Late Nights On Air

The Scotiabank Giller Prize–winning novel from Elizabeth Hay. Harry Boyd, a hard-bitten refugee from failure in Toronto television, has returned to a small radio station in the Canadian North. There, in Yellowknife, in the summer of 1975, he falls in love with a voice on air, though the real woman, Dido Paris, is both a surprise and even more than he imagined. Dido and Harry are part of the cast of eccentric, utterly loveable characters, all transplants from elsewhere, who form an unlikely group at the station. Their loves and longings, their rivalries and entanglements, the stories of their pasts and what brought each of them to the North, form the centre. One summer, on a canoe trip four of them make into the Arctic wilderness (following in the steps of the legendary Englishman John Hornby, who, along with his small party, starved to death in the barrens in 1927), they find the balance of love shifting, much as the balance of power in the North is being changed by the proposed Mackenzie Valley gas pipeline, which threatens to displace Native people from their land. With unforgettable characters, vividly evoked settings, in this award–winning novel, Hay brings to bear her skewering intelligence into the frailties of the human heart and her ability to tell a spellbinding story. Written in gorgeous prose, laced with dark humour, Late Nights on Air is Hay’s most seductive and accomplished novel yet.

The Giller Prize–winning novel from the #1 bestselling author of All Things Consoled. “A pleasure from start to finish” (Toronto Star). It’s 1975 when beautiful Dido Paris arrives at the radio station in Yellowknife, a frontier town in the Canadian north. She disarms hard–bitten broadcaster Harry Boyd and electrifies the station, setting into motion rivalries both professional and sexual. As the drama at the station unfolds, a proposed gas pipeline threatens to rip open the land and inspires many people to find their voices for the first time. This is the moment before television conquers the north’s attention, when the fate of the Arctic hangs in the balance. After the snow melts, members of the radio station take a long canoe trip into the Barrens, a mysterious landscape of lingering ice and infinite light that exposes them to all the dangers of the ever–changing air. Spare, witty, and dynamically charged, this compelling tale embodies the power of a place and of the human voice to generate love and haunt the memory. “Hay’s writing is so alluring and her lost souls so endearing that you’ll lean in to catch the story’s delicate developments as these characters shuffle along through quiet desperation and yearning.” —The Washington Post “Hay’s spare, nuanced writing reflects the landscape of northern Canada . . . The novel unfolds as a long, lovely examination of how we learn to see ourselves in the places we choose to live.” —The Associated Press

The Giller Prize–winning novel from the #1 bestselling author of All Things Consoled. “A pleasure from start to finish” (Toronto Star). It’s 1975 when beautiful Dido Paris arrives at the radio station in Yellowknife, a frontier town in the Canadian north. She disarms hard–bitten broadcaster Harry Boyd and electrifies the station, setting into motion rivalries both professional and sexual. As the drama at the station unfolds, a proposed gas pipeline threatens to rip open the land and inspires many people to find their voices for the first time. This is the moment before television conquers the north’s attention, when the fate of the Arctic hangs in the balance. After the snow melts, members of the radio station take a long canoe trip into the Barrens, a mysterious landscape of lingering ice and infinite light that exposes them to all the dangers of the ever–changing air. Spare, witty, and dynamically charged, this compelling tale embodies the power of a place and of the human voice to generate love and haunt the memory. “Hay’s writing is so alluring and her lost souls so endearing that you’ll lean in to catch the story’s delicate developments as these characters shuffle along through quiet desperation and yearning.” —The Washington Post “Hay’s spare, nuanced writing reflects the landscape of northern Canada . . . The novel unfolds as a long, lovely examination of how we learn to see ourselves in the places we choose to live.” —The Associated Press

