Last Girl Standing

New York Times bestselling Sisters of Suspense join forces for a gripping standalone novel about a clique of popular girls whose high school friendship is marked by a tragedy that continues to haunt them decades later. Jackson and Bush take the reader’s hand and twist them through this shocking tale of suspense. “An increasingly tense race to find who’s doing the killing—and who’s going to survive.” —The Oregonian First they were five. Then they were four. Whose turn will it be next? At Bristol High they were an elite clique known as the Five Firsts: Amanda, Bailey, Carmen, Delta and Zora . . . ABCD & Z. They could have accepted their classmate, Emmy, as "E", but with her bookish disposition and her embarrassing status of scholarship student to boot, they rejected her and chose wealthy Zora instead. At a pre-graduation party just before the end of senior year, Lance Ventura, the hottest guy in school, falls down an embankment toward the river and is barely rescued in time to save his life. One of the Five Firsts, Carman, rushes to save him, but isn't so lucky. Her sudden death causes a community to mourn and rumors of foul play to swirl, but the tragedy is ruled an accident. Fast forward ten years and the classmates all meet again at the high school reunion. Some of them have had good fortune in their lives. Others, not so much. PRAISE FOR LISA JACKSON AND NANCY BUSH “Superb . . . a masterpiece of romantic suspense.” —Publishers Weekly (starred review) on Something Wicked “A chilling thriller with enough false leads to keep readers enthralled to the finish.” —Library Journal on One Last Breath

Born on the cusp of WWII in 1938, at a time when other little girls dreamed of being nurses and secretaries, Trina Robbins’s ambition was to be a bohemian; and indeed she did. She chronicles a life of sex, drugs, rock ’n’ roll — and comics — in Last Girl Standing. Robbins describes her upbringing in Queens, New York, reading comics through her childhood in the 1940s; visiting the EC offices and becoming part of SF fandom (dating Harlan Ellison at age 16); and posing nude for men’s magazines in the 1950s; living in the Village, over her own boutique where she made clothes for and interacted with rock royalty like David Crosby, Donovan, Cass Elliot; her close relationship with Paul Williams; entering the orbit of underground cartoonists like Art Spiegelman, R. Crumb, Vaughn Bodé, and Bill Griffith, when she started contributing comics to The East Village Other; and, in the ’70s, moving to San Francisco, contending with the phallocentric underground scene, marrying Kim Deitch, co-founding Wimmen’s Comix, and being invited into Felch Comics (she declined); her work for the National Lampoon, Marvel Comics, and Eclipse in the 1980s; and her crisis as a cartoonist and transformation into an historian and lecturer in the ’90s and 2000s. From science fiction to the Sunset Strip, from New York’s underground newspapers to San Francisco’s underground comix: Trina Robbins broke the rules and broke the law. From dressing Mama Cass to being pelted with jelly babies as she helped photograph the Rolling Stones’s first US tour, from drunken New York nights spent with Jim Morrison to producing the very first all-woman comic book, this former Lady of the Canyon takes no prisoners in this heavily illustrated memoir.

In this queer YA psychological thriller from the author of Some Girls Do, perfect for fans of One of Us is Lying and A Good Girl’s Guide to Murder, the sole surviving counselors of a summer camp massacre search to uncover the truth of what happened that fateful night, but what they find out might just get them killed. “Shocking, captivating, and utterly chilling. A delicious thriller that will have you tearing through pages to get to the end, where you won’t be disappointed.” —Jessica Goodman, bestselling author of They Wish They Were Us Sloan and Cherry. Cherry and Sloan. They met only a few days before masked men with machetes attacked the summer camp where they worked, a massacre that left the rest of their fellow counselors dead. Now, months later, the two are inseparable, their traumatic experience bonding them in ways no one else can understand. But as new evidence comes to light and Sloan learns more about the motives behind the ritual killing that brought them together, she begins to suspect that her girlfriend may be more than just a survivor—she may actually have been a part of it. Cherry tries to reassure her, but Sloan only becomes more distraught. Is this gaslighting or reality? Is Cherry a victim or a perpetrator? Is Sloan confused, or is she seeing things clearly for the very first time? Against all odds, Sloan survived that hot summer night. But will she survive what comes next?

The best of friends . . . In the Portland suburb of West Knoll, Delta and her friends were the pretty, popular elite of the high school. That was fifteen years and a whole lifetime ago. Even then, backstabbing and betrayal erupted among the women in the group, a trio of which are now gathered around a hospital bed. And most of it revolved around the man lying close to death before them . . .

A complete narrative history of the weird and wonderful world of Underground Comix! In the 1950s, comics meant POW! BAM! superheroes, family-friendly gags, and Sunday funnies, but in the 1960s, inspired by these strips and the satire of MAD magazine, a new generation of creators set out to subvert the medium, and with it, American culture. Their “comix,” spelled that way to distinguish the work from their dime-store contemporaries, presented tales of taboo sex, casual drug use, and a transgressive view of society. Embraced by hippies and legions of future creatives, this subgenre of comic books and strips often ran afoul of the law, but that would not stop them from casting cultural ripples for decades to come, eventually moving the entire comics form beyond the gutter and into fine-art galleries. Author Brian Doherty weaves together the stories of R. Crumb, Art Spiegelman, Trina Robbins, Spain Rodriguez, Harvey Pekar, and Howard Cruse, among many others, detailing the complete narrative history of this movement. Through dozens of new interviews and archival research, Doherty chronicles the scenes that sprang up around the country in the 1960s and ’70s, beginning with the artists’ origin stories and following them through success and strife, and concluding with an examination of these creators’ legacies, Dirty Pictures is the essential exploration of a truly American art form that recontextualized the way people thought about war, race, sex, gender, and expression.

Player. Jock. Slacker. Competitor. Superhero. Goofball. Boys are besieged by images in the media that encourage slacking over studying; competition over teamwork; power over empower - ment; and being cool over being yourself. From cartoons to video games, boys are bombarded with stereotypes about what it means to be a boy, including messages about violence, risktaking, and perfecting an image of just not caring. Straight from the mouths of over 600 boys surveyed from across the U.S., the authors offer parents a long, hard look at what boys are watch ing, reading, hearing, and doing. They give parents advice on how to talk with their sons about these troubling images and provide them with tools to help their sons resist these mes sages and be their unique selves.

A SUMMER CAMP. AN UNDEAD KILLER. A FINAL GIRL. YOU MIGHT THINK YOU KNOW THIS STORY. THINK AGAIN... A group of teenagers work as camp counsellors at a recently reopened summer camp. A camp that hides a sinister secret. It's home to an undead killer. A monster that picks them off one by one, until there's only one girl left standing. For Ellie Cartwright, that's not how the story ends. That's how it begins. Because Ellie's not the only girl to have faced evil and survived. There are others. And now, they've sworn to protect those in danger. They've sworn to fight back against the creatures that lurk in the darkness. They are the Last Girls Standing. And Ellie's journey is just getting started... SURVIVING WAS JUST THE BEGINNING...