Last Light

NOW A MAJOR TV SERIES A terrifying apocalyptic thriller from the one of the brightest stars of the genre... 'Chillingly plausible' DAILY TELEGRAPH It seems to be a very normal Monday morning. But in the space of only a few days, the world's oil supplies have been severed and at a horrifying pace things begin to unravel everywhere. And this is no natural disaster: someone is behind this. Jenny is stuck in Manchester, fighting desperately against the rising chaos to get back to London, where her children are marooned as events begin to spiral out of control: riots, raging fires, looting, rape and murder. In the space of a week, London is transformed into a lawless and anarchic vision of hell. Jenny's estranged husband, oil engineer Andy Sutherland, is stranded in Iraq with a company of British soldiers, desperate to find a way home to his family, trapped as transport links and the very infrastructure of daily life begin to collapse around him. And against all this, a mysterious man is tracking Andy's family. He'll silence anyone who might be able to reveal the identities of those behind this global disaster. It seems that the same people who now have a stranglehold on the future of civilisation have flexed their muscles before, at other significant tipping points in history, and they are prepared to do anything to keep their secret - and their power - safe.

It only took four years for the world to fall apart. Now the last member of my family has died, and I'm forced to travel across what's left of three states to find the only people I know left alive. To survive, I'll have to salvage food and supplies and try to avoid violent men who've learned they can take what they want by force. The only way I'm going to make it is by trusting Travis. Travis used to fix my car, and now he's all I have left in the world. He's gruff and stoic and unfriendly, and I don't really know or like him. But he's all I have left. He'll keep me safe. We'll take care of each other. Until we reach what's left of our town and can finally let go of one another. Last Light is a standalone post-apocalyptic romance set in the near future after a global catastrophe.

From the author of the critically acclaimed, prizewinning and internationally bestselling The Colony of Unrequited Dreams comes an epic family mystery with a powerful, surprise ending, which features the return of the ever-fascinating Sheilagh Fielding, one of the most memorable characters in fiction. Ned Vatcher, only 14, ambles home from school in the chill hush that precedes the first storm of the winter of 1936 to find the house locked, the family car missing, and his parents gone without a trace. From that point on, his life is driven by the need to find out what happened to the Vanished Vatchers. His father, Edgar, born to a poor family of fishermen, had risen to become the right-hand man to the colony's prime minister, then suffered an unexpected fall from grace. Were he and his wife murdered? Was it suicide? Had they run away? If so, why had they left their only child behind? Ned soon finds himself enmeshed in another family, that of his missing father and the poverty from which the man somehow escaped. His grandparents, Nan and Reg, his Uncle Cyril and others, are themselves haunted by the inexplicable disappearance of a third Vatcher, a young man who was lost at sea on a calm and sunny day years earlier. Two other people loom large as Ned becomes Newfoundland's first media mogul, building an empire to insulate him from loss: a Jesuit priest named Father Duggan, and Sheilagh Fielding, a boozy giantess who, while wandering the city streets at night, composes satiric columns that scandalize the rich and powerful. In Ned, Fielding sees a surrogate for her two lost children, the secret that dogs her life, while Ned believes the enigmatic Fielding to be his soulmate. The novel builds to a spectacular resolution of the mystery of all the Vanished Vatchers. Only Wayne Johnston could create such larger-than-life, mythic characters embroiled in events that leave us contemplating not only their tragedies and triumphs, but the forces that compel us all to act in ways that surprise and sometimes terrify us.

One of the nation’s top art critics shows how six great artists made old age a time of triumph by producing the greatest work of their long careers—and, in some cases, changing the course of art history. Ordinarily, we think of young artists as the bomb throwers. Monet and Renoir were still in their twenties when they embarked on what would soon be called Impressionism, as were Picasso and Braque when they ventured into Cubism. But your sixties and the decades that follow can be no less liberating if they too bring the confidence to attempt new things. Young artists may experiment because they have nothing to lose; older ones because they have nothing to fear. With their legacies secure, they’re free to reinvent themselves…sometimes with revolutionary results. Titian’s late style offered a way for pigment itself—not just the things it depicted—to express feelings on the canvas, foreshadowing Rubens, Frans Hals, 19th-century Impressionists, and 20th-century Expressionists. Goya’s late work enlarged the psychological territory that artists could enter. Monet’s late waterlily paintings were eventually recognized as prophetic for the centerless, diaphanous space developed after World War II by abstract expressionists like Jackson Pollock and Phillip Guston. In his seventies, Matisse began to produce some of the most joyful art of the 20th century, especially his famous cutouts that brought an ancient craft into the realm of High Modernism. Hopper, the ultimate realist, used old age on occasion to depart into the surreal. And Nevelson, the patron saint of late bloomers, pioneered a new kind of sculpture: wall-sized wooden assemblages made from odds and ends she scavenged from the streets of Manhattan. Though these six artists differed in many respects, they shared one thing: a determination to go on creating, driven not by the bounding energies of youth but by the ticking clock that would inspire them to produce some of their greatest masterpieces.