From Elizabeth Hay, one of Canada's beloved novelists, comes a startling and beautiful memoir about the drama of her parents' end, and the longer drama of being their daughter. Winner of the 2018 Hilary Weston Writers' Trust Prize for Nonficiton. Jean and Gordon Hay were a colourful, formidable pair. Jean, a late-blooming artist with a marvellous sense of humour, was superlatively frugal; nothing got wasted, not even maggoty soup. Gordon was a proud and ambitious schoolteacher with a terrifying temper, a deep streak of melancholy, and a devotion to flowers, cars, words, and his wife. As old age collides with the tragedy of living too long, these once ferociously independent parents become increasingly dependent on Lizzie, the so-called difficult child. By looking after them in their final decline, she hopes to prove that she can be a good daughter after all. In this courageous memoir, written with tough-minded candour, tenderness, and wit, Elizabeth Hay lays bare the exquisite agony of a family's dynamics--entrenched favouritism, sibling rivalries, grievances that last for decades, genuine admiration, and enduring love. In the end, she reaches a more complete understanding of the most unforgettable characters she will ever know, the vivid giants in her life who were her parents.

From some accidents of love and weather we never quite recover. At the worst of the Prairie dust bowl of the 1930s, a young man appears out of a blizzard and forever alters the lives of two sisters. There is the beautiful, fastidious Lucinda, and the tricky and tenacious Norma Joyce, at first a strange, self-possessed child, later a woman who learns something of self-forgiveness and of the redemptive nature of art. Their rivalry sets the stage for all that follows in a narrative spanning over thirty years, beginning in Saskatchewan and moving, in the decades following the war, to Ottawa and New York City. Disarming, vividly told, unforgettable, this is a story about the mistakes we make that never go away, about how the things we want to keep vanish and the things we want to lose return to haunt us.

This is a novel about movie love. Set in Ottawa in the 1990s, it is the quixotic tale of tall, thin Harriet Browning, inflamed by the movies she was deprived of as a child. Harriet is a woman so saturated with the movies, seen repeatedly and swallowed whole, that she no longer fits into this world. Bent on seeing everything she has missed, she forms a Friday night movie club with three companions-of-the-screen: a boy who loves Frank Sinatra, a girl with Bette Davis eyes, and an earthy sidekick named Dinah for Dinah Shore. Breaking in upon this quiet backwater, in time with the devastating ice storm of 1998, come two refugees from Hollywood, the faded widow of a famous screenwriter and her movie-expert stepson. They are Harsh Reality. With them come blackouts, arguments, accidents, illness and sudden death. But what chance does real life stand when we can watch movies instead? What hope does real love have when movie love, in all its brief intensity, is an easy option? In this comedy of secondhand desire, movies and movie lovers come first.

Starting with something as simple as a boy who wants a dog, His Whole Life takes us into a richly intimate world where everything that matters to him is at risk: family, nature, home. At the outset ten-year-old Jim and his Canadian mother and American father are on a journey from New York City to a lake in eastern Ontario during the last hot days of August. What unfolds is a completely enveloping story that spans a few pivotal years of his youth. Moving from city to country, summer to winter, wellbeing to illness, the novel charts the deepening bond between mother and son even as the family comes apart. Set in the mid-1990s, when Quebec is on the verge of leaving Canada, this captivating novel is an unconventional coming of age story as only Elizabeth Hay could tell it. It draws readers in with its warmth, wisdom, its vivid sense of place, its searching honesty, and nuanced portrait of the lives of one family and those closest to it. Hay explores the mystery of how members of a family can hurt each other so deeply, and remember those hurts in such detail, yet find openings that shock them with love and forgiveness. This is vintage Elizabeth Hay at the height of her powers.

In a small prairie school in 1929, Connie Flood helps a backward student, Michael Graves, learn how to read. Observing them and darkening their lives is the principal, Parley Burns, whose strange behaviour culminates in an attack so disturbing its repercussions continue to the present day. Connie's niece, Anne, tells the story. Impelled by curiosity about her dynamic, adventurous aunt and her more conventional mother, she revisits Connie's past and her mother's broken childhood. In the process she unravels the enigma of Parley Burns and the mysterious, and unrelated, deaths of two young girls.