Last Seasons In Havana

2020 SABR Baseball Research Award Last Seasons in Havana explores the intersection between Cuba and America’s pastime from the late 1950s to the early 1960s, when Fidel Castro overthrew Cuban dictator Fulgencio Batista. César Brioso takes the reader through the triumph of the revolution in 1959 and its impact on professional baseball in the seasons immediately following Castro’s rise to power. Baseball in pre?Castro Cuba was enjoying a golden age. The Cuban League, which had been founded in 1878, just two years after the formation of the National League, was thriving under the auspices of organized baseball. Throughout the first half of the twentieth century, players from the Major Leagues, Minor Leagues, and Negro Leagues had come to Cuba to play in the country’s wholly integrated winter baseball league. Cuban teams had come to dominate the annual Caribbean Series tournament, and Havana had joined the highest levels of Minor League Baseball, fielding the Havana Sugar Kings of the Class AAA International League. Confidence was high that Havana might one day have a Major League team of its own. But professional baseball became one of the many victims of Castro’s Communist revolution. American players stopped participating in the Cuban League, and Cuban teams moved to an amateur, state?sponsored model. Focusing on the final three seasons of the Cuban League (1958–61) and the final two seasons of the Havana Sugar Kings (1959–60), Last Seasons in Havana explores how Castro’s rise to power forever altered Cuba and the course of a sport that had become ingrained in the island’s culture over the course of almost a century.

2020 SABR Baseball Research Award Last Seasons in Havana explores the intersection between Cuba and America’s pastime from the late 1950s to the early 1960s, when Fidel Castro overthrew Cuban dictator Fulgencio Batista. César Brioso takes the reader through the triumph of the revolution in 1959 and its impact on professional baseball in the seasons immediately following Castro’s rise to power. Baseball in pre?Castro Cuba was enjoying a golden age. The Cuban League, which had been founded in 1878, just two years after the formation of the National League, was thriving under the auspices of organized baseball. Throughout the first half of the twentieth century, players from the Major Leagues, Minor Leagues, and Negro Leagues had come to Cuba to play in the country’s wholly integrated winter baseball league. Cuban teams had come to dominate the annual Caribbean Series tournament, and Havana had joined the highest levels of Minor League Baseball, fielding the Havana Sugar Kings of the Class AAA International League. Confidence was high that Havana might one day have a Major League team of its own. But professional baseball became one of the many victims of Castro’s Communist revolution. American players stopped participating in the Cuban League, and Cuban teams moved to an amateur, state?sponsored model. Focusing on the final three seasons of the Cuban League (1958–61) and the final two seasons of the Havana Sugar Kings (1959–60), Last Seasons in Havana explores how Castro’s rise to power forever altered Cuba and the course of a sport that had become ingrained in the island’s culture over the course of almost a century.

2020 SABR Baseball Research Award Last Seasons in Havana explores the intersection between Cuba and America's pastime from the late 1950s to the early 1960s, when Fidel Castro overthrew Cuban dictator Fulgencio Batista. César Brioso takes the reader through the triumph of the revolution in 1959 and its impact on professional baseball in the seasons immediately following Castro's rise to power. Baseball in pre?Castro Cuba was enjoying a golden age. The Cuban League, which had been founded in 1878, just two years after the formation of the National League, was thriving under the auspices of organized baseball. Throughout the first half of the twentieth century, players from the Major Leagues, Minor Leagues, and Negro Leagues had come to Cuba to play in the country's wholly integrated winter baseball league. Cuban teams had come to dominate the annual Caribbean Series tournament, and Havana had joined the highest levels of Minor League Baseball, fielding the Havana Sugar Kings of the Class AAA International League. Confidence was high that Havana might one day have a Major League team of its own. But professional baseball became one of the many victims of Castro's Communist revolution. American players stopped participating in the Cuban League, and Cuban teams moved to an amateur, state?sponsored model. Focusing on the final three seasons of the Cuban League (1958-61) and the final two seasons of the Havana Sugar Kings (1959-60), Last Seasons in Havana explores how Castro's rise to power forever altered Cuba and the course of a sport that had become ingrained in the island's culture over the course of almost a century.

A captivating history of the baseball reformers and revolutionaries who challenged their sport and society—and in turn helped change America. Athletes have often used their platform to respond to and protest injustices, from Muhammad Ali and Colin Kaepernick to Billie Jean King and Megan Rapinoe. Compared to their counterparts, baseball players have often been more cautious about speaking out on controversial issues; but throughout the sport’s history, there have been many players who were willing to stand up and fight for what was right. In Major League Rebels: Baseball Battles over Workers' Rights and American Empire, Robert Elias and Peter Dreier reveal a little-known yet important history of rebellion among professional ballplayers. These reformers took inspiration from the country’s dissenters and progressive movements, speaking and acting against abuses within their profession and their country. Elias and Dreier profile the courageous players who demanded better working conditions, battled against corporate power, and challenged America’s unjust wars, imperialism, and foreign policies, resisting the brash patriotism that many link with the “national pastime.” American history can be seen as an ongoing battle over wealth and income inequality, corporate power versus workers’ rights, what it means to be a “patriotic” American, and the role of the United States outside its borders. For over 100 years, baseball activists have challenged the status quo, contributing to the kind of dissent that creates a more humane society. Major League Rebels tells their inspiring stories.

A novel about the murder of a Russian man in Cuba.

A memoir by the mustachioed baseball pitcher who went playing rocky, trash-ridden fields in Castro’s Cuba to becoming a Boston Red Sox legend. Luis Tiant is one of the most charismatic and accomplished players in Boston Red Sox and Major League Baseball history. With a barrel-chested physique and a Fu Manchu mustache, Tiant may not have looked like the lean, sculpted aces he usually played against, but nobody was a tougher competitor on the diamond, and few were as successful. There may be no more qualified twentieth-century pitcher not yet enshrined in the National Baseball Hall of Fame. His big-league dreams came at a price: racism in the Deep South and the Boston suburbs, and nearly fifteen years separated from a family held captive in Castro’s Cuba. But baseball also delivered World Series stardom and a heroic return to his island home after close to a half-century of forced exile. The man whose name—“El Tiante” —became a Fenway Park battle cry has never fully shared his tale in his own words, until now. In Son of Havana, Tiant puts his heart on his sleeve and describes his road from torn-up fields in Havana to the pristine lawns of major league ballparks. Readers will share Tiant’s pride when appeals by a pair of US senators to baseball-fanatic Castro secure freedom for Luis’s parents to fly to Boston and witness the 1975 World Series glory of their child. And readers will join the big-league ballplayers for their spring 2016 exhibition game in Havana, when Tiant—a living link to the earliest, scariest days of the Castro regime—threw out the first pitch.

Expertly researched and deftly reported, Dateline Havana is a probing exposé of U.S. policy and the future of Cuba on the occasion of the 50th anniversary of the Cuban Revolution. Covering art, music, and Cuban politics, Reese Erlich creates a tableau that is at once moving and informative.