, local tradition, and boundedness in place, Sheila L. Ager and Hans Beck delve into some of the main hubs of Hellenistic Greece, from Thessaly to Cape Tainaron. Along with their contributors, they explore how polis and ethnos societies positioned themselves in a swiftly expanding horizon and the meaning-making force of the local. The book reveals how local discourses were energized by local sentiments and, much like an echo chamber, how discourses related back to the community and the place it occupied, prioritizing the local as the critical source of communal orientation. Engaging with debates about cultural connectivity and convergence, Localism in Hellenistic Greece offers new insights into lived experience in ancient Greece.

In the ancient Mediterranean world, the sea was an essential domain for trade, cultural exchange, communication, exploration, and colonisation. In tandem with the lived reality of this maritime space, a parallel experience of the sea emerged in narrative representations from ancient Greece and Rome, of the sea as a cultural imaginary. This imaginary seems often to oscillate between two extremes: the utopian and the catastrophic; such representations can be found in narratives from ancient history, philosophy, society, and literature, as well as in their post-classical receptions. Utopia can be found in some imaginary island paradise far away and across the distant sea; the sea can hold an unknown, mysterious, divine wealth below its surface; and the sea itself as a powerful watery body can hold a liberating potential. The utopian quality of the sea and seafaring can become a powerful metaphor for articulating political notions of the ideal state or for expressing an individual’s sense of hope and subjectivity. Yet the catastrophic sea balances any perfective imaginings: the sea threatens coastal inhabitants with floods, tsunamis, and earthquakes and sailors with storms and the accompanying monsters. From symbolic perspectives, the catastrophic sea represents violence, instability, the savage, and even cosmological chaos. The twelve papers in this volume explore the themes of utopia and catastrophe in the liminal environment of the sea, through the lens of history, philosophy, literature and classical reception. Contributors: Manuel Álvarez-Martí-Aguilar, Vilius Bartninkas, Aaron L. Beek, Ross Clare, Gabriele Cornelli, Isaia Crosson, Ryan Denson, Rhiannon Easterbrook, Emilia Mataix Ferrándiz, Georgia L. Irby, Simona Martorana, Guy Middleton, Hamish Williams.

Valuing Landscape explores how physical environments affected the cultural imagination of Greco-Roman Antiquity. It demonstrates the values attached to mountains, the underworld, sacred landscapes, and battlefields, and the evaluations of locale connected with migration, exile, and travel.

“A detailed, insightful survey of Greek warfare” with illustrations and “many well-informed and highly perceptive observations” (Choice). In this book, historian and archaeologist Simon Elliott considers the different fighting styles of Greek armies and discusses how Greek battles unfolded. Covering every aspect of warfare in the Ancient Greek world from the beginnings of Greek civilization to its assimilation into the ever-expanding world of Rome, it begins with the onset of Minoan culture on Crete around 2000 BC, then covers the arrival of the Mycenaean civilization and the ensuing Late Bronze Age Collapse before moving on to Dark Age and Archaic Greece. This sets the scene for the flowering of Classical Greek civilization, as told through detailed narratives of the Greek and Persian Wars, the Peloponnesian Wars, and the rise of Thebes as a major power. The book then moves on to Macedonian domination under Philip II, before focusing on the exploits of his son Alexander the Great, the all-conquering hero of the ancient world. His legacy was the Hellenistic world with its multiple, never-ending series of conflicts that took place over a huge territory, ranging from Italy in the west all the way to India in the east. Topics covered include the various Wars of the Successors, the rise of the Bactrian-Greek and Indo-Greek kingdoms, the wars between the Antigonid Macedonian, Seleucid, and Ptolemaic kingdoms, and later the clash of cultures between the rising power of Rome in the west and the Hellenistic kingdoms. In the long run the latter proved unable to match Rome’s insatiable desire for conquest in the eastern Mediterranean, and this together with the rise of Parthia in the east ensured that one by one the Hellenistic kingdoms and states fell. The book ends with the destruction of Corinth in 146 BC after the defeat by Rome of the Achaean League—and concludes by considering the legacy of the Ancient Greeks in the Roman world, and subsequently. “A comprehensive survey, smoothly written by an expert popularizer of ancient history. A tour de force.” —NYMAS Review

A study of the Greek mythological wars between Olympians, Titans, giants, centaurs, lapiths and humans, and their significant influence on later cultures. Even though war and conflict generally feature prominently in Greek mythology, comparatively little has been written on the subject. This is surprising because wars and battles in Greek mythology are freighted with symbolism and laden with meaning and significance—historical, political, social and cultural. The gods and goddesses of war are prominent members of the Greek pantheon: the battles fought by and between Olympians, Titans, giants and Amazons, between centaurs and lapiths, were pivotal in Greek civilization. The Trojan War itself had huge and far-reaching consequences for subsequent Greek culture. The ubiquity of war themes in the Greek myths reflects the prominence of war in everyday Greek life and society, which makes the relative obscurity of published literature all the more puzzling. This book redresses this by showing how conflict in mythology and legend resonated loudly as essential, existentialist even, symbols in Greek culture and how they are represented in classical literature, philosophy, religion, feminism, art, statuary, ceramics, architecture, numismatics, etymology, astronomy, even vulcanology. Praise for War in Greek Mythology “An excellent study of the more military of the Greek myths, telling the stories while also acknowledging the many different versions of so many of them, and also the varying attitudes of the ancient Greeks to these stories.” —History of War

The role of warfare is central to our understanding of the ancient Greek world. In this book and the companion work, War and Society in the Roman World, the wider social context of war is explored. This volume examines its impact on Greek society from Homeric times to the age of Alexander and his successors and discusses the significance of the causes and profits of war, the links between war, piracy and slavery, and trade, and the ideology of warfare in literature and sculpture.

A look at how warfare affected—and was affected by—women in ancient times. Although the conduct of war was generally monopolized by men in the Greco-Roman world, there were plenty of exceptions, with women directly involved in its direction and even as combatants—Artemisia, Olympias, Cleopatra, and Agrippina the Elder being famous examples. And both Greeks and Romans encountered women among their barbarian enemies, such as Tomyris, Boudicca, and Zenobia. More commonly, of course, women were directly affected as noncombatant victims of rape and enslavement as spoils of war, and this makes up an important strand of the author’s discussion. The portrayal of female warriors and goddesses in classical mythology and literature, and the use of war to justify gender roles and hierarchies, are also considered. Overall, this is a landmark survey of women’s role in, and experience of, war in the Classical world.