#1 NEW YORK TIMES BESTSELLER The magnificent conclusion to Rick Atkinson's acclaimed Liberation Trilogy about the Allied triumph in Europe during World War II It is the twentieth century's unrivaled epic: at a staggering price, the United States and its allies liberated Europe and vanquished Hitler. In the first two volumes of his bestselling Liberation Trilogy, Rick Atkinson recounted how the American-led coalition fought through North Africa and Italy to the threshold of victory. Now, in The Guns at Last Light, he tells the most dramatic story of all—the titanic battle for Western Europe. D-Day marked the commencement of the final campaign of the European war, and Atkinson's riveting account of that bold gamble sets the pace for the masterly narrative that follows. The brutal fight in Normandy, the liberation of Paris, the disaster that was Operation Market Garden, the horrific Battle of the Bulge, and finally the thrust to the heart of the Third Reich—all these historic events and more come alive with a wealth of new material and a mesmerizing cast of characters. Atkinson tells the tale from the perspective of participants at every level, from presidents and generals to war-weary lieutenants and terrified teenage riflemen. When Germany at last surrenders, we understand anew both the devastating cost of this global conflagration and the enormous effort required to win the Allied victory. With the stirring final volume of this monumental trilogy, Atkinson's accomplishment is manifest. He has produced the definitive chronicle of the war that unshackled a continent and preserved freedom in the West. One of The Washington Post's Top 10 Books of the Year A Kirkus Reviews Best Nonfiction Book of 2013

Neither day nor night, twilight has long exerted a fascination for Western artists, thinkers, and writers, while haunting the Romantics and intriguing philosophers and scientists. In The Last of the Light, Peter Davidson takes readers through our culture’s long engagement with the concept of twilight—from the melancholy of smoky English autumn evenings to the midnight sun of northern European summers and beyond. Taking in poets and painters, Victorians and Romans, city and countryside, and deftly combining memoir, literature, philosophy, and art history, Davidson shows how the atmospheric shadows and the in-between nature of twilight has fired the imagination and generated works of incredible beauty, mystery, and romance. Ambitious and brilliantly executed, this is the perfect book for the bedside table, richly rewarding and endlessly thought-provoking.

The first installment in a thrilling series in which a global catastrophe puts a family’s survival at risk—and both reveals the darkness in human hearts and lights the way to restoration. Birmingham, Alabama, has lost all power. Its streets are jammed with cars that won’t start and its airport is engulfed in flames from burning planes. All communications—cell phones, computers, even radios—are silent. Every home and business is dark. Is it a natural disaster, a terrorist attack, or something far worse? In the face of a crisis that sweeps an entire high-tech planet back to a time before electricity, the Branning family faces a choice. Will they hoard their possessions in order to survive—or trust God to provide as they share their resources with those around them? Yesterday’s world is gone. Family and community are all that remain. And the outage is revealing the worst in some. Desperation can be dangerous—especially when a killer lives among them. Full-length suspense novel The exciting first book in the Restoration series: Book 1: Last Light Book 2: Night Light Book 3: True Light Book 4: Dawn’s Light Includes a note from the author and discussion questions for book clubs

From bestselling author Dean Koontz comes an eBook original novella, the first of two tales that pave the way for Ashley Bell, his new novel of dark suspense! A woman with a good heart and a troubling gift. A man with a twisted soul and a terrifying talent. In this literal war of wills, only one can survive. With just a touch, Makani Hisoka-O’Brien can see the deepest secrets that others conceal—and it frightens her. There’s danger in the terrible knowledge that floods her mind and haunts her conscience. With just a touch, Rainer Sparks can learn the biggest problems that others bear—and it thrills him. There’s profit to be made making problems go away, by any means . . . including murder. In a place as big as Southern California, these two might have never met and discovered one another’s chilling abilities. But good and evil have a way of colliding . . . with shattering consequences. Acclaim for Dean Koontz “Dean Koontz is a prose stylist whose lyricism heightens malevolence and tension. [He creates] characters of unusual richness and depth . . . with a level of perception and sensitivity that is not merely convincing; it’s astonishing.”—The Seattle Times “Demanding much of itself, Koontz’s style bleaches out clichés while showing a genius for details. He leaves his competitors buried in the dust.”—Kirkus Reviews “A rarity among bestselling writers, Koontz continues to pursue new ways of telling stories, never content with repeating himself.”—Chicago Sun-Times “Tumbling, hallucinogenic prose. ‘Serious’ writers . . . might do well to examine his technique.”—The New York Times Book Review “[Koontz] has always had near-Dickensian powers of description, and an ability to yank us from one page to the next that few novelists can match.”—Los Angeles Times “Koontz is a superb plotter and wordsmith. He chronicles the hopes and fears of our time in broad strokes and fine detail, using popular fiction to explore the human condition.”—USA Today “Characters and the search for meaning, exquisitely crafted, are the soul of [Koontz’s] work. . . . One of the master storytellers of this or any age.”—The Tampa Tribune “A literary juggler.”—The Times (London